Emmy Analysis: Lead Actor in a Comedy Series

By Abe Friedtanzer

Lukita Maxwell and Jason Segel in "Shrinking," now streaming on Apple TV+.

Isn’t this supposed to be a comedy category? Yes, two of the shows with a questionable genre distinction -- Barry and The Bear – are represented here, but all five men chose relatively serious fare as their episode submissions. Before we dig in, let’s start with a mention of the three eligible nominees from last year who didn’t make the cut this time around. Donald Glover, a past winner of this category, had his last shot for Atlanta, and Steve Martin missed out on a repeat bid for season two of Only Murders in the Building. Most lamentably, Nicholas Hoult was somehow not selected for The Great. How that’s possible is beyond me, but fortunately the five men who did make the cut are all worthwhile…

Click to read more ...

Emmy Analysis: Comedy Supporting Categories

By Abe Friedtanzer

Ebon Moss-Bachrach and Ayo Edebiri in FX's The Bear

With only fourteen nominees, the comedy supporting categories still have nearly double the shows represented by the drama supporting categories’ sixteen recognized individuals. Both supporting actor and supporting actress contain two sets of double nominees, but it’s hardly the overwhelming domination that exists on the drama side. There are also five past winners and a handful of fresh faces that make these two races well worth watching...

Click to read more ...

Emmy Nominations - Who's Up and Who's Down?

By Christopher James

For the first time, all members of the Roy family earned Emmy nominations, including eldest brother Connor, played by Alan Ruck.

When the Emmys fall for a show, they fall hard. Despite having over 100 categories, the Television Academy nominates less and less series each year. As Abe covered Thursday night and Team groused about a bit in their reactions, four shows racked up over 20 nominations each this year (Succession, The Last of Us, Ted Lasso, The White Lotus), up from three last year. Three of those four shows won Series prizes last year. The fourth (The Last of Us) competes this year for its first season. A year over year increase is a strong sign that momentum is on a show’s side. You can defeat a previous winner or stage a coup if you can leverage a large nomination haul to gain a foothold and mount an aggressive campaign. But campaigning will be mostly out the window this year given the strikes. 

So what does the Emmy race look like now that nominations are out? Did any challengers emerge to overthrow incumbents Succession and Ted Lasso?

Click to read more ...

"Everything Everywhere..." wins every Spirit Award it's up for

by Nathaniel R

"Everything Everywhere All At Once" was a sweeper

Everything Everywhere All At Once has turned into a steamroller late in awards season, winning guild prizes, recently snatching up all available Dorian Awards, taking all of the SAG awards it was eligible for, and now sweeping again at the Spirits. The Spirits are traditionally the final prize before Oscar (they used to even be held the day before Oscar!) though they don't always align with Hollywood's big night given their more indie-focused love. This time though there will surely be some overlap. The Daniels sci-fi-comedy-action-queer-family drama has won every single one of its seven categories at the annual Film Independent Spirit Awards and that's getting to be a habit, poor BAFTA showing as the exception. Given its dominance at the Spirits, no other film was able to win more than one prize. Despite an impressive showing in the nominations, for example, TÁR only took Best Cinematography since EEAAO wasn't nominated.

After the jump the winners and all the acceptance speeches...

Click to read more ...

Streaming Tops: Top Gun, The Sea Beast, RRR, House of Gucci, etc...

by Nathaniel R

The original Top Gun (1986) has been popular on streaming all summer

We heard your response that adding streaming charts to the weekend box office was too much / too confusing so we'll do them separately. It's interesting to know what people are watching even if the data is highly questionable with no checks and balances to accuracy; we mostly have to make due with what the streamers themselves release (and who knows what agendas they have when there's no way to verify their figures) or third party services that also have unknown metrics. But we digress.

Charts are for July 12th or thereabouts (hint: there's also no set system of when numbers are reported from service to service as there is with the world of theatrical releases...)

Click to read more ...