Emmy Analysis: Lead Actor in a Comedy Series

By Abe Friedtanzer

Lukita Maxwell and Jason Segel in "Shrinking," now streaming on Apple TV+.

Isn’t this supposed to be a comedy category? Yes, two of the shows with a questionable genre distinction -- Barry and The Bear – are represented here, but all five men chose relatively serious fare as their episode submissions. Before we dig in, let’s start with a mention of the three eligible nominees from last year who didn’t make the cut this time around. Donald Glover, a past winner of this category, had his last shot for Atlanta, and Steve Martin missed out on a repeat bid for season two of Only Murders in the Building. Most lamentably, Nicholas Hoult was somehow not selected for The Great. How that’s possible is beyond me, but fortunately the five men who did make the cut are all worthwhile…

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Emmy Category Analysis: Lead Actor in a Comedy Series

By Abe Friedtanzer

Steve Martin and Martin Short in Only Murders in the Building

This category features three past winners and three newcomers, at least as far as this race is concerned. Nicholas Hoult is the only first-time nominee, and both Steve Martin and Martin Short have won Emmys before, but not for acting. The only returning nominee from last year is defending champion Ted Lasso himself Jason Sudeikis. He'll have to fend off competition from Bill Hader, who won the second of two back-to-back prizes the last time he was eligible, and Donald Glover, who won the year before that. It’s also distinctly possible that, if they don’t cancel each other out, either Martin or Short could win. I’d personally love to see Hoult crowned, but that seems unlikely.

Emmy analysis follows (if you want spoiler filled reviews click on the episode titles)... 

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Emmy Analysis: Outstanding Lead Actor in a Comedy Series

by Juan Carlos Ojano

Unlike other categories, Lead Actor in a Comedy Series has been a foregone conclusion even before nominations were announced. With Ted Lasso skyrocketing to the frontrunner status with 20 nominations, Jason Sudeikis is poised to take this as one of the easiest calls come Emmy night. Two of the nominees also came from Comedy Series nominees, but both are nowhere near Ted Lasso’s winning chances. Meanwhile, two of the nominees are sole representations of their shows - one in its first season, one in its last. 

Without further ado, here are the nominees...

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Emmy Watch: Best Lead Actor in a Comedy Series

Our team is breaking down the top contenders in all the major Emmy races and highlighting some of our favorites over the next few weeks. Today, we’re looking at Best Lead Actor in a Comedy Series.

 

By Abe Friedtanzer

I was going into this category thinking that it might actually boast the highest percentage of possible returning nominees – a full 50% of last year’s slate, which in this crazy time is actually a lot. But Black Monday and its star Don Cheadle don’t appear to be eligible since they counted the four final episodes of season two, which aired last summer, last year, and even though the show returned a few weeks ago, there just aren’t enough installments for Showtime to bother to submit it (apparently). If it does somehow end up on the ballot, count Cheadle in again. The two surefire returning nominees are Anthony Anderson (Black-ish), vying for his seventh bid, and Michael Douglas (The Kominsky Method), set to earn his third and final nomination for this role. Let’s take a look at the rest of the field…

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The Furniture: Breaking House in Colossal

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Colossal is a movie built upon one very, very big metaphor. Gloria (Anne Hathaway) and Oscar (Jason Sudeikis) are highly destructive people, each at a different stage of addiction and personal crisis. They also have kaiju-sized avatars that tromp across Seoul every time they drunkenly stumble through a playground at 8:05am, the result of a bizarre electro-magical accident. It’s quite the premise.

But it works because director Nacho Vigalondo doesn’t rely exclusively on CGI monsters to get his point across. After all, they are only exaggerated versions of Gloria and Oscar, stomping through their lives. It matters not whether their feet land on a playground or through the first floor of an office building.

  

Or, as the case may be, their homes...

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