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Entries in Oscars (70s) (233)

Wednesday
Feb192014

11 Days Til Oscar. Bette Midler & Original Song

Bright and early this morning they announced that Bette Midler will be performing at the Oscars for the first time. That's shocking to type since she's had so many great movie musical moments in her career and she's obviously been to the Oscars as a nominee or to present. But, alas, her material was generally not original* and thus unnominated in the one category that regularly prompts performances.

Though it seems highly likely that they'll have her as underscore songstress for the In Memoriam visuals (zzz. Love that segment but it's never about the singer so they're interchangeable... something you can't usually say for Bette Midler) It's more fun to fantasize about recreating one of her musical moments from a movie on the main stage. So... vote!

 

 

 

* A Shocking Memory
Yes, it's true. The classic "The Rose" from The Rose (1979), written by Amanda McBroom, was NOT nominated for Best Original Song even after winning the Golden Globe. It was not expressly written for the movie though it had never been recorded before that point -- the same tragic reasons for disqualifications as Moulin Rouge!'s "Come What May". That category has been fucking us over for decades - this year's controversy was the least of it, really. The ideal song line up for 1979, an unusually good year for the category, would have probably would have been some combination of the two lists since the Oscar winner "It Goes Like It Goes" from Norma Rae, unnominated at the Globes, is also lovely.

But when you remember that "The Rainbow Connection" was nominated at both awards shows and lost twice, the point becomes moot. Truth: that eternal classic deserved multiple Oscars. An Oscar for 1979 and then an Oscar for every random year thereafter that failed to produce a worthy nominee. As an encore, you know? 

 

What would you have voted for?

I hope you've been enjoying the Countdown to Oscar! We're having so much fun with it so please check out any episodes you missed. Remember this truth: Comments are fuel for more blogging. 

Previously
12 Days - A twelve-wide Best Picture field!!! What does 1934 tell us about "Oscar slots"? 
13 Days - Matthew McConaughey and 2000's Best Actress Race?
14 Days - All About Eve vs. Titanic. The two all time nomination leaders face off!
15 Days - Supporting Oscar Chart fun "how were they nominated?"
16 Days - Irene Sharaff's 16 nominations 
17 Days - Looking back at The English Patient, Sal Mineo... and 1917?
18 Days - Meryl Streep's 18th nomination. Like whoa
19 Days - Julianne Moore's awards history
20 Days - Flashback '93: Age of Innocence, Farewell My Concubine, The Piano
21 Days - What's your favorite Billy Wilder? 

Sunday
Feb162014

Podcast: Our Favorite Films by This Year's "Best Directors"

It's a special edition of the Podcast. And by special I don't mean "filled with sound problems for which I apologize" but that we're not staying in the now but looking back. Joe and Nick join Nathaniel to discuss this year's Best Director Nominees... but not for their new films. We each choose our favorite film by the five artists nominated.

We throw in a few Oscar party food tips as well...

00:00 Oscar Fatigue and Scheduling
02:30 The Films of Steve McQueen
07:45 The Films of Alexander Payne 
16:00 The Films of Alfonso Cuarón 
20:25 The Films of David O. Russell
28:30 The Films of Martin Scorsese 
39:30 Tangent: The Departed and Modern Day Scorsese
43:00 Oscar Parties - Do We Go? Do We Have Them?
47:00 Choosing Oscar Party Food Items

You can listen to the podcast right here at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments! Hunger, Shame, I Heart Huckabees, Taxi Driver, King of Comedy, Goodfellas, Cape Fear, Children of Men, Y Tu Mama Tambíen, 

Director Filmographies

Monday
Feb032014

Podcast: Stranger by the Lake

On this week's brief podcast, Nathaniel, Nick, and Joe meet to discuss the erotic French thriller Stranger by the Lake currently in release after a successful multiple-festival run these past several months. But that's not all!

00:00 WGA & Jennifer Tilly
05:00 Frozen wins Annies, musical tangent
09:00 TCM's Oscar Doc
11:00 Actress '74: Burstyn & Rowlands 
14:00 Best acting shorlist this year?
16:00 Coming Soon: Liam Neeson in Non-Stop 
18:00 Stranger by the Lake 

You can listen to the podcast right here at the bottom of the post or download the conversation on iTunes and continue it in the comments! 

Stranger by the Guild Lake

Tuesday
Oct152013

12 Links Today

Cinema Blend 50 Shades of Grey might go with Alexander Skarsgård (and a new screenplay)  now that it lost its leading man. Skarsgård has to be anxious for True Blood to wrap given the movie offers coming his way.
Ultra Culture the exhaustive list of Xavier Dolan's credits... in his own movies.
Xavier Dolan ...oh and he's started film #5
Pajiba has an awesome take down of the recent resurgence of "boohoo it's hard to do female characters" quotes and articles -- I can't even with those comments from the animators of Frozen!

Popcorn Taxi Tom Hiddleston doing Owen Wilson doing Loki. wtf? (and also LOL)
Coming Soon Netflix has ordered a new family secrets thriller series from the creators of Damages
Variety Paul Rudd and Joseph Gordon-Levitt are said to be Marvel's top choices for upcoming superhero flick Ant-Man
Variety Weird. Susan Sarandon and Eva Amurri may star in a mother/daughter sitcom. I can't say I predicted a sitcom for Sarandon and isn't "Mom" already on TV?
i09 the weirdest vampire movies ever made
The Playlist new images and clip from 12 Years a Slave 
MNPP 250 words or less on Captain Phillips 

my favorite Best Actress win of the 1970sFinally...
Movie Mezzanine seemingly asked everyone but me to compile their "top ten" of the 1970s without commentary. I dont know why lists without commentary are fun to read but they are. It's fun to see which movies dominated their massive roundup (The Godfather is the expected winner, topping 6 lists and it's nearest rivals - more interesting -- are tied for 3 #1 ranks each:Annie Hall, Days of Heaven and Taxi Driver). I've already done this particular top ten in an earlier post but if I were to redo it it'd maybe look like so. And weirdly no one they polled had my #1 as #1 though it appears on a few lists. 

1) Manhattan 2) Nashville 3) Cabaret 4) Apocalypse Now
5) Network 6) All That Jazz 7) Carrie 8) Taxi Driver 9) Annie Hall
10) Dog Day Afternoon 11) Cries and Whispers 12) The Conversation
13) Three Women 14) Jaws 15) The Godfather 16) The Way We Were
17) Klute 18) McCabe and Mrs Miller 19) Star Wars
and 20) Grease (for the nostalgia. shut it)

Okay I cheated with a top twenty but the astonishing thing about that decade is that everyone's lists look completely reasonable because great films can be seen wherever you choose to look in your 70s film education. You know? 

Exit Music
How about a little "Chopsticks" with Oscar bound (again) mega-stars Tom Hanks and Sandra Bullock? So crazy that today's new adults (Happy 18th, 1995 babies!) were born into a world where Hanks and Bullock were ruling the box office and today here we are again. Talk about legs (and I don't mean Bullock's literal ones but wow those gams)

Friday
Sep132013

Robert Redford is "The Candidate"

Team Experience is looking at key Robert Redford films as we approach the release of his lauded Oscar-buzzing comeback "All is Lost". Here's Tim Brayton on one of his milestone films.

 In addition to being one of the great timeless sex symbols in Western culture, Robert Redford is noted for the passion of his activism: for art, as in the creation of the Sundance Film Festival and the exposure it gave to American independent filmmaking; and for politics, as seen in the joylessly obvious message movie Lions for Lambs. But let us try as hard as we possibly can not to hold that against him, and instead rewind all the way back to 1972. For it was in that election year that Redford acted in the first of many explicitly political movies of his career, The Candidate.

The title says it all: there’s a Senate campaign to wage, and a candidate to flog, and that candidate, Democrat Bill McKay, is embodied by the most photogenic, blondest, whitest actor of the early ‘70s. Which is as much to say that the casting alone goes a long way towards explaining why the movie works, will all apologies to Redford’s skill. [more...]

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