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Entries in Michael Fassbender (134)

Wednesday
Feb132013

Best Supporting Actor: Oscar's Ballot & Mine.

I haven't been shy about my disappointment with this year's Best Supporting Actor Oscar Ballot, a lineup lacking in narrative oomph (which shouldn't be a factor in judging "best" but still makes Oscar way less fun to follow when he eschews it for old favorites) and missing several electric, fresh, film elevating and moving performances in favor of merely solid work from Oscar winners in popular films. I'm all in for Tommy Lee Jones winning since he's the only nominee Oscar & I agree is worthy to hold a place in this particular shortlist. [While we're on the subject of votes, you should cast yours in the poll]

Will he win? That's another matter entirely. I'd wager he still has the lead by virtue of a very long one (since November when he took it from Matthew McConaughey... who never really had it *sniffle* in the first place) even if the precursors have never quite settled on a frontrunner and even if his no-show at SAG didn't exactly help his cause. Christoph Waltz's BAFTA win for his leading role in Django Unchained (which might more accurately be called Schultz Unchains Django Who Only Takes Over the Film-Carrying Duties For the Final ½ Hour of a 2½ hour Film) suggest that the tide has shifted but in the end with Argo and Silver Linings Playbook campaigns both fighting so hard in the final weeks for wins, I'm not so sure that votes won't still be all over the place in this category, letting Tommy take turn two at the podium.

More after the jump...

Click to read more ...

Sunday
Dec162012

Cross Country Critics Champs

To some extent I've lost my taste for covering the critics awards -- at least in depth -- since there are more each year and more which do that coy "nominations first!" thing to try to drum up publicity (it works since the web always needs content... even if the content is the same as the day before as so many of these awards prove!). I'm not trying to be a killjoy -- I'm really not! -- but I guess I have anger issues with my fellow critics since they are all so willing to abandon anything they loved during the year once the year end Oscar movies hit. I challenge everyone to go back and read what critics wrote about Michael Fassbender when Prometheus premiered and then wonder why they can't be bothered with them now... even when they go so far as to announce nominations ?!? Oscar has a bias against genre performances but unfortunately many of the same media voices who complain about this share the same bias in their own year end honors! Someone will have to explain to me how Alan Arkin in Argo and Robert DeNiro in Silver Linings Playbook for example are more exemplary examples of Great Film Acting than Fassy in Prometheus. I'd wait but I fear the wait would be longer than the running time of 25 historical epics combined  since who in their right mind would try and justify this verbally even if they votes say differently?

But look at me flying way off track!

So grumpy, me, I apologize! All that said, this year has had a bit more variety in critical winners than some recent years and I do some love reading awards lists. So let's hit four cities and one multi-city stop after the jump and see what they liked most this week... The results are not uninteresting. MORE

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Sunday
Dec092012

FYC BFCA

'Critics Choice' Ballots are due today at 3 PM EST and I challenge my BFCA brethren and sisters to squeeze in one more screener / screening before sending off their ballots. I'll unfortunately have to send mine off without having screened Django Unchained (which I'm seeing as ballots are due) but I did not choose to have the flu this last weekend of voting when it finally started screening.

FYC #1 - Nicole Kidman in The Paperboy. Nicole Kidman is 5'11" and wears massive heels but even seated, squatting or horizontal this performance towers over most of the Supporting Actress Field
FYC#2 - Michael Fassbender in Prometheus. He's not being talked up in the Best Supporting Actor race because Oscar taste in acting doesn't ever stretch to androids but you can vote for him in the Best Actor in an Action Movie acting race. FWIW he's on both of those ballots for me because I won't be constrained by Oscar buzz; I'm voting "best" not "most likely to be nominated". 
FYC #3 - Remember that the Young Actor (Under 21) prize has more viable contenders than just Hushpuppy from Beasts of the Southern Wild. Also age-relevant and therefor eligible: Logan Lerman & Ezra Miller from The Perks of Being a Wallflower, Tom Holland from The Impossible, Elle & Alice from Ginger & Rosa and the kids from Moonrise Kingdom. This has the potential to be an amazing category if voters don't get lazy. 
FYC #4 -Weep that they don't televise half the categories because that makes them essentially useless as critical causes go (unless you count fine print on fyc ads) but vote strong anyway: Holy Motors, Les Misérables and Lincoln for Best Makeup! 

Wednesday
Nov212012

Isn't it Bromantic? Gossbender & Hutcherflin

I am, like all sane citizens of the interwebs, living for the Michael Fassbender & Ryan Gosling PDA photos surfacing as they hang out on the set of Terrence Malick's latest. Gosling's cup runneth over: ever growing stardom, unique charisma, versatile talent, ... and now a backrub from Fassy!

In bromantic news 20something division... Jennifer Lawrence  is telling MTV News that Josh Hutcherson and Sam Claflin, her co-stars in 2013's Hunger Games: Catching Fire are totes in love. Video after the jump....

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Saturday
Oct062012

Best Actor Bait. The Key Word Being Bait.

The Oscar Prediction Chart Updates continue with the leading and supporting men. Best Actor seems especially confusing this year what with so many major stars or past Oscar nominees arriving with generally infallible bait right there in the roles. Let's do a quick chart. Here are, arguably, the five most infallible types of Oscar Bait and who is serving them up. (Obviously many of these men are still awaiting critical consensus on their performances or the fourth column would be larger.)

BEST ACTOR
In that chart right there I've only visually (and alphabetically) included  the top ten ranked men from my prediction chart. Now I'm even less enthused about Matt Damon's Oscar chances for Promised Land since he doesn't figure into these five columns at all. One might call him overdue if he didn't have that early writing Oscar (Good Will Hunting) but as it stands now he has no surefire hook for his Oscar campaign. This is not to say that "crisis of conscience" isn't a form of bait for leading men. That's a fairly common hook in leading roles but it's hardly the iconic carrot to dangled in front of voters like, say, debilatating suffering, addiction or ol' fashioned biographical dress up are.

If Anthony Hopkins is terrific as Hitchcock it's going to come down to the wire as to which of the top six men are given the boot on nomination morning since they're all packing serious bait as they fish for votes.

BEST SUPPORTING ACTOR
The supporting categories are the last to lock down since so much what happens there depends on coattails from leading players and Best Picture nominations. Though you can safely lock up Philip Seymour Hoffman who is already a default Oscar player before you account for his enormous amount of screen time or the kind of reviews he won for The Master. Beyond Hoffman it's still anyone's game though reactions to Lincoln, which premieres Monday at the New York Film Festival, will certainly tell us whether David Strathairn is in the hunt for his second nomination. He's currently my only predicted Supporting Actor nominee who hasn't yet won the Oscar so if he's strong and the field really turns out that way, a win wouldn't be out of the question.

As for the men who have never been nominated, I'm particularly frustrated that Michael Fassbender who was so sublime in Prometheus is fading from the conversation but I expected as much since Oscar don't do sci-fi. I'm also frustrated that Matthew McConaughey who is inarguably having the best year of his career, isn't winning traction. Frustrated by not surprised. Though Oscar himself is famously nude and male and popular with the gays, He isn't generally turned on by the sexualization of male actors. That shiny Global icon is famously resistant to the matinee idol type ignoring them altogether or making them wait until they're gray and less sexually potent for their Oscar glory. Oscar just doesn't like leading men who trade on their own eroticism. Witness the Oscar fate of Michael Fassbender in Shame last year. McConaughey's selfploitation in Magic Mike (and to a lesser but more compromising degree in The Paperboy) is probably working against him no matter how much he's stepped up his game this year. 

Which actors are you banking on at this point? Where would you flipflop contenders on our charts?