Best Actor. April Foolish Predictions

It's that time of year. But judging on your semi-quiet response maybe you weren't quite ready for it yet? Anyway. Light a fire. Whoohoo. It's time to pull out the crystal balls and make stupidly early Oscar predictions.

There are so very many questions to ask about the forthcoming Best Actor race. These are just 8 of them:

• Can Eddie Redmayne (The Danish Girl) be the first back-to-back acting winner in 21 years?
• Will Tom Hiddleston (I Saw the Light) & Don Cheadle (Miles Ahead) do their musician legend biopics proud?
• Will Michael Fassbender prove Michael Fassbender's undoing (5 leading roles this year)?
• Same question for Jake Gyllenhaal (3 leading roles this year)?
• Perennial Write-In Question from Leo "when will it finally be my turn?" 
• Can money-grubbers Will Smith (Concussion) & Johnny Depp (Black Mass) find artistic redemption and thus Oscar favor?
• Can Bryan Cranston (Trumbo) triple-crown by February next year? He's already got the Tony & the Emmy 
• Will any of the old guard (Warren Beatty, Tom Courtenay, Sir Ian McKellen) rise up?
• Will Beasts of No Nation sort out its theater vs online situation so that Idris Elba has a shot?

SEE THE NEW CHART. Discuss.

Curio: Cry Baby, 25 Years Later

Alexa here with your weekly film curio cabinet. 25 years ago this week John Waters' Cry Baby was released to the sound of a collective box office yawn.  But of course the whole pageant was engineered by Waters to become a cult favorite of the future. All the pieces were there: Johnny Depp licked his way out of the teen heartthrob hole he dug himself on 21 Jump Street, Traci Lords made getting vaccinations sexy, Iggy Pop took a bath, and Kim McGuire bravely put on her Hatchetface after Divine left this word for a better one.  In honor of its anniversary, here are some handmade goods celebrating the film that launched a thousand lonely tear drops.

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Bad Movie-thon

Jose here. Ah, it’s Oscar season and all movie lovers can talk about is who was snubbed or who will and should win. While basking in the glow of acclaimed movies and conversations about the merits of sound editing and screenwriting is nothing to frown upon, most people forget that new movies are released each week, yes, even during Oscar season. And yes, most of these releases are of dubious quality, but sometimes you can only watch your favorite Best Foreign Language Film nominee so many times before you want to go see something new, right?

But what to choose among the pile of critically lambasted offerings that 2015 has brought us so far? I saw a bunch of them, to bring you this concise report.

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Reviewish: Into the Woods, Musical Numbers Ranked

This review originally appeared in Nathaniel's column at Towleroad

Once upon a time Stephen Sondheim wrote a musical classic Into the Woods. The first act brings together classic fairy tale characters into one comic misadventure and the second act debunks the “happily ever after” myth and transforms the whole play into a masterpiece about virtually all the Big Stuff: growing up, parenting, marriage, death, rebuilding after great loss.

Cinderella's family mocking our movie musical anxiety

When it comes to lines we can repurpose to talk about the prospects of a film version, Little Red said it best:

It made me feel excited. well, excited and scared.

Isn’t that how devotees of the movie musical feel each time a new one arrives? A bit of background to justify the high-anxiety. The live-action movie musical died alongside Bob Fosse's alter ego in All That Jazz (1979). The genre was six feet under for two full decades despite intermittent attempts at excavating its exquisite corpse (Annie, Little Shop of Horrors, Newsies). The Disney animation renaissance of the 1990s renewed interest and the genre was successfully reborn at the turn of the century by the one-two-three-four punch of Dancer in the Dark, Hedwig and the Angry Inch, Moulin Rouge! and Chicago. That's a four consecutive high quality film run that this ancient-newborn genre has yet to match since. And why is that exactly? Some people blame the lack of strong directors who are skilled in the form, others the resistance to new blood (nearly all modern musicals are adaptations). Still more culprits are Hollywood’s frequent miscasting since musical skill is considered optional.

But The Witch (Meryl Streep) would like us to stop bitching and get on with this review...

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The Less Good, The Bad, and The Ugly

Or, "Try Harder Next Time You Talented So & Sos!"

Our Worst of the Year feature "Cinematic Shame" has shrunk in size. This is not because movies are better. This is because your host (Nathaniel R) has somehow become less jaded and more appreciative of the cinema over the years. In fact, he often can be seen crinkling his brow when faced with reminders that a lot of people who write about the movies don't like very many of them. Even more casually evident: lots of people who write about awards season don't like awards season. (A solemn promise to the disgruntled: there are plenty of other topics worth writing about - pitch those to your editor and TRUST that this topic will be amply covered, and all over the place, in your absence!)

But let's not distract ourselves.

 In the lists that follow as we gently spank famous people on their virtual bottoms we remember that they can turn right around the following year and wow us, thereby humbling us for doubting them. History is full of examples. We all have our "off" years or... um...decades. 

Uncomfortable segueway to Tim Burton...  [*cough*]

But look how cute this Big Eyes sketch he drew is! [Tomato stained lists are after the jump]

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