Showbiz History: Madonna at the Grammys, Judy at the Globes, Tilda at the Oscars

7 random things that happened on this day, February 24th, in showbiz history...

Judy and Marlon seated together at the Globes; They both won that night.

1955 The 12th annual Golden Globes are held honoring 1954 cinema. On the Waterfront (Drama) and Carmen Jones (Comedy/Musical) took the Best Picture prizes. Both James Mason and Judy Garland (neither of whom ever won a competitive Oscar) of A Star is Born won Globes for their leading work in the Comedy/Musical fields but the fact that the picture lost (when it's a hundred times the film Carmen Jones is) was an ill omen of what would happen later at the Oscars... 

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Review: Judas and the Black Messiah

by Lynn Lee

The flame that burns twice as bright burns half as long.  That isn’t Fred Hampton’s epitaph, but it could well be.  Only in his case, it wasn’t even half – more like a quarter.  At the age of 21, Hampton was already one of the brightest lights in the Black Panther Party when he was assassinated in his own home by the Chicago police, with help from the FBI, in 1969.  The most tragic aspect of his premature demise wasn’t that he was just getting started; it was that he had accomplished so much in such a short time and gave every indication he could have done so much more had he lived.  The second most tragic aspect was the identity of his betrayer: an African American FBI informant who had embedded himself in Hampton’s inner circle.

Both of these aspects get their due in Judas and the Black Messiah, the first non-documentary film to focus on Hampton and the man (and Man) who brought him down...

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April Foolish Predictions #8: Lead Actor

by Nathaniel R

It won't be hard (qualitatively) for Taron Egerton to outdo Rami Malek in the biopic rock star acting department. But will Oscar feel like "we just did that"?

We didn't forget about our April Foolish Predictions, but just got a wee bit sidetracked. Today's update is the marquee category of Best Actor. Our crystal ball shows us virtually nothing this year in regards to this category with everyone feeling both likely and unlikely for various reasons. One of the most confusing elements is that we know Oscar loves non-fictional characters best but half of those performances seem to be in Netflix movies and you never know which they'll give the big push to, or even release in theaters at all. In the absence of sure things, even on paper, we decided to take some wild swings. For example: Daniel Kaluuya for Queen and Slim which might prove way too divisive since it was introduced as "protest art" at CinemaCon; Ben Affleck, who never has been praised all that much for the acting side of his career, for his addiction drama Torrance. We almost went with Mark Ruffalo who reads like a safe bet in a potentially great role in Todd Haynes's untitled new film. On the other hand, Haynes is not a speedy filmmaker so the likelihood of 2020 for that feels strong.

The safest bet on paper is surely Tom Hanks as Fred Rogers in A Beautiful Day in the Neighborhood. But they passed right by Hanks for Captain Phillips, Saving Mr Banks, The Post, and Bridge of Spies, any of which might have netted him an easier nomination in the 1990s when they couldn't get enough of him. So you never know.  Check out the chart to see where all the big names and rising stars rank. Do you have any hunches this early? 

PREDICTION INDEX / BEST ACTOR PAGE

Middleburg: "Ruben Brandt" Collects and "Widows" Thrills

Day two of the Middleburg Film Festival

Friday kicked off with a special "sneak" of Stan & Ollie (which, more on tomorrow) and then two more movies which went like so...

Ruben Brandt, Collector
From the opening shot of this animated film from Hungary you know you're in for an idiosyncratic lark. We're humorously crosscutting between an ultra fast moving train and the molasses crawl of a snail on the tracks. Then we're inside the train with Ruben Brandt, a famous psychotherapist who is promptly attacked by a little girl with a very sharp bite who is dressed suspiciously like Diego Velázquez's  "Infanta Margarita Teresa in a Blue Dress". I say 'dressed like' because it's hard to make the connection at first...

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TIFF Review: "Widows"

by Chris Feil

If you thought that Steve McQueen’s Widows would be less of a body blow as his other films simply because the genius director is dipping into the mainstream, guess again. A quaint notion that is thankfully not the case - McQueen hasn't softened a bit, and thank goodness.

Watching the film is like laying on a bed of nails, danger at every turn as you dodge its narrative and formative land mines. McQueen’s previous films such as 12 Years a Slave and Shame depicted viscerally physical experiences, making for intense films that can be felt as deeply in the body as well as the soul. Though Widows is less concerned on physical tolls taken on its characters than those efforts, that doesn’t mean you don’t still feel Widows down to your bones.

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