Interview: Aly Muritiba on Brazil's queer Oscar submission "Private Desert"

by Nathaniel R

Sometimes the long lead up to a movie's release can alter a story. In the case of Aly Muritiba's Private Desert, most people who come to it will already be aware of its central premise though the movie treats that as a "reveal". Happily the film works either way. Crossing the border can also change how a movie feels. The initial protagonist, Daniel (Antonio Saboia) is viewed sympathetically but his offscreen history (police brutality) is likely to spark different reactions from country to country, depending on societal views on policing and masculinity.  In the minimalist but never simple story, a lonely cop spontaneously drives several hours to finally meet the woman he's been romancing online. She abruptly ghosts him after an implicit request for reciprocal nudes and we glean, quite a long time before he does, that he's fallen for a queer person. 

We had the pleasure of talking to the director Aly Muritiba about the film, the careful casting of his second lead, and Brazil's contentious history of Oscar selections...

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Interview: Director Eran Kolirin on Israel’s Oscar Submission "Let It Be Morning"

By Abe Friedtanzer

The winner of Israel’s Oscars, the Ophir Awards, automatically goes on to become the country’s Oscar submission for Best International Feature. This year, that film is Let It Be Morning, which made headlines at Cannes because its Palestinian cast refused to attend, objecting to it being labeled an Israeli film. Those who have seen the film will surely appreciate that this attitude is expected and and very much in the spirit of the film’s content. I had the chance to speak with the film's Israeli director, Eran Kolirin (pictured left) who is best known for writing and directing The Band’s Visit. His new film premieres this week in New York City at the Other Israel Film Festival… 

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NewFest Interview: Colby Minifie on ‘Homebody’

We're covering a few titles from the 2021 edition of NewFest, the New York LGBTQ+ Film Festival.

 

By Abe Friedtanzer 

Body swap comedies aren't all that rare, but it's not common that they manage to delve into complex subjects like gender identity. That is very fortunately the case with Homebody, an entertaining 75-minute adventure that finds nine-year-old Johnny (Tre Ryder), who is already in the process of questioning their gender, transplanted into the body of babysitter Melanie (Colby Minifie). We got to chat with the delightful and enthusiastic Minifie about what drew her to this project, the fun experience of making it, and even got some details on what's ahead for her character on The Boys!  Watch the full conversation below...

Homebody is screening virtually as part of NewFest through October 26th, with an in-person screening in Prospect Park this Tuesday.

Interview: Michael Shannon on his new Hulu series “Nine Perfect Strangers”

By Abe Friedtanzer

Michael Shannon's onscreen career deserves more recognition. Yes, he is a two-time Oscar nominee thanks to Revolutionary Road and Nocturnal Animals, but he wasn’t even nominated for his best roles, including Take Shelter, 99 Homes, The Shape of Water, and The Iceman. He also deserved Emmy recognition for his first regular TV role on Boardwalk Empire, which he strangely didn’t get. 

Now, the talented always busy actor of stage and screen, who at one point debuted a whopping ten films in a single year (2016), is returning to television for the limited series Nine Perfect Strangers, based on the book by Liane Moriarty, author of Big Little Lies...

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Locarno Diary #3: Phil Tippett, the "Mad God" of special effects

by Elisa Giudici

Being a prestigious European movie festival but not one of the crowded and powerful ones, Locarno is the perfect size to showcase the work of  artisans. Every year there are one or two guests who are legends in peculiar, unseen, less discussed niches of the movie industry. I am confident that meeting Phil Tippett, a legendary special effects creator, animator and supervisor, will be one of the most vivid memories of this edition of the festival.

Before Locarno and the opportunity to meet Tippett, I knew close to nothing about his career other than that he was a collaborator and close friend of Paul Verhoeven's. So much so, he said, that on the set of RoboCop they asked each other, with dry humour, who they were forced to be nice to...

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