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Entries in Oscars (24) (47)

Sunday
Sep082024

International Oscars - Four more submissions

by Nathaniel R

8 VIEWS OF LAKE BIWA - Estonia's submission

Four more official submissions have been announced for the Best International Feature race at the impending 97th Oscars. They are...

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Sunday
Sep082024

TIFF '24: Kiyoshi Kurosawa delivers a new nightmare in "Cloud"

by Cláudio Alves

CLOUD

What if, one day, you realized everyone in the world hates you? What's more, everyone wants you dead. That's the sort of situation you might expect to encounter in the world of dreams and night terrors, one's innermost anxieties synthesized for a restless slumber. It's also the nightmarish scenario Kiyoshi Kurosawa suggests in his latest shocker, a work of stress cinema supreme with many surprises in store, playing like a descent into hell. It's also Japan's official submission for the Best International Film Oscar race, as bizarre as that might seem. It's a bold choice, alright. Maybe not the best from a strategic standpoint, but a true celebration of Japanese film excellence. 

And one thing's for sure – there's no other director like Kiyoshi Kurosawa out there, and no film like Cloud either…

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Saturday
Sep072024

Venice 2024: Jury of One

by Elisa Giudici

As the Venice Film Festival draws to a close, the time has come to reflect on the competition, predict who will claim the prestigious Golden Lion, and consider which films will carry momentum into Oscar season. Above all, it's time to think about what will truly remain from this year's edition.

Overall Festival Impressions

Last year’s festival lacked consistency, with a mix of standout films and titles that induced sheer embarrassment. This year, however—thanks in part to a much stronger and more compelling Italian contingent—the competition has been far more solid, with only a couple of notable failures and several standout films. In fact, considering the lackluster showing at Cannes this year, Venice could very well take the title of Festival of the Year. The event is anchored by The Brutalist by Brady Corbet, a monumental work operating on a level unmatched by any other film this year. Almodóvar, Guadagnino, Salles, and Bing have also impressed...

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Saturday
Sep072024

Venice '24: "The Brutalist" is monumental

Please join us in congratulating Elisa Giudici on this milestone, her 100th post for The Film Experience. Direct from Venice, Italy. And what a film, apparently, for this occassion. 

by Elisa Giudici

THE BRUTALIST

After multiple attempts, Brady Corbet has finally made his Great American Film. It’s always risky to make such a statement, but The Brutalist isn’t just the standout film of this year’s Venice Film Festival, nor merely the most ambitious and monumental project of 2024; It's a work destined to leave a lasting legacy. With the right reception, this could easily become a landmark in cinema history...

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Friday
Sep062024

Venice '24: "The Room Next Door"

By Elisa Guidici

THE ROOM NEXT DOOR

There’s no living storyteller with a more profound, intimate understanding of death than Pedro Almodóvar. I call him a "storyteller" because, in the 2020s, that’s become his most defining identity. His first English-language feature—set in an alternative, upper-class, hyper-cultural, Almodóvarian version of the United States—once again showcases his incredible narrative talents...

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