I Put A Link On You... and now you're mine 🎵

• The Reveal you may have heard that NEON is planning an unusual release for Apichatpong Weerasethakul's Memoria in that it will only play in one movie theater at a time for one week and continually move to new cities and never come to streaming. The internet was furious about the 'elitism' of this but Scott Tobias has a different take that's well worth reading
• Coming Soon Trailer to season 2 of Locke & Key. Not half enough Connor Jessup in this teaser!
• Vulture Bayard Rustin is FINALLY getting a biopic and Colman Domingo will be playing the gay Civil rights hero of yore. Now we can begin dreaming that Domingo will finally become an Oscar nominee a year or two from now. It usually takes a biopic (sigh)

First movie shot in space, Hocus Pocus-themed concert, Andrew Lloyd Weber on various stage-to-film adaptations, Théodore Pellerin rumors, and more after the jump...

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Review: Nia DaCosta's "Candyman"

by Matt St. Clair

When the 1992 horror classic Candyman made its way to theaters, audiences were introduced to a figure who serves as a representation of America’s original sin and a tragic monster akin to those from the classic era. The original Candyman (Tony Todd) pursuing grad student Helen Lyle (Virginia Madsen) has invited comparisons to The Phantom of the Opera, another lovelorn monster.  But the latest direct sequel of the same name by director Nia DaCosta is less of a Universal Monster-esque tragedy.

Though it continues the original storyline, the new Candyman (2021) expands its racial commentary to tackle generational pain, police brutality, and gentrification...

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"Zola" is a must-see

Spend some time in batshit insane Florida this weekend. Writer/Director Janicza Bravo's stripper comedy Zola (co-written by Tony-nominated playwright Jeremy O. Harris) which was a major Sundance hit way back in January 2020 before the pandemic, is finally in theaters. It was worth the wait. Murtada raved about it last year...

Zola is the first film to get how social media interactions have shaped the way people talk to each other IRL. How many times have you said "LOL" to someone’s face? Admit it, many times. Bravo and Harris manage the find the right speech cadences for that sort of phone jargon. Then, Bravo masterfully realizes them visually so that they are seamless. [Read the full review] 

It's a great and wild time at the movies headlined by fast-rising wonder Taylour Paige (so fun as Viola's girl in Ma Rainey last season) in a nimble deadpan funny star turn. She had me in stitches with a one word line reading "...word" early on in this weekend misadventure before the gallows-humor comedy rubbernecks around its rather serious and frightening sex-trafficking elements. She and the underappreciated Riley Keough are both expert at keeping their performances both real and "in quotes" for the different points of view and emotional facades the women wear to survive. 

93rd Academy Awards: 10 Best-dressed

by Cláudio Alves

After an awards season full of Zoom ceremonies and no red carpets to speak off, Oscar night was a breath of fresh air. While most stars have spent the past few months attending shows from their homes, that didn't mean there wasn't fashion to appreciate. However, there's something special about the spectacle of the red carpet, something ineffably magical. With that in mind, I decided to explore, list, and rank the best looks of the night. From ingenues to aged thespians, male provocateurs, glamorous goddesses, there was much to appreciate. 

First, though, I'd like to make an honorable mention… 

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Interview: Colman Domingo on "Ma Rainey's Black Bottom" and his slow burn career

This interview was originally published in an abridged version at Towleroad

a recent image from Colman's instagram

by Nathaniel R

Colman Domingo’s laugh is everything you hope it could be. Big, throaty, warm. It’s probably a little disarming for those who haven’t seen the full estimable range of his work and only know him from one of his tougher roles, like AMC’s zombie series  Fear the Walking Dead.  I first met him off the clock at a bar during the Toronto Film Festival a few years ago. Though I don’t usually approach celebrities in non-work circumstances I risked it if only to express appreciation (actors who’ve always been out of the closet deserve our respect). We ended up chatting over a drink. When I bring this chance meeting up, rather than shrugging off the awkward familiarity Colman begins to laugh. “We sure did!” he says enthusiastically before drifting into a familiar conversation — as so many of us have now — about how much he misses meeting and hugging people in person.

We spoke over Zoom in February, almost a year into the pandemic...

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