Film Bitch Awards Finale - The Medal Ceremony

by Nathaniel R 

Cue trumpets and confetti!  The 18th annual Film Bitch Awards have finally reached their conclusion with the "best scene" page fully up and complete with nominations and medals for BEST KISS, BEST ACTION SCENE, and BEST MUSICAL SEQUENCE and the like.

64 movies were honored over our 40 regular categories for the 2017 film year. Lady Bird and Get Out led this past year's crop with 13 nominations each and 10 and 9 medal wins respectively. Other top ten entries that scored multiple medals were Call Me By Your Name, Baby Driver, and Atomic Blonde. The films that made the strongest showing without scoring in headline categories or the top ten list were: Phantom Thread, The Greatest Showman, and Blade Runner 2049.

Some curiousities: The Florida Project won only gold medals, never a silver or bronze. Oscar's best picture winner The Shape of Water was nominated in six categories but only took home one medal (gold for Production Design). And the film that Oscar completely ignored that performed strongest here was --  no surprise I suppose -- France's Oscar submission BPM with 8 nominations, 1 gold, 1 silver, and 4 bronze medals.

Part 1 - Film, Director, Picture
Part 2 - Acting Categories 
Part 3 - Visuals
Part 4 - Music and Sound 
Part 5 - Non-Traditional Acting Categories
Part 6 - Character Prizes
Part 7 - Best Scene Work *NEWLY COMPLETED*

...and in case you missed it, the top ten list write-up. We hope you enjoyed all our 2017 coverage. Now on to 2018 as Spring begins!

Blueprints: "Lady Bird"

Jorge's screenplay column hits its last Oscar mark for the season.

Lady Bird is less of a through-line narrative, as it is a collection of moments; a montage through the senior year of Christine “Lady bird” McPherson, and the small days and in-betweens that made it memorable. Through this collage, we are able to grasp at thematic links that run in her life, at the emotional truths she has to learn, and at the pain of watching her leave the nest.

No thread runs harder through the film than Lady Bird’s contentious relationship with her mother Marion. It’s no coincidence that the very first sequence of the film revolves around their dynamic. So let’s see how Greta Gerwig managed to infuse the emotional thesis of her film, as well as display years’ worth of a relationship in barely the first three pages of the script...

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Interview: Greta Gerwig on what kind of filmmaker she's going to be

by Nathaniel R 

Greta Gerwig directing the prom scene in Lady Bird. Look, she's even dressed for the occasion!The first time we spoke to Greta Gerwig in 2013 for Frances Ha it was over the phone. Her voice was so animated it felt like an in person interview. She was learning the accordion because of that seismically magical moment in the French film Holy Motors and revealing to me that she didn't think being an "actor-for-hire" in other people's work would be her path. Little did I know -- though perhaps she did -- that the exquisite Lady Bird was coming. In between she wrote and starred in Mistress America (2015) and gave what is arguably her best performance in Mike Mills 20th Century Women (2016). The rest is of course current celebration and future history: Lady Bird proved a mainstream breakthrough as a writer/director. It's up for five Oscars including two for Greta Gerwig herself as a writer and as a director.

This time, speaking in person, that familiar voice is just as lively but her laughter even more infectious. She radiates as much joy from talking art in real life as she often has creating it onscreen as a performer.

When I ask her her how the accordion is coming, she admits she's "rusty" and that it hasn't been a movie that inspired her lately but 'certain books' though she leaves them unnamed. Whatever feeds your soul as an artist, that's where you go.

on set directing Timothée and Saoire in Lady Bird (2017)

I reminder her about that comment about acting for others not being her path and she says "I know..." in a goofily apologetic way, like she always knew where she was heading but just hadn't told us.  Our interview is after the jump...

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Nathaniel's Top Ten of 2017

by Nathaniel R

Better late than never. If you've been wondering why your TFE host has been so in and out of the proceedings this season, let's just say life has proved significantly challenging offline: the end of a decade-plus relationship, homelessness (not the dramatic kind but the sleeping on friend's couches kind), a long bout with the flu, a new side gig, etcetera). So this list carries a bit of melancholy with it as 2017 was one of the hardest years of my life. (If you also had a rough year: I feel you. Hugs in solidarity). Due to all of this I didn't see as many films as is my preference and couldn't rewatch the key films I usually would have before "voting".

But in the end you have to move forward.  Time changes everything... and time changes all top ten lists also! Some of these placements that you scratch your head about now, you'll either understand in ten years time OR I'll join you in scratching my head about them with a "what was I thinking?" blush. Top ten lists are but time capsules.

People change for better and worse. Circumstances shift dramatically or perception does. The movies of 2017 helped me understand all this, many of them zeroed in on definitive months in someone's life, others hopping around in time, and still more juxtaposing the past with the present...

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Tweetweek: Turkish cats, Billboards legacy, Kidman repurposed

Tee hee. The Best Picture nominees are still very much in the air in this week's tweet collection after the jump. Subjects include but are not limited to: Black Panther, Lady Bird, Best Picture time frames, and a visual reminders of what Three Billboards is good for. Plus a visual reminder why the cat documentary Kedi had such wonderful "characters"... 

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