HBO’s LGBT History: Elephant (2003)

Manuel is working his way through all the LGBT-themed HBO productions...

Last week we praised Tom Wilkinson and Jessica “Patron Saint of Hand Acting” Lange in the 2003 trans film, Normal, which feels oddly timely what with I Am Cait, and Transparent covering similar territory a dozen years later. This week we look at the Diane Keaton (!) produced film, Elephant, Gus Van Sant’s fictional take on the Columbine High School massacre.

Using mostly non-professional actors and featuring dizzying long-takes to make you feel the passing of time leading up to the horrific events at a high school in Portland, the film is not immediately or easily catalogued as an “LGBT” film, but it makes for a fascinating entry into our long-running project, given both its director and its oblique treatment of homosexuality. [More...]

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Link of All Media

big screen
Towleroad James Franco to plan an ex-gay activist in a new Gus Van Sant film
Guardian Russell Crowe meets with the Archbishop of Canterbury for Noah. The things people will do for movie promotion, I tell you
Empire Cake, a Jennifer Aniston movie about a pain support group, lines up a huge cast of acclaimed actors including Anna Kendrick (highly in demand lately... so many new projects)
AV Club talks to former child star Haley Joel Osment who is apparently in the next Kevin Smith picture

In Contention very minor new details emerge on Meryl Streep's Ricki & the Flash (which we were just discussing)
Empire Brad Pitt is doing yet another World War II movie after that upcoming tank drama. This will be his third in a handful of years.
THR reports on casting for Monster Truck, which is described as having a "Transformers meets Gremlins vibe". Yikes. One of those is pleasurable at least
Coming Soon Toby Kebbell wins the Doctor Doom role in the upcoming Fantastic Four
/bent rumors flying that producers of the upcoming Belushi biopic are panicking about Ellen Page's coming out. Dumb. Seriously people do not care about this. They don't. They only care in a think piece on the internet kind of way which is to say it's not going to affect anyone's ticket purchase.
Pajiba and Film School Rejects both have cute articles about body-swapping yesterday (I musta missed the memo that this was a thing connected to April Fools Day?) via Face/Off and Freaky Friday and more. Sadly there's no gif for Tom Hanks in Big but I do still remember his reaction to waking up in an adult body
Forbes on why Warner Bros/DC doesn't need to do like Disney/Marvel does with its superhero universe. This article is 4 times as long as it needs to be since you get literally all of its points in the first few hundred words (but it's good to fight against common wisdom) but maybe it's actually a satire about the repetitiveness of padded franchise culture?

no screen
Slate I don't know music theory (though, as previously noted, I can play the piano) but I thought this article about Lady Gaga's enduring "Bad Romance" was interesting. 
NME Courtney Love thinks a Kurt Cobain Broadway musical is very likely to happen
/Film Yes Wicked still wants to be a movie. Spring Awakening, too. An update.

⇐ Towleroad and can I say I'm thrilled that Harvey Milk finally got a stamp. "Forever" is right, US Postal Service! The gay rights pioneer and awesome subject of not one but two Oscar-winning films (The Times of Harvey Milk and Milk from 1984 and 2008, respectively, was super deserving thanks for asking)

small screen
i09 first commercial for Extant, Halle Berry's new TV project
Variety Peabody Award winners include Scandal, Orphan Black, and House of Cards
Sorta That Guy and The Wire and The Wrap and seemingly EVERYONE else online on the series finale of How I Met Your Mother. A lot more people in the universe seemed interested in that I could have ever imagined. I've seen only 6 or 7 episodes over the years from varying seasons and thought none were anywhere better than "okay"

Today's Must Love
This one took me a split second to get but it gave me such lol'ing joy. Hat tip to Rufus Mayhem and Hayden Wright... 

Great Moments in Gayness: Their Own Private Campfire

Team Experience is celebrating Gay Pride with their favorite moments in gay cinema... Here's Craig (of 'Take Three' fame) on a certain seminal early 90s trip... Happy Gay Pride Weekend Everyone!

The open road and the “messed-up” faces along the way are what haunt lost hustler Mike (River Phoenix) most in My Own Private Idaho. In Gus Van Sant’s seminal 1991 gay road movie Mike trips through narcoleptic encounters with both male and female clients, Wizard of Oz-style barns crashing to the ground, talking porno mag covers, tableaux vivants sex scenes and Shakespeare’s Henry IV. His is an eventful, hardscrabble life filled with grit and longing. Each scene arouses memorable moments that every Idaho fan — gay, bi, straight or whatever it takes to have a nice day — surely still carries with them.

The most hopelessly romantic moment in the film and one of its best scenes is Mike’s campfire stopover. Somewhere out there on the prairie, in their very own private corner of Idaho, Mike and his ‘prince’ Scott (Keanu Reeves) make a fire and hunker down for the night. The prairie is dark and the fire’s embers glow like Mike’s unrequited feelings. He wants to set his spurs a-jinglin’, so ventures a question

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Berlin Announces Its Winners.

Jose here. The Berlin Film Festival came to its end a few hours ago and the big winners came from Romania and Bosnia. Călin Peter Netzer's Child's Pose won the prestigious Golden Bear, while Danis Tanovic's An Episode in the Life of an Iron Picker picked up the Jury Grand Prix as well as the Best Actor award for Nazif Mujic.

The winners as selected by the jury headlined by Wong Kar-wai were:

• Golden Bear: Child's Pose by Călin Peter Netzer
• Jury Grand Prix: An Episode in the Life of an Iron Picker by Danis Tanović
  
  Tanović's movie has a real life family recreate an event that almost cost them their son's life. Not only does this sound like an interesting project but it also shows a two year trend in the festival where real life people dramatizing events have taken the main prizes. Last year's Golden Bear winner, Caesar Must Die (which is great and just opened in NYC!) had real life inmates put on a Shakespeare play. Tanović has also had a great record with awards, remember his No Man's Land upset Amélie for the Oscar twelve years ago? We might be in the presence of the first Oscar-y movie of 2013...

Emile Hirsch and Paul Rudd in Prince Avalanche

• Silver Bear for Best Director: David Gordon Green for Prince Avalanche
• Silver Bear for Best Actress: Paulina García for Gloria
  
  García keeps on perpetuating the fantastic renaissance of Chilean cinema. Chile is having a great year so far, with No (which just opened in the US) being perhaps the only movie that could give Amour a run for its money in the Oscar race. Incidentally Pablo Larraín, who directed No is listed as a producer for Gloria.
   
• Silver Bear for Best Actor: Nazif Mujić for An Episode in the Life of an Iron Picker

A still from Closed Curtain.

• Silver Bear for Best Script: Jafar Panahi for Closed Curtain
  
  Panahi, who is still banned from film making, shot this in his own beach house and once again managed to smuggle the film out of Iran! Just two years ago, his brilliant This Is Not a Film (which was shamefully left out of the Oscar documentary race) caused a commotion in Cannes after it arrived via birthday cake! Is it just me or is Panahi's life much more interesting/politically inspiring than Argo? Sigh.

• Award for an outstanding artistic contribution: Vic and Flo Saw a Bear by Denis Côté
• Teddy Award: W imię... by Małgośka Szumowska (the Teddy, an LGBT-focused award, is chosen by an independent jury)
  
  On an interesting note, the Special Award winner - Vic and Flo Saw a Bear- also features lead characters who are gay, yet the movie wasn't featured in any of the Teddy selections. Makes for an interesting question on how different jury members vote for different things and spread out the wealth.
  
  
• Special Mentions:
  • Promised Land by Gus Van Sant (whatever happened to this movie Stateside?)
  • Layla Fourie by Pia Marais

In recent years, more than ever before, we've seen an overlap of Berlin and Oscar, particularly in the Foreign Language category. Just last year Berlin gave awards to War Witch and A Royal Affair, both of which ended up being nominated in the Best Foreign Language Film category this year. Which of these movies are you dying to see? Have you kept up with Tanovic's work after his Oscar win?

Cannes Summary: Woody Allen through Gus Van Sant

Hi All. Robert (author of Distant Relatives) here. As Nathaniel has mentioned, MUBI.com is really the place to go for lots and lots of Cannes reviews. But in case you don't want to sift through lots of reviews or fear leaving the warming embrace of The Film Experience, I thought I'd sum up some of what people are saying about the first few Cannes Films, right here.

Woody Allen's Midnight in Paris opened the festival and while a few viewers are suggesting it's an unnoteworthy truffle, most of the reaction has been positive though not exhuberant. Still, with expectations growing lower and lower for Mr. Allen's releases, it's nice to see that he can still enchant an audience. Seriously, you've never seen the words "charming" and "pleasant" and "whimsical" so much in one place. Here's the MUBI summary.

Sleeping Beauty, the first film by author Julia Leigh is one of a handful of films this year that feels like Cannes attempt to recapture that uncomfortalbe sexual Antichrist buzz. Here, Emily Browning plays a newbie prostitute whose specialty is being drugged and taken advantage of in her sleep. Detractors here seem to be in the slight majority calling the film "cold" and "psychosexual twaddle." But there are still some reviewers who find the film "enthralling" and have high praise for Browning's performance and desire to break free from studio stuff. MUBI summary.

Nathaniel has already touched on We Need to Talk About Kevin and the great notices coming Tilda Swinton's way (Roger Ebert referrs to her in his tweeting as Saint Tilda and I must admit that name is sticking in my brain). It's also nice to see excitement greet a Lynn Ramsay film (whose Ratcatcher and Morvern Callar I assume must have been some of the better DVD discoveries of the past 10 years). Alas the film itself is getting a bit of a mixed reaction. MUBI summary.

Gus Van Sant's teenage romance Restless opened Un Certain Regard and it's hard to ignore the bad reviews piling up. While there are a few nice sentiments, like Mike Goodridge's declaration that it's a "gentle moving hymn to life" most of the agreement seems to be that the film is a "dud" not to mention "intert" or "emo goo." MUBI summary here.