Have Link Will Travel

New York Times on Paul Thomas Anderson's secretive new movie The Master. It's about... something.
MNPP Charlize Theron and Alexander Skarsgård are dating? The Mayans were right about 2012 
Your Movie Buddy interviews The Hunter's storied leading man Willem Dafoe 
Draw Adrian Draw isn't happy about Anne Hathaway as Catwoman but is sketching her anyway
Michael Musto "who's your favorite Taylor?" fun question except there's only one appropriate answer. La Liz! Not that I don't appreciate Taylor Mac...

The Incredible Suit unexpectedly loves The Avengers ... even the Hulk part.
Awards Daily Sasha Stone loves HBO's Girls and Lena Dunham in particular
Stale Popcorn meet the Cannes class of 2012. Serious Thespians (lol) 
Flavorwire always finds interesting things. Did you know that crazy auteur Werner Herzog didn't realize that crazy auteur John Waters was gay for 30+ years. lol
Gold Derby who will Laura Dern (Enlightened) knock out of the Emmy Best Comedy Actress race this season? 

Today's Most Oscary Discussable:
Stranger Than Most looks at the oddest Best Picture snubs of all time. i.e. films that were nominated in the always Best Picture related fields (Dir+ Editing + Screenplay + Acting) and still missed out. Incidentally I love every single one of the "top five" that weren't actually top five (They Shoot Horses Don't They, Hud, Thelma & Louise, Bullets Over Broadway, and My Man Godfrey)  Like crazy 'would run away with them for lost sex-weekend' kind of love. That's how much!

Hud (1963), for example, is a movie I continuously feel guilty about not forcing upon people at every opportunity -- we should totes do it for "Hit Me" but I keep forgetting to put it in the schedule. It's just a freaking masterpiece. And it's weirdly underdiscussed given how many of Paul Newman's films endured.

Game of Thrones, Three Hours In

I've resisted commenting on the new HBO series Game of Thrones, made possible by way of The Lord of the Rings. (That's a gift that will hopefully keep on giving to the fantasy genre. No one wants to go back to the 80s when B movie status was forced upon an entire genre.) I wanted to see how the series did or did not evolve from the kick-off show a couple of weeks back. So after three hours in the Seven Kingdoms, it feels like time to discuss.

After glancing at a few reviews and comment pieces, most of which seem elated at the ratings or the instant second season renewal, it seems the general consensus is FuckYeahGameofThrones. I am personally not elated though I did want to be. I imagined that the right cast or storytelling decisions in the series would smooth over or even hurdle some of the problems with the book series. I loved the first book but grew less enamored with each until I finally gave up on the series halfway through the third. By that time we had been introduced to dozens of major characters (plus several dozen minor ones) and the story threads, splintered at the thrilling final chapters of the first book, had only been rebraided in the abstract. The characterizations were, generally speaking, quite interesting. What killed it was the lack of interaction between the characters. The map is so big and the plots so resistant to truly intertwining that it felt like you were reading 100 different novels at once and even the ones about blood relatives would almost never overlap. Great characters are great characters but even they need chemistry with other great characters to truly leap off the page or screen.

George R R Martin can turn a phrase with the best of them, build a thrilling moment, and make complex decisions about characterizations (the best longform aspects of the book may be that, aside from maybe three or four characters, most of them minor, nobody seems entirely like heroes or villains). But I found the author's voice too cruel -- the ratio of gruesome plot turns to endearing or lighter or funny or romantic bits is roughly 99 to 1 -- and the stories far too repetitve once it was clear that entire books would go by and we'd still be harping on the same points (in that way it was already a television soap opera!) and still yearning for some face-to-face time between ANY of the characters we'd seen interact in the first novel.

But here's how the pros and cons and character detail breaks down thus far.

Click to read more ...

Julianne Moore, You Betcha!

Look, it's Julianne Moore as Sarah Palin ☛

I fear my immense warm love for Julianne colliding with my enormous cool hatred of Palin will cause inner tornadoes! Isn't that how it works? Or perhaps these two poles of feeling will just cancel each other out until I feel absolutely nothing while watching Game Change.

Sarah Palin has so many catch phrases and behavioral quirks that it's difficult to imagine someone portraying her without resorting to caricature mimicry but good luck, Julianne.

The cast for Game Change, which we had some fun casting ourselves, is coming together. Julianne's partner in endless Oscar losses Ed Harris, will lose the presidency with her as John McCain. But what about her kids? Relatively unknown Kevin Bigley will play Track and Melissa Farman (Temple Grandin) will play Bristol. No word on the Obamas, Clintons or Edwards yet but production starts next week. This is from Recount's writer (Buffy alum Danny Strong) and director (Jay Roach)so if you liked that one...

Are you more or less excited for this project now gazing upon this photo? Do Emmy Awards await?

Earth's Linkiest Heroes

Whedonesque okay so supposedly Joss Whedon started shooting The Avengers today. I've long said this movie will never happen so if cameras are actually rolling (do people still say that anymore with digital cameras?) and they don't stop production at some point unexpectaly I'll be totes wrong. And I'll be happy to be wrong (so long as the movie is good.)
Pajiba the ten movies people most lie about having seen when they haven't.
Movie|Line Stephanie Zacharek reveals the summer movies she's most looking forward to... even though she hates writing about trailers.
Acidemic remembered Jesus, via Franco Zefferilli, for Easter. I did such a bad job with Easter at the blog. I didn't even post a bunny picture. What's wrong with me? I'm normally such a holiday-friendly guy. Do you have a favorite Jesus portrayal from film or television?
Gold Derby looks at the possible Best Comedy Actress lineup at the Emmys. Did you know that The Lovely Laura Linney has never been defeated when nominated?
Coming Soon Johnny Depp to cameo in the 21 Jump Street movie.
FourFour writes about Lance Loud, now famous again post-humously due to HBO's Cinema Verite.
Us Magazine congratulations to TFE darling Toni Collette! She had a baby boy.

Just For Fun
My High School Boyfriend Was Gay have you seen this new humor site? Prom photos are the best for unintentional comedy. You woudn't believe mine but, no, I won't ever be sharing it.
The Awl on friendships with the unemployed.
Omaha I'm sharing this link about a tattoo artist just because of his following quote from the tattoo artist to your right on the rise of intricate realistic tattoos.

“You can put beautiful art on the body just as you can put beautiful art on the wall. I spent nine hours putting a tattoo of Michelle Pfeiffer as Catwoman on one guy.

Nobody loves La Pfeiffer more than me but I couldn't wear her face on my body for the rest of my days. Do any of you have tattoos? I'm squeamish about them but I'm always curious as to what motivates others to get them.

"Grass Widow" in Mildred Pierce (2011)

It's time for the Monday Monologue. How many of you caught Mildred Pierce (2011) last night on HBO? Todd Hayne's adaptation of the novel, previously adapted in the 40s, is a five hour affair. We can't say much as to quality yet as we're only ⅓ through (or thereabouts). Let it suffice to say for now that the new version is much different which we're immediately grateful for; no one needs a replacement of the terrific 1945 Joan Crawford noir.

Kate Winslet's Mildred Pierce, broke and forlorn.

My two favorite things about the first hours were the supporting players: Mare Winningham was tart perfection as Ida the head waitress at the diner where Mildred finds work and Melissa Leo adding to her noteworthy run as Mildred's know-it-all neighbor Lucy. Both actressses were deliciously in period; you could shove them right into a 30s movie and gobble them up with delight alongside a slice of Pierce pie.

Early in the first hour, Lucy gets a showcase bit where she schools Mildred on the complexities of dating when your marriage has broken up. She tells Mildred, who is looking anything but red hot with floured hands and apron-covered, that men now view her differently.

continue on to the monologue.

Click to read more ...