I Guess That's Why They Call It The Link

Hotel Chatter Regina King shows us the best revenge when you're dumped and your tv show is cancelled: look fabulous and happy
Antagony & Ecstasy reviews all Star Trek movies for you because Tim is generous and completist like that
IndieWire Kon-Tiki directors get the next high seas Pirates of the Caribbean gig. Typecasting!  
Broadway World what's next for the stars of the now-departed Broadway tv series Smash? 

Variety Johnny Depp leave the Whitey Bulger biopic Black Mass... no reasons have been given but I'm guess playing real humans is too scary for him! 
Towleroad Joe Manganiello in the best shape of his life and filming Ten with childhood idol Arnold Schwarzenegger
Los Angeles Times Neil Patrick Harris to host the Emmys just a few months after hosting the Tonys. With him becoming a mainstay at both I guess he'll never get to host the Oscars. 
i09 7 bad storytelling habits taught to us by comic books (most of them are very evident in today's franchise culture... even the ones without superheroes) 

Today's Must Read
Self Styled Siren goes to the ATM, withdraws movie thoughts

Today's Must Watch
How it Should Have Ended take on Iron Man Three - really funny stuff. Gold stars to every moment in the Superman and Batman coffee break

Into The... Trainwreck?

For those of you who've had the pleasure of seeing Stephen Sondheim's classic Into the Woods (1986) on stage, you know that, like most of the great composer's once-prolific oeuvre, it is very particularly a Work of Theater. Some artists' skill sets transfer easily between stage, screen, television and literature and so on but others do not. Certain geniuses are so tied to a particular medium they become it; Stephen Sondheim IS Musical Theater. 

But musical theater is different from musical cinema. Naturally compromises will have to be made. The person doing the new compromising is Rob Marshall who Hollywood is still giving the musicals to, presumably because of the huge success of Chicago (2002) and not the floppery of Nine (2009). So yes, compromises must be made...  but they do not have to be made in casting. Many star actors -- if you're forced to cast that way -- have great singing voices. Les Misérables may have botched its casting of Javert (Ugh. Russell Crowe) but elsewhere Tom Hooper seemed to understand that beautiful melodic musical-friendly trained voices were required and could be found in big stars (Hathaway, Hackman, Seyfried) and rising ones (Tveit & Redmayne) and he cast accordingly... except for that bit about letting Helena Bonham-Carter "sing" again post-Sweeney Todd.

Unfortunately Hollywood loves to repeat its mistakes and somehow Sweeney Todd did NOT result in Johnny Depp and Helena Bonham-Carter being lifetime banned from future musicals ...

Click to read more ...

Funny Linky People

Drama
Mashable on the glory of the Oscar envelopes. May they never go digital 
The Village Voice Nick Pinkerton remembers the late great critic Andrew Sarris 
The Advocate ten reasons to watch the Oscars on Sunday. (I linked to the most succinct universal one!)
MovieLine taxi cab survey of who will win the Oscars. It's not the names that will  be called out when the envelopes are open. (New Yorkers apparently still think Lincoln is going to sweep!) 

Horror
THR a director votes on the Oscars. In detail. (I know you've probably read this already but just in case... there's a lot to discuss) 
Salon will Jack Nicholson be presenting Best Picture yet again on Sunday night? (As I've long complained and long tried to help them the Oscar producers never have any imagination in this one area)
Slate announces that the musical genre is never coming back by essentially changing the argument of what people who say it's back mean when they say, "the musical genre is back!" Yes, agreed, the movie musical genre will never be what it was back when it was the most popular genre and everyone knew the showtunes. But do not agree that it's not back. We've had a steady clip of musicals ever since that glorious one two three punch of Hedwig, Dancer in the Dark and Moulin Rouge! got the ball rolling again just over a decade ago.

Comedy
The Onion "Johnny Depp now made entirely of scarves and bracelets"
Happy Place the six types of people who watch the Oscars - this is a fun concept but it leaves out too many types... including Oscar Fanatics who are busy cataloguing it all in their head to reference for years and years to come. Hypothetically speaking. I've heard those people exist.
Vulture Best Picture as pie charts. I didn't want to like this -- i wasn't in a snark mood -- but they're funny 
Babble six year olds judge the Oscars by their posters... kids say the darndest things. Some are alarmingly accurate but I love that Les Misérables is about faeires and Argo is an earthquake... teehee. My favorite might be Silver Linings Playbook...

This is a movie about building things and it's a happy, good movie. The two people are inventors that invent things that have to do with fish because of all those little scribbles that look like fish. They work together. He's also really, really tall and she likes to wear her hair really, really high.

Hee. I would totally see a movie about Bradley Cooper and Jennifer Lawrence inventing fishy paraphenalia. She's right that Bradley Cooper is tall ~ 6'1"!

Review: "Dark Shadows"

This article was originally published at Towleroad in my weekly column

Chloë Grace Moretz is judging you!

With the world too busy seeing The Avengers (reviewed) for a second time last weekend, Dark Shadows premiered to considerably less fanfare and bank than Tim Burton and Johnny Depp collaborations are generally greeted with. So who will even notice that we're one week late to the ball? Young Carolyn Stoddard (Chloë Grace Moretz) will -- she's so smugly superior -- but she prefers the word "happening". She's quick to school her out-of-time vampire uncle Barnabas Collins (Johnny Depp) that no one throws "balls" anymore.  

Actually, Carolyn, Tim Burton does...

Click to read more ...

Their Best "Edward" Shots

"Post Me."
"I Can't."

Real life has this horrible way of intruding on fantasy. Though I'd much rather be spending exorbitant amounts of time with Avon lady Dianne, Gepetto-esque Vincent, dancing Winona, and Johnny's first truly brilliant performance in my favorite Tim film (I feel so close to this movie I'm totally on a first name basis with it) I couldn't work it out tonight. My post will be up on... Friday evening. Yes, let's go with that. But until then there's plenty of Edward Scissorhands love from these fine blogs joining in the Hit Me With Your Best Shot spirit. Go and read them!

I really suggest you do. My favorite thing about this series is reading the other pieces and learning from them. Films are communal but we all see them through different eyes.

Sometimes you can still catch them dancing in it...
Antagony & Ecstasy - on the ideal metaphor for Burton's aesthetic. 
Being Norma Jean - "I'm not finished" wonderful look at Edward's hands and how they precede him.
Cinesnatch -loves Dianne Wiest and Burton's use of Vincent Price.  
Film Actually - "Isn't it wild?"
The Film's The Thing -cynical adulthood / childlike wonder
Missemamm - when that suburban costume isn't working for you anymore
Paraphrased Kulchar - let it be known that Kathy Baker is a hot bitch