DGA Nominees: Anderson, Branagh, Campion, Spielberg, Villeneuve

by Nathaniel R

And now the 'super thursday' of Guild Awards comes to an end with the Directors Guild of America nominations. The Directors Guild has historically been the best 'predictor' as to the Best Picture lineup though that distinction ceased being really important in 2009 when Oscar expanded its Best Picture lineup. Since then we've only seen one DGA Feature Film nominee that didnt show up in Oscar's Best Picture list (The Girl with the Dragon Tattoo) though we've several several DGA nominees who didn't show up in the parallel Oscar list for Best Director. Make sense? Okay, let's discuss their nominees...

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Tweetweek

Two truths

every single movie at sundance really do be like: pic.twitter.com/YAOaKHLcfP

— the morally corrupt juan barquin (@woahitsjuanito) January 23, 2022

Emma Thompson hasn't had an Oscar nom in over 25 years, and I think we as a society deserve every bad thing that's come to us.

— Robert Daniels @ Sundance aka Marya's apartment (@812filmreviews) January 23, 2022

More after the jump...

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Top unheralded performances in PTA's filmography

by Cláudio Alves

Across the years, Paul Thomas Anderson's films have earned nine acting Oscar nominations, including a win for Daniel Day-Lewis in There Will Be Blood. It's fair to say that actors love the director. Why shouldn't they? While these movies' leading players earn prizes, every part, no matter how small, is written with complexity, directed, and framed with attention. Indeed, some of the best performances come from those bit players, sometimes glorified cameos, sometimes supporting roles within a sprawling cast. If you've seen his latest, you'll know that, beyond Alana Haim and Cooper Hoffman, Licorice Pizza is almost entirely made up of such actorly turns.

With that in mind, a list of favorite unheralded performances from PTA's filmography. These are thespians who earned no accolades for their work, beyond ensemble prizes, and whose roles tend towards the diminutive. But, of course, as these ten master artists make evident, there are no small parts, only small actors… 

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The beauty of Robert Elswit's cinema

by Cláudio Alves

Our odyssey through the 2005 Best Cinematography Oscar nominees is reaching its end. After Dion Beebe, Rodrigo Prieto, and Wally Pfister, we've arrived at the filmography of Robert Elswit.

Mostly known for his collaborations with Paul Thomas Anderson, Robert Elswit is a master craftsman whose control of the camera is virtually unparalleled. Whether in choreographed motion or stately stillness, his images sing with meaning and ravishing beauty. More specifically, he's got a penchant for expressive dolly shots, wide-angle lenses, and shoots sunlight in ways that make it bleed white while his shadows, especially at night, glow in hues of blue and even purple. Usually, when you see Elswits name on the credits, you can expect a handsome movie regardless of the rest of the project's quality.

Here are 10 highlights from Robert Elswit's filmography…

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Phantom Thread: When bad fashion is good costume design

by Cláudio Alves

There are many ways to talk about Phantom Thread. My favorite Paul Thomas Anderson production is, among other things, one of the best films about romantic love I've ever seen, looking at the way that loving another person is to willingly become vulnerable to them. To love is, in essence, to open ourselves up to the possibility of mutually assured destruction. The picture is also a canny dissection of the muse/artist relationship, one that illuminates matters of obsession, dynamics between the sexes, the luxuriant pleasure of touching silk, and gazing upon that which is beautiful. It's all that and much more, a multifaceted jewel of cinema about which I could write endless rhapsodies of passionate praise.

Still, for this piece, let's look at the aspect of the movie that earned one of its makers an Oscar (and a jet ski). I invite you all to peruse the costumes Mark Bridges created for Phantom Thread, a film which proves that lackluster fashion can be masterful costume design…

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