Producers Guild goes with Oscar's expected top ten... no box office deviations this year.

The Producers Guild have announced their nominations for the film and television year. Unlike in some previous years they've ignored unexpected non-prestige-ready blockbusters this time, focusing exclusively on films expecting to do well on Oscar nomination morning.

Little Women isn't down for the count yet in the Best Picture raceOutstanding Producer of Theatrical Motion Pictures

• 1917 Producers: Sam Mendes, Pippa Harris, Jayne‐Ann Tenggren, Callum McDougall
• Ford v Ferrari Producers: Peter Chernin & Jenno Topping, James Mangold
• The Irishman Producers: Jane Rosenthal & Robert De Niro, Emma Tillinger Koskoff & Martin Scorsese
• Jojo Rabbit Producers: Carthew Neal, Taika Waititi
• Joker Producers: Todd Phillips & Bradley Cooper, Emma Tillinger Koskoff
• Knives Out Producers: Rian Johnson, Ram Bergman
• Little Women Producer: Amy Pascal
• Marriage Story Producers: Noah Baumbach, David Heyman
• Once Upon a Time in… Hollywood Producers: David Heyman, Shannon McIntosh, Quentin Tarantino
• Parasite Producers: Kwak Sin Ae, Bong Joon Ho

In short, it's Best Picture predictions again. I know people have issues with the MCU but since this award is for producers, it seems strange to shun the gargantuan producing effort that worked so hard for 12 years to culminate in Avengers Endgame. Thinking it should have been here. Also strange to ignore the in-no-way-a-sure-thing success of The Farewell and Hustlers which just as easily could have been a indies that everyone ignored but for their success in execution and delivery. But then, those films are about women and most of the mainstream awards bodies prefer stories about men (sigh)

But all is not lost for films that didn't make this list and all is not secure for films that did make this list. Here's a trivia list for you...

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BAFTA lacks diversity (in all sorts of ways) and goes all in on "Joker"

by Nathaniel R

I've made it no secret over the years that I think BAFTA is the worst of the major awards organizations. They always appear to have watched an extremely limited pool of films (even less than Oscar's tunnel vision screener stack) and they regularly ignore British fare unless it's tipped to be hot at the Oscars (like 1917). This year is no different. They threw all their weight behind Joker (an astounding 11 nominations) and three of the films which feel like possibilities to win the Oscar for Best Picture: The Irishman, Once Upon a Time..., and 1917 (their one UK-produced love). Those four movies handily dominated the nomination count.

We also have to call bulls*** on BAFTA executives blaming the film industry for their lack of diverse nominations this year. Their acting nominees are all white this year and their directing nominees all male. They've responded saying:

"We'd have liked to have seen more diversity in the nominations, it does continue to be an industry-wide issue. I think more films need to be made, and entered, giving people a chance to see them. We'd absolutely like to see more diversity, but I also don't want to take away from those celebrating today."

As you all know, since I've been chastised for it before, I'm not always happy about where the complaints about diversity are focused. In some years the Oscar voters have been (I feel) wrongly targeted when there just weren't a lot of options for them. This year however there is no excuse as there are multiple lauded actors of color from films like Us, Dolemite is My Name, Waves, The Farewell, Luce, Harriet, Hustlers, and Parasite. And it's also been a great year for female directors given Little Women, Hustlers, Atlantics,A Beautiful Day in the Neighborhood, and The Farewell.

The full list of nominations with commentary are after the jump...

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Still more prizes...

Why were critics so uncritical of Toy Story 4's retreading?

Yes, people are still giving out prizes. We don’t say this facetiously since we haven’t even given out ours yet (still cramming in screenings!) but both the Team Experience Awards (voted on by our whole team sans me -- they don’t let me vote!) and the Film Bitch Awards (yours truly's own long-running prizes) are coming in the next week or two. But until the guild awards start en masse this week (whilst Academy members vote on the Oscar nominations) here are the five latest industry or critics groups to announce. We only wish that there were more variety since Parasite, Bong Joon Ho, Adam Driver, Brad Pitt, Apollo 11, and Toy Story 4 continually to dominate their categories with stampede like force. The only category where the groups disagreed en masse (this week at least) was Best Actress; Ronan, Nyong'o, Zellweger, and Johansson all picked up another prize. And Best Supporting Actress was dominated by Florence Pugh in this week's roundup which is a bit different than earlier in the critics awards season where it was always Dern vs Lopez. 

The latest prizes after the jump...

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"The Irishman" leads the nominations from the Online Film Critics Society

The OFCS was founded back in 1997 just as film criticism was exploding on the web but still disrespected by old media. Since their founding 22 years ago there is less reason for their existence (all critics are primarily "online film critics" these days) but we've always liked them because the taste level is consistent. Let's start with their nominees and move on to other winners from other associations, at home and abroad.

OFCS
(Online Film Critics Society)

Best Picture

• 1917 
• The Irishman 
• Jojo Rabbit 
• Knives Out 
• Marriage Story 
• Once Upon A Time...In Hollywood
• Parasite
• Portrait Of A Lady On Fire
• Uncut Gems 
• Us

Best Animated Feature...

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Podcast: Everything you wanted to know about precursor awards week ... but were afraid to ask*

Nathaniel R and Murtada Elfadl welcome back NICK DAVIS! 

In this hour long conversation Nick, Murtada, and your TFE mastermind Nathaniel discuss the first gigantic week of precursor season. What hath the Globes and SAG wrought and who are we sad about (Alfre Woodard!) and who are we rooting for (Antonio Banderas) and the like. We're divided on Judy and Dark Waters and Robert DeNiro's The Irishman and we dunk a little on Richard Jewell and The Two Popes (sorry!). We also have words for NEON not finding a way to honor Clemency while pushing Parasite. Finally we try to suss out the impossible "Best Actor" race which is giving everyone predictive pause.  

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Precursor Madness