Soundtracking: "A Star is Born (2018)"

Chris Feil wraps up his look at the musical legacy of A Star is Born...

Bradley Cooper has kept with the 1976 A Star is Born’s arena template, largely correcting many of that film’s pitfalls for his directorial debut. Most obvious, the songs don’t mostly suck. And though it does lose sight of the perspective of Lady Gaga’s emerging singer somewhat, it’s more of a two-hander in terms of musical responsibility.

That shared weight is evident in the film’s showstopper “Shallow”, the song that already defines the film’s iconography and identity. It matches the “yes-and” nature of falling in love: Ally’s lyrics and soaring melody presenting the fear of taking the leap, Jackson orchestrating it to something cohesive and singular, both of them contributing the personal and universal essential to any ballad worth its luster. They’re both observational and confessional, with “I’m falling” being the most terrifying admission. Like love, the song begins with a simple feeling, and its eventual rush of emotion builds until it must be submitted to.

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Everyone needs to calm down about "A Star is Born" winning all the Oscars

You guys. Everywhere I look there are articles or tweets positing that A Star is Born is going to sweep the Oscars, or win 3/4th of the acting categories or whatnot.  This is unlikely. It's only because it's the biggest contender currently playing that people are losing their minds. Well, that and because the movie is a terrific piece of big studio entertainment aimed at adults that's also a hit at the box office. You know, the exact kind of movie that people pretend doesn't exist (it does almost annually) and also pretend that Oscar doesn't like (they do almost annually) whenever they write those dumb articles proclaiming "the Oscars are irrelevant!" 

A Star is Born is just about at $100 million domestic at this writing but people are acting as if its earned one billion; I definitely wasn't expecting to hear it compared to Titanic today. So, let's all relax for a bit and talk about what is probable/possible since we've just barely finished UPDATING ALL THE OSCAR CHARTS. 

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I think it's too soon to call A Star is Born the frontrunner. It's just the first big Best Picture possibility to open since February (!) so that's a lot of time since Black Panther to bottle up armchair punditry feeling... bring on awards season! I dont currently believe Star will win (the remake stigma will catch up to it eventually) but let's say for the sake of argument that it does. That's one Oscar. Let's look at the other categories...

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Review: A Star is (re) Born

This piece was originally published in Nathaniel's column at Towleroad. The movie was first screened at TIFF but he hopes to see it many times. 

Overnight success is a myth. Great artistic success in show business generally comes from working hard and learning the craft, often for years, so that you're ready should a big break ever come. 'Overnight'  is only just that moment when the world suddenly notices your long-standing gifts. A Star is Born as a franchise always synthesizes this myth and this truth for something like a fairy/cautionary tale; just as quickly as a star rises, a star can fall. Talent is never the question, but the starting point; whether the world notices and for how long, is out of your hands. The screenplay for the latest telling of A Star is Born, emphasizes this last point, as Jackson Maine (Bradley Cooper) urges Ally (Lady Gaga) to give it her all because the world might not always be listening. 

For those who've been living under a cultural rock the story of A Star is Born is ancient and simple: One already established successful showbiz man 'discovers' an absurdly gifted but basically unknown female performer and takes her under his wing. They fall in love but as her fame rises, his falls, plagued as he is by personal demons in liquid form. The story never has a happy ending so if you need a good cry, queue up...

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Old Man and the Link

• EFA You can now vote on the People's Choice Award at the European Film Awards and maybe win a trip to the ceremony (strange choices this year. I don't like it when it's easy to decide!)
• Variety Buzzy titles at TIFF without a distributor that are hoping to inspire big sales / awards buzz -a la I Tonya last year
• NWI Robert Redford's swan song in Old Man and the Gun
• Playbill Megan Hilty singing "Suddenly Seymour" (!) from Little Shop of Horrors
• Bobby Rivers TCM's "The Black Experience on Film" - set your DVRs
• Deadline Cats, the movie musical, has moved into Wicked's previous release date December 20th, 2019. It's so weird that Cats is going to happen before Wicked when the latter so clearly needs to be a movie and the former so clearly shouldn't.
• The Playlist Dave Bautista not sure if he wants to continue his Marvel Universe contract post James Gunn firing
• The New Yorker great piece on the shaming of character actor Geoffrey Owens for his grocery bagging job on the side
• Vulture let these photos of Lady Gaga be your air conditioning
• Film School Rejects Crazy Rich Asian's had a historically big Labor Day weekend. It's also the first romcom to win that weekend since Bring It On in 2000!
• Next Best Picture a potential controversy for A Star is Born
• Gothamist the Village Voice is officially dead, after publishing since 1955 *sniffle*

Finally, over at Towleroad I shared feelings about the Summer Movie Season as we bid it goodbye. You've heard most of that article's introduction feelings before here at TFE but if you want to see the silly awards I handed out like "sexiest men," "stealth MVPs," and "best quotes", click on over.

Red Carpet Lineup: 26 Venice Lewks

Having previously covered those pink pink pink first days in Venice, on to some other memorable looks (and a few actresses included just because we like to look at them...)

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