93rd Academy Awards: "Cinematography as ________ "

Please welcome new contributor Timothy Lyons...

The cinematographers’ branch (like all branches in the Academy) loves a familiar face - think your Lubezkis, your Richardsons and your Deakinses. One of the happy byproducts of an unusual cinematic year mostly void of big anticipated productions and usual suspects, is the higher-than-normal number of newbies recognised across the craft categories for this year’s Oscars. The five nominees for Best Cinematography are made up of: one returning nominee, one longtime veteran of the industry finally getting his due, one up-and-coming darling of the indie scene, one newcomer shortlisted for his feature film debut, and one individual who is (shockingly) on his first nomination despite shooting one of the most picturesque Best Picture winners (!) in recent memory.

Let's explore the five achievements the Academy has chosen to reward these artists for, presented in ascending order of personal preference…

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93rd Academy Awards: on Best Sound and trips to other worlds

by Eurocheese

More than most years, I felt strongly about which films deserved to be in the conversation for Sound this year. This is the first year since the 1980 Oscars that only one team will receive a Sound prize, and even before 1980, Sound Effects would often receive a special separate prize (sometimes competitively, sometimes as the sole choice). Many Oscar fans learned to explain the difference between Oscar wins for Sound Mixing and Sound Editing, a separation we’ve had since 2003. The Academy has rewarded the Sound Department in every year since the third Oscar ceremony back in 1930, which means the honor has been around even longer than our supporting acting categories.

The nominees this year brought us a wide range of stories – a high seas chase, a Hollywood throwback, a western, an animated film and an immersive film focused on hearing loss. And did you know this year’s Sound category brought us two double nominees?

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Best Picture Nominees - Who's Up? Who's Down?

by Christopher James

Is Nomadland still looking like the clear winner for Best Picture?

Oscar nomination morning changes everything. What it takes to be nominated for an Oscar and win an Oscar are very different. As we enter this new phase for the Oscars, who is best set up for success on April 25th? The eight Best Picture nominees were all the most nominated movies of the year. Mank led with ten nominations. The rest of the nominees all had relatively good days, each earning six nominations except for Promising Young Woman, which received five nominations. Among non-Best Picture nominees, Ma Rainey’s Black Bottom led with five nominations and News of the World with four nominations.

With the Oscar mainly coalescing around the eight Best Picture movies, which of them benefitted? Were any movies disappointments, despite a Best Picture nomination? Can anything beat current frontrunner Nomadland?

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Best Visual Effects: The most exciting race in years!

by Cláudio Alves

Every year, while most awards obsessives wring their hands over the starrier categories, I focus on those below-the-line categories I've grown to love even more than Best Picture. Costume Design and International Feature are usually the focus of my attention, though every "craft" award tends to entice curiosity and honest emotional investment. All that said, the last category I expected to be excited about on nomination morning is Best Visual Effects. And yet, here we are. It seems this oddball awards season insists on surprising until the very end…

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Art Director's Guild Nods: Mank, Mulan, Palm Springs, and more...

by Nathaniel R

Mank (in color on the actual set)

The Art Director's Guild have announced their nominations for the 2020 film year and 2021 ceremony which will be virtual on April 10th this year. As per usual the guild awards usually do a better job of showing us what the industry is actually watching and what's leading for Best Picture rather than what's happening in their own fields. Like Chicago 7 as one of the five very best Production designed Period films? Er okay Hollywood, but have you seen... Emma? Personal History of David Copperfield? First Cow? Shirley? Ammonite? This is not a knock on the talented designer but there just isn't as much to work with when you're doing courtrooms and offices.

But enough griping. Here are the nominees in their four categories after the jump and if Daniel has written a piece on this particular achievement in his column "The Furniture" it's linked...

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