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Entries in Josh Brolin (25)

Monday
Oct132014

NYFF: A Conversation About "Inherent Vice"

Hello dear readers. Your host Nathaniel here for our penultimate article on this year's New York Film Festival. I hope you've enjoyed the reviews from Glenn, Michael, Jason and me. Several people have asked why none of us reviewed Inherent Vice or if any of us had seen it. Strangely we all were there. But then no one claimed it so we've opted to have a conversation about it at least in part to figure out what held us back. Let's begin...

NATHANIEL R: It just goes to show you you never know. Alejandro G. Innaritu is one of my least favorite wildly acclaimed auteurs and Paul Thomas Anderson is one of my all time favorite wildly acclaimed auteurs. And yet here I am at the end of New York Film Festival after screenings of Birdman and Inherent Vice and guess who provided cinematic ecstacy and guess who gave a bad trip? It's Opposite World!

I reach out to you Glenn, Jason, and Michael to help me parse my feelings since you've also been devouring the NYFF. The Inherent Vice screening was a full week ago and I am no closer to writing anything about it. I keep hearing that it's a perfect stoner movie.  Do I not like it because I am not into weed (so perfectly capturing that feeling would be lost on me) or because it's simply not good: shapeless, meandering, super-indulgent, and purposefully incoherent?

[more]

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Saturday
Jul262014

Live(ish) from Comic Con: Marvel-ous Ant Man & Avengers 2

Anne Marie here, wrapping up coverage from San Diego Comic Con after 8 straight hours of studio announcements. Marvel had some major obstacles to overcome for its brief one hour panel. Edgar Wright's departure from Ant Man had generated negative press, and not everyone was thrilled with the studio's decision to put out release dates unattached to any actual films. WB had been gearing up for a fight, but overall so far Hall H's announcements had been more misses than hits. As the studio delayed 15 minutes into its start time and fans grew mad, the question hung in the air: could Marvel deliver?

Answer: Hell yes.

Ant Man
Marvel president Kevin Feige introduced a panel designed to assuage fan fears: Paul Rudd (new Ant Man), Michael Douglas (old Ant Man), Corey Stoll (confirmed as villain Yellow Jacket), Evangeline Lilly (Ant Man's love interest) and Peyton Reed, who stepped in to direct. Reed was quick to flash his geek cred: 20 straight years at Comic Con and a stint in a band named the Johnny Quests. But none of that really proves his credentials as Wright's replacement. Marvel even produced a minute long teaser, despite the fact that they don't start shooting for another two weeks. It's more than WB provided for Batman v Superman, but it's not enlightening. Here's the weirdest moment of the panel:

Paul Rudd: I'm popping my Comic Con cherry, and it's as advertised.

Chris Hardwicke: If you're going to do it, do it with 7,000 people.

Michael Douglas: I've popped enough cherries.

So, Michael Douglas is kind of creepy. This isn't news, but it bears repeating.



 

Avengers: Age of Ultron
The panel assembling half of the Avengers team was charming enough, but the real show began at approximately 6:40pm, when 7,000 geeks in Hall H collectively lost their minds over the trailer for the next Avengers movie. Set to a creepy version of "There Are No Strings On Me" (the advantage of being owned by Disney), it teased Iron Man's Hulk-Busting armor, an army of Ultrons (that look suspiciously like Iron Man drones), and twins Scarlet Witch and Quicksilver (played by Elizabeth Olson and Aaron Taylor Johnson and totally unrelated to the Xmen versions) dealing some serious damage.

 

 

Age of Ultron promises to be much, much darker. Despite a lively banter-filled dinner party opening, the trailer ended with Iron Man holding Captain America's broken shield at the base of a mountain of superhero corpses. Chris Evans keeps saying he's out a after Captain America is over. Maybe it's over earlier than we expected.

We ended with two final announcements of the night: Guardians of the Galaxy 2 has been set for a 2017 release. Says a lot about Marvel's confidence, since Guardians 1 won't be released until Friday. But who cares, because more importantly Josh Brolin is Thanos! He walked out wearing the Infinity Gauntlet.

And that's the end of my Hall H coverage! This year was 15 hours of waiting in line and 8 hours of studio announcements. I'll be back to wrap things up Sunday night after I've showered, slept, and questioned my life choices for a bit.

Wednesday
Apr092014

April Showers: Flirting With Disaster

waterworks each night at 11

How many of you have seen David O. Russell's Flirting With Disaster (1996)? With the exception of the stupidly maligned I ♥ Huckabees, it's his funniest film. One day it will surely be rediscovered given the attention his films regularly win now. The film centers on bickering spouses Mel & Nancy (Ben Stiller & Patricia Arquette) who are searching for Mel's birth parents. In the screwball chaotic final act, they end up sharing the guest rooms in the crowded home of drug-loving hippie conspiracy theorists (Lily Tomlin, Alan Alda, Glen Fitzgerald) with a neurotic adoption agency executive Tina (Tea Leoni) and federal agents partners Paul and Tony (Richard Jenkins and Josh Brolin) who are also lovers. Eyes start to wander: Tina and Mel get flirtatious and Tony just can't stop coming on to Nancy.

While Mel enjoys a very uncomfortable dinner downstairs, upstairs tattooed and pierced Tony walks right into Nancy's bathroom where she's brushing her teeth. She immediately gets nervous and drops a picture frame on the floor and begins babbling about prints she has at home. Should she frame them? Anything to avoid looking at this bisexual hunk in a towel. He interrupts...

Tony: Do you want to take a shower?

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Friday
Nov292013

Happy Leftover Pie Day!

Did you save any pie? 

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Tuesday
Nov262013

Review: Oldboy (2013)

Greetings, Dear Readers. Michael C. here. Since Nathaniel is on record as being emphatically NOT a fan of Chan-wook Park's original Cannes prize winner, I thought it fitting I, an enthusiastic Oldboy lover, would step in to review Spike Lee's hotly anticipated English language remake.

One of the smallest changes to Spike Lee’s American remake of Oldboy is the most revealing. A subplot involving hypnosis has been excised from the film. No doubt the filmmakers decided mass audiences wouldn’t accept such an outlandish plot device, but therein lies the fatal error. An Oldboy that comes anywhere near plausible reality is no Oldboy at all. 

Park Chan-wook’s original version pulsed with bonkers confidence, dancing on the edges of sanity, and, when need be, careening right over the cliff. In dragging the remake closer to the director’s realism comfort zone, this version has drained the story of the operatic pitch it requires.

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