Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Meryl Streep (351)

Sunday
Aug252013

Say What? August Squabble

We asked you to amuse us with captions or dialogue for these stills from the forthcoming AUGUST: OSAGE COUNTY starring Julia Roberts forcibly hugging or attacking Meryl Streep.

And the winners are...

"Viola sends her love"
- Brookesboy 

Honorable Mention

"Meryl babe, let it go, three is the new four"
- Dave in Alamitos Beach 

Caption: "Erin Choke-a-bitch"
- Mareko

"Nothing is more powerful than the human spirit.  Except Julia's craving for another Oscar"
- Davide

Thanks for playing!

Monday
Aug122013

Meryl Goes "Supporting" - The Scare Quotes Are Mandatory

Ever since I first fell in love with the Oscars as a young boy, I declared the Oscars my Christmas. Of course as my Oscar obsession grew I had to adjust. Nomination Morning became Christmas (full of sleepless night, early morning thrills, and a few dud gifts) and the Ceremony itself became New Year's Eve (rambunctious, noisy, equal parts exhilarating and disappointing, and usually causing a hangover). 

Santa (aka The Academy) thinks I've been naughty every year.

I must've been because they always throw a giant lump of Category Fraud coal in my stocking. The Academy of Motion Picture Arts and Sciences added the supporting categories in 1936 when they realized that they hadn't accounted for honoring character actors who bring so much to the industry and to each movie and their current awards only honored movie stars. 77 years later they no longer care about their intentions and now all the acting categories are designed to honor movie stars. Which leaves character actors to just do their work (its own reward, sure) in their former thankless way. They are, after all, very low on Hollywood's totem pole and Hollywood is a place where power matters. 

I wasn't at all surprised to hear that August: Osage County, which has in every incarnation had two leads (Barbara & Violet), suddenly only had one for its future Oscar campaigns according to Gold Derby.

I am, however, a bit surprised that that it's Violet/Streep who all the action centers on who has mysteriously becoming a "supporting" character. [more]

Click to read more ...

Thursday
Aug082013

Where My Girls At? Blonde Edition

Let's check in with some of our favorite ladies to see what they're up to, shall we? When I daydream I sometimes imagine Actresses sitting near piles of scripts in eeny-meeny-miney-mo fashion though some of them have larger stacks then others.

AMANDA & CHARLIZE
Amanda is on my brain because she had the good taste and self awareness to agree with the world very recently that Mean Girls is still her best performance. She'll next be seen in the porn drama Lovelace, which might have some legal trouble brewing. After that she has a lot of movies lined up but the one I'm curious about at the moment is the western comedy A Million Ways to Die in the West.

Seth MacFarlane managed to nab two of the most beautiful and busiest actresses in Hollywood for the film. While he was super annoying as an Oscar host it's important to remember that his last effort Ted was more hilarious than we were expecting and in more varied ways than its high-concept synopsis suggested. "Western Comedy" doesn't generally scream "great roles for the ladies" and the plot synopsis doesn't help in determining whether Charlize Theron and Amanda Seyfried will have anything of note to do:

A cowardly farmer seeks the help of a gunslinger's wife to help him win back the woman who left him.

That could mean that they're both "the girl" aka...just there to be pretty and maybe sassy/badass but basically just facilitate the man's journey and his heterosexuality. But let's hope the roles are fun even if they're non-dimensional since both Charlize & Amanda have wicked comic timing.

AMANDA'S MAMMA MIA MOMMY
First Truth: I not-so secretly wish Meryl Streep, The Undisputed Queen of American Cinema, would step down from her throne for a two-year hiatus aso I could be REALLY excited about seeing her again the way I was in 2002-2003 when she surged back to artistic dominance with not one not two but three of the best performances of her career back to back to back. Second Truth: Even though I feel this way I rarely miss a Streep movie, so I'll be there for Into the Osage County Woods but I must admit that I am considerably less excited to hear about the two films she'll follow those up with.

She'll be reteaming with Robert DeNiro for the fourth time for the adaptation of the novel The Good House. The stars were romantically paired in The Deer Hunter (1978, beloved and best-picture winning) and Falling in Love (1984, modest but worth it for, well, the modesty of Streep just playing a normal woman) but I honestly can't remember their roles in Marvin's Room (1996) which is the last time they shared the screen. The last time I remember thinking about Marvin's Room was in 1997 when I was puzzled on nomination morning that Diane Keaton snagged a nod for it.

Meryl is also in talks to join Jeff Bridges in the adaptation of the dystopian novel The Giver as "the society’s Chief Elder, an authoritative and antagonistic woman who assigns the young their tasks".  [Temper Tantrum] Sounds like a perfect role for Michelle Pfeiffer. I realize it's useless to hold on to the now 24 year old dream that that Fabulous Baker Boy and his Susie Diamond would one day reunite onscreen. If they never do they're dumb and I hate them. [/Temper Tantrum]

SPEAKING OF...
Meanwhile La Pfeiffer has nothing in the immediate future after this year's The Family but here's her new character poster.

"___ is One Bad Mother" sounds like a tagline for a Julianne Moore flick.  

Michelle might co-star with Tim Robbins in Man Under about a couple thrust into the art world. I would be VERY excited about this one since Robbins is a good director and all three of his previous films have the smartness going for them which is, frankly, something Michelle's filmography could use. But Robbins hasn't actually directed a feature in over 12 years so who knows if financing will come together before the famously skittish Pfeiffer bolts. 

how did i miss Kate being honored at Buckingham Palace last year?We end with...

KATE THE GREAT
Things went silent for Kate Winslet on the big screen post-Oscar win (The Reader, 2008) but she's back at Christmas with Labor Day and after that, something infinitely more exciting on paper: The Dressmaker with the one and only Judy Davis (who really ought to get a few of the roles that Streep/Mirren/Dench get if you ask me). The pairing of two world class actresses piques interest but this description from director Jocelyn Moorhouse is everything:

the tale of love, revenge and 1950s haute couture... “Unforgiven with a sewing machine.”

I'll just be over here mopping up gray matter because my mind is blown.

Saturday
Jun292013

Release Date Shuffle: Oscar Players, Musical Wars, Franchise Heroes

I know most film blogs make a post for every teaser, release date, and every last press release. I frankly don't have the time but even if I did... why encourage Hollywood's itchy trigger fingers when they're constantly fussily rescrambling their pieces on the puzz--I'm mixing too many metaphors--  Moving on to the Release Date Switches/Announcements. We're less than 200 days away from Oscar nominations! So yes, we gotta update those charts again soon, I know.

Oscarable Switcheroos
August: Osage County has, as you now, moved to Christmas day, despite its summer friendly title. And Saving Mr Banks, the Mary Poppins related Disney flick is opting to get out in front of the Christmas crowd a bit with a December 13th bow. Meanwhile Twelve Years a Slave, from director Steve McQueen and Grace of Monaco, the new Kidman flick, both move from the Dread Oscar Eligibility Dump Week (that awful New Years week) into airier mid October. And October is getting busier and busier, really because Ridley Scott's The Counselor (just discussed) has also moved from its intended mid November start to late October.

Contrary to popular belief this does not automatically mean that the studios are less gung ho about their Oscar chances. Oscar watchers (and, yes, distributors sometimse) often forget that you don't have to open in late December to be a player. It helps to open in the last third of the year though, sure! But MANY MANY films have had good luck in September (your Argos and your American Beautys), October (your Departeds) and November (your Slumdogs and your No Countrys) among other months. 

Your Oscar calendar is currently looking like this... [Oscar Types, Superheroes and Meryl vs. Annie after the jump]

woo woo ♪ here comes the life of the Oscar partay

Click to read more ...

Saturday
May252013

Best Actress Predix: Authors & Astronauts & Immigrants (oh my)

And princesses too! Actually I'm predicting neither Princess Grace (Nicole Kidman) nor Princess Diana (Naomi Watts) for the eventual shortlist though their names will undoubtedly continue to come up. Yes, the Best Actress Chart has arrived. 

Who wins ANOTHER Oscar this year? So many previous winners are back

My final shortlist is all Oscar winners -- which has only ever happened once (just last year in Supporting Actor ) but this is what my crystal ball is telling me so I obey. And anyway, it's a Previous-Actress-Winning Heavy year at least in terms of who got jobs headlining major motion pictures. Even lower in the charts there are a lot of Oscar winners, all told.  It's (maybe) that kind of year... though I could see a scenario where unOscared supporting chart players hop over to Lead Actress if they see a window and their roles are substantial enough (Adams? Harris? Winfrey?). And with 235 days left to go before Oscar nominations are announced, a lot could change: a quickly filmed or under-the-radar movie could hit it big on the fall festival circuit; holiday box office could shift focus around substantially at year's end; films could suddenly be moved to '2014 TBA' status.

Marion Cotillard will win Cannes Best Actress for... oh wait, people said this last year too and it didn't happenThe Wild Card
This time it's not a person but The Weinstein Co. themselves.  They've got more actress hopefuls than even they can handle since they're representing Grace of Monaco, The Immigrant, Philomena, August: Osage County and The Butler. (Does this clear the way for Sandra Bullock to win a second Oscar? I'm only mostly kidding) There is about a 1% chance that TWC will stay supportive of all of those films since they regular abandon their runts rather than nurturing them, to concentrate on the pick of the litter. Some of the ladies in question can generate some degree of media and internal industry interest even without puppet masters behind the scenes but not all of them. What do you think TWC will do when it's time to play favorites?  

Fun Trivia About The Top Ten on This Chart

  • They have 47 acting nominations and 11 acting Oscars between them
  • They range in age from 37 to 78 (will it really be a year skewing that mature?)
  • 6 of them have competed directly with Meryl Streep for Oscar glory but only one, Sandra Bullock, has ever prevailed in head-to-head combat. (7 & 2 if you count Nicole winning the only Best Actress nomination from The Hours.)
  • 3 Australians, 1 French, 3 Brits, 3 Americans

All First Wave Oscar Predictions
Index | Picture | Director | Actor | Actress | Supporting Actor | Supporting Actress |  Screenplays | Visuals | Sound | Animation