Cannes at Home: Day 8 – The Beautiful People

by Cláudio Alves

Sean Baker's ANORA looks like a top contender for the Palme d'Or.

After much divisiveness in the Main Competition, the Cannes critics finally have something to fawn over in collective uproar. Sean Baker's Anora was a hit with press and audiences alike, standing out in a selection of otherwise derided titles. Indeed, Christophe Honoré's Marcello Mio met critical rejection on the same day of Grand Tour's world premiere, while Paolo Sorrentino's Parthenope inspired another wave of dissenting opinions. Some love it, while many others decry the Neapolitan director's obsession with objectified female bodies, beauty above everything else, even cinematic meaning. Considering his last few projects, this shouldn't come as a surprise.

That shall be the theme of this Cannes at Home program—the beautiful people. Let's explore the siren calls of Baker's Tangerine, Honoré's The Beautiful Person, and Sorrentino's Oscar-winning The Great Beauty…

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Cannes 2019 Un Certain Regard Lineup

We already dove into the Cannes Competition Lineup so it's time to look at the other most famous program, Un Certain Regard, which tends to be where a lot of the edgier titles from younger directors go. Some years people actually think this program beats the main competition for quality (since the main competition generally defaults to the "masters," regardless of whether or not they happen to be having a strong year).

UN CERTAIN REGARD

Fernanda Montenegro in "Invisible Life"

Here is a bit about all that titles in Un Certain Regard. These films won't get quite as much buzz in May UNLESS they break out and the familiar refrain begins "Why wasn't this in the main competition?" You know how Cannes critics do...

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NYFF: Christophe Honoré's "Sorry Angel"

Jason Adams reporting on the New York Film Festival

The first time they meet, after eyeing each other across the seats of a cinema, puppy-eyed 22-year-old Arthur (Vincent Lacoste) describes himself as a "reader" to the somewhat older, wiser Jacques (Pierre Deladonchamps).  Jacques, a writer, is amused by this perfect puzzle snap of self-descriptions. If only timing was as much on their side, his tired but smirking eyes seem to say. They might have made a beautiful movie together. (And hey, turns out they did.)

Some time later Jacques explains that there are four types of gay men. As he goes on to list them Arthur on the other end of the telephone hilariously grabs a notebook and a pen. As Jacques rattles off all of the big names proving his thesis (Rimbaud, Auden, Whitman oh my) Arthur scribbles away, a sponge sucking up all the wisdom that Jacques has to offer...

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Q&A: Actors Who Should Be More Famous, Broadway Crossovers, and Animal Horror

Hello everyone!

Nathaniel, eternally cat-sittingWe haven't done a Q & A in so long so let's jump right in. In order to actually do these more often I'll answer just five or six questions at once. Hopefully this will stir up more focused comment parties, too!

PAR: Julianne Moore, Michelle Pfeiffer, and Annette Bening enter the thunderdome. Only one leaves. Who? - par

A: LOL! I hope you aren't being cruel and just making me sacrifice two of my all time favorites at the altar of, well, my Pfavorite. But if we're talking about cage matches in post-apocalypse desert landscapes my answer is The Bening. Moore would break down into crying jags in no time, becoming too vulnerable. Pfeiffer would seem like easy prey put up a very spirited and scary pfight but you know that The Bening is all wile and steel and surprise maneuvers. How else did she conquer Hollywood and Warren Beatty and continue to become even more incredible as an actress the older she got despite being brilliant right out of the gate?

STEVE G: What film out of Cannes 2018, that wasn't previously on your radar, are you most excited to see?

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Cannes 2018. The First Films Announced!

by Nathaniel R

Best Actress possibility? Iranian actress Golshifteh Farahani (About Elly, Paterson) and French star Emmanuelle Bercot headline the cast of "Girls of the Sun" about a Kurdish female battalion and the journalist embedded in their ranks

The initial Cannes lineups have arrived with films from their semi-typical list of famous international auteurs. Cannes has had problems leaning into super-male lineups (even when hugely acclaimed female directors are available) so it's worth noting that three of the first seventeen films announced in competition are from female filmmakers: Lebanon's Nadine Labaki, Italy's Alice Rohrwacher, and France's Eva Husson.

Which films are you most excited about? We've got the titles as well as a few details we could find about them after the jump...

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