Cannes at Home: Day 1 - 'One Cut of the Dead'

by Cláudio Alves

Last year, I had a lot of fun with the Cannes at Home project. It was meant as a way to dispel FOMO by running a homebound parallel companion to the most prestigious film festival in the world. Since we couldn't screen the new titles on the Croisette, we discussed their directors' past works. In other words: I'm back on my bullshit this year, and you're invited to play along. While this miniseries will focus on the Main Competition and its auteurs, the festivities didn't start with any competing titles. Instead, Michel Hazanavicius' latest film, Final Cut, opened the festival. It's the French remake of a Japanese zombie comedy, and you can read about it in Elisa Giudici's first Cannes Diary.

It only seems appropriate to kick off this parallel project with some thoughts on the original film – Shinichiro Ueda's One Cut of the Dead…

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YNMS: Crimes of the Future (New Trailer)

by Mark Brinkerhoff

NEON, the enfant terrible of indie film distributors (Parasite, Titane, The Worst Person in the World, etc.), has released a full trailer for the new David Cronenberg film, Crimes of the Future, so you know what that means! Let’s roll…

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Review: Sebastian Stan devours horror-romance 'Fresh'

by Matt St Clair

The new horror/romance hybrid Fresh chiefly functions as a viable kidnapping thriller that still  gets one thing right about our modern dating scene. It can be a literal terror show. It’s especially horrifying in our era of dating apps. The constant hoping for a companion as you keep sending messages saying “Hello” that get no response can make you wonder if people read the actual profile. It’s easy to judge a book by its cover and message someone based on how they look in their photo. But do people bother to read our bios for a better idea on what we might be like? 

As Noa (Daisy Edgar-Jones) finds out the hard way, meeting people in real life can be just as rough...

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Exciting Project Alert: 'Spanish Dracula'

Remember the filmmaking brothers Paul Weitz and Chris Weitz? Their career together started strong with a box office smash American Pie (1999) and a well-loved modest hit About a Boy (2002). The brothers soon went solo as directors though they kept working together, producing and what not. Their subsequent work didn't capture the zeitgeist in the same way though there were sure-fire sequel hits (Little Fockers, The Twilight Saga: New Moon) a troubled attempted franchise (The Golden Compass) a few well received smaller pictures (A Better Life, Grandma) and an award winning TV series (Mozart in the Jungle). Their next project, their first co-directing gig in ages will be a biopic of their Mexican film star grandmother Lupita Tovar (pictured left) and it sounds just great...

Because of our long running "200 oldest living film stars" list we already knew that the brothers were descended from actresses...

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Sundance: Rebecca Hall goes bugsh*t in the unhinged 'Resurrection'

by Jason Adams

Wanna know how you're in the hands of a smart filmmaker? Well there are two signs, and funny enough they both involve Rebecca Hall. The first sign is thatthey hire Rebecca Hall. That's as smart as it gets! They do that much you know you're in good hands. The second sign is they give Rebecca Hall a five minute centerpiece monologue to deliver and they hold the camera on Rebecca Hall's face the entire time without cutting. That right there is what the movies were invented for, and that's how you know that Andrew Seman's film Resurrection, fresh outta Sundance, is worth its weight in Tim Roth's discarded teeth. What? Isn't that how you measure weight? I sure do now, anyway...

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