One For Them, One For Me: M. Night Shyamalan's "The Sixth Sense" and "Stuart Little"

A New Series by Christopher James

Take bets: Who did M. Night Shyamalan find it was easier to write for - a human child or a mouse child voiced by a 38-year-old man?

Do one for them; do one for you. If you can still do projects for yourself, you can keep your soul.
— Martin Scorsese: A Journey

Even from the get go, M. Night Shyamalan’s career was idiosyncratic. He went from Oscar nominated wunderkind to punchline all within the span of less than ten years. With his most recent movie, Old, Shyamalan seems to have figured out a way to own his poor reviews. At a time where the definition of “camp” is constantly argued, Old feels like pure, grade A camp. He’s also regained a lot of his box office cred with Split and Glass, which connected to one of his earliest films, Unbreakable. 

In 1999, Shyamalan earned tons of accolades, including Best Director and Original Screenplay Oscar nominations, for his smash hit, The Sixth Sense. At that point, Shyamalan had only directed two movies, a personal indie called Praying with Anger that he starred in and a movie called Wide Awake that stars Rosie O’Donnell as a baseball fanatic nun. Few things could’ve prepared people for The Sixth Sense’s level of success. However, it wasn’t the only financial hit of the year for Shyamalan. He had done uncredited rewrites on movies like She’s All That, so he wasn’t above doing “one for them” to earn some money. However, he was credited as the writer of the Visual Effects nominated children’s film Stuart Little.

Is there anything that connects The Sixth Sense and Stuart Little together, other than coming from the mind of the same writer? Let’s take a look (age old spoilers ahead)...

Click to read more ...

Stream This: The Verdict, Black Widow, Holding the Man, and More.

In the effort to stay au courant we'll alternate between Netflix and Amazon Prime for streaming news, last chance viewings and newly available. We'll freeze frame select titles at random places just for fun and see what image comes up - you know how we do. 

LAST CHANCE NETFLIX

-A present? Nice. It looks just like our horse
-Should I bring it inside?
-It'd be rude not to. 

Mr Peabody and Sherman (2014, expires August 11th)
A little Trojan War humor for you there. Critics were marginally kind but our own Tim Brayton said...

here we are, with the latest in a long line of remakes that simultaneously gloss up, flatten, and embalm an old classic that needs none of those thing. 

So moving on with 9 more titles after the jump...

Click to read more ...

Link of All Media

big screen
Towleroad James Franco to plan an ex-gay activist in a new Gus Van Sant film
Guardian Russell Crowe meets with the Archbishop of Canterbury for Noah. The things people will do for movie promotion, I tell you
Empire Cake, a Jennifer Aniston movie about a pain support group, lines up a huge cast of acclaimed actors including Anna Kendrick (highly in demand lately... so many new projects)
AV Club talks to former child star Haley Joel Osment who is apparently in the next Kevin Smith picture

In Contention very minor new details emerge on Meryl Streep's Ricki & the Flash (which we were just discussing)
Empire Brad Pitt is doing yet another World War II movie after that upcoming tank drama. This will be his third in a handful of years.
THR reports on casting for Monster Truck, which is described as having a "Transformers meets Gremlins vibe". Yikes. One of those is pleasurable at least
Coming Soon Toby Kebbell wins the Doctor Doom role in the upcoming Fantastic Four
/bent rumors flying that producers of the upcoming Belushi biopic are panicking about Ellen Page's coming out. Dumb. Seriously people do not care about this. They don't. They only care in a think piece on the internet kind of way which is to say it's not going to affect anyone's ticket purchase.
Pajiba and Film School Rejects both have cute articles about body-swapping yesterday (I musta missed the memo that this was a thing connected to April Fools Day?) via Face/Off and Freaky Friday and more. Sadly there's no gif for Tom Hanks in Big but I do still remember his reaction to waking up in an adult body
Forbes on why Warner Bros/DC doesn't need to do like Disney/Marvel does with its superhero universe. This article is 4 times as long as it needs to be since you get literally all of its points in the first few hundred words (but it's good to fight against common wisdom) but maybe it's actually a satire about the repetitiveness of padded franchise culture?

no screen
Slate I don't know music theory (though, as previously noted, I can play the piano) but I thought this article about Lady Gaga's enduring "Bad Romance" was interesting. 
NME Courtney Love thinks a Kurt Cobain Broadway musical is very likely to happen
/Film Yes Wicked still wants to be a movie. Spring Awakening, too. An update.

⇐ Towleroad and can I say I'm thrilled that Harvey Milk finally got a stamp. "Forever" is right, US Postal Service! The gay rights pioneer and awesome subject of not one but two Oscar-winning films (The Times of Harvey Milk and Milk from 1984 and 2008, respectively, was super deserving thanks for asking)

small screen
i09 first commercial for Extant, Halle Berry's new TV project
Variety Peabody Award winners include Scandal, Orphan Black, and House of Cards
Sorta That Guy and The Wire and The Wrap and seemingly EVERYONE else online on the series finale of How I Met Your Mother. A lot more people in the universe seemed interested in that I could have ever imagined. I've seen only 6 or 7 episodes over the years from varying seasons and thought none were anywhere better than "okay"

Today's Must Love
This one took me a split second to get but it gave me such lol'ing joy. Hat tip to Rufus Mayhem and Hayden Wright... 

Predix: Supporting Actor and The Matter of Young Leads

Jim Broadbent as Dennis ThatcherWhen it comes to blindfolded Oscar predictions, almost nothing beats the supporting categories. I have this vague fantasy of time travel and returning to propose all 10 supporting acting nominees correctly one April to reams of laughter from the internet. They can be so hard to see coming for so many reasons including: adaptations sometimes lean on different characters than the novels or plays that birthed them, ensembles are tricky because you don't know who will win "best in show" reviews, one lead films are tricky because the huge role at the center (The Iron Lady, J. Edgar) sometimes end up sucking up all the oxygen and other times have coattails. Then there's the small matter of Oscar being more diverse aesthetically when it comes to supporting work. Here is where comedy, horror, sci-fi, fantasy  and even comic book movies (Dick Tracy, The Dark Knight) can show up even though they rarely if ever get play in lead categories.

Kenneth Branagh? Christoph Waltz? Philip Seymour Hoffman x 2? Viggo Mortensen x 2? Armie Hammer or Josh Lucas? Ben Kingsley? Christopher Plummer? Jim Broadbent -- his Iron Lady performance already has tongues (and fingers) wagging -- Richard E Grant or Anthony Head? Nick Nolte? Brad Pitt? You can drive yourself crazy thinking about all the possibilities. Maybe you have?

The first predictions for 2011

NEW TOPIC: This is as good a year as any, I assume, to prove my frequent statements about Oscar's double standards with gender. There are at least three very high profile films with young male leads this year: HUGO CABRET (Asa Butterfield is 14 years old), WAR HORSE (Jeremy Irvine is ??? years old), and SUPER 8 (Joel Courtney is ??? years old).

Asa Butterfield, Jeremy Irvine and Joel Courtney

If you've ever doubted my assertion about this double standard -- some people have objected to the statements -- watch how these performances are treated this year while keeping in mind how Hailee Steinfeld's work was greeted in True Grit as if the heavens or the red sea had parted. The media, critics and Oscar voters are quick to shove aside experience and accomplishment in women when a "fresh player" enters but not so with male actors. My prediction: at least one of these three does work on par or better than Hailee's and doesn't get anything like her traction. Watch and see.

Obviously there are exceptions, as there are to every rule: There was no denying Haley Joel Osment's gift in The Sixth Sense (1999) although he did get demoted to Supporting and lost to somebody who already had an Oscar, and Justin Henry won a nomination at 8 (!) for Kramer Vs. Kramer. In both cases the films were absolute sensations at the box office. Dramas no longer explode with audiences like Kramer vs. Kramer did but in today's dollars its box office haul was truly insane. We're talking a domestic haul closer to the latest Harry Potter than a True Grit or King's Speech. In other words, even Oscar doesn't ignore the zeitgeist.