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Entries in precursor awards (424)

Sunday
Jan292012

SAG Predix: Will They Really Give "The Help" 3 Prizes?

Only two more awards shows to go before we reach Oscar night. One of them is tonight. SAG sometimes surprises (remember 2002 and 2003?) and sometimes goes total consensus. Let's take a stab at this... which is easier to do with statues with sharp corners. LIVE BLOGGING HAS BEGUN!

Best Actress
Nominees: Close, Davis, Williams, Streep, Swinton
Will Win: Viola Davis because the most voters have seen her film and because she's great in it.
Will Win: Meryl Streep because she's Meryl Streep and it's a biopic and actors are crazy about those and because it's a virtuosic impersonation.
Will Win: Michelle Williams because she's the new "Best of Her Generation" actress everyone is excited about and because it's a biopic and...

Okay. Yikes. I suspect it's a tight three woman race. I'd like to believe that Viola's box office and general narrative will differentiate her just barely enough. On the other hand actors rightfully worship Streep and she might win this with ease and she's definitely the most likely winner for voters who haven't seen all their screeners. I mean if I was voting blindly I'd always vote Streep (not that I'd vote blindly). On the other otherhand (we've grown a third arm) perhaps the vast voting body of the guild will have a heatwave for Michelle Williams as Marilyn Monroe.

Best Actress has the odd and slightly unpleasant distinction of being filled with performances that are mostly significantly better than the film housing them (though this is not to say that all of the films are terrible). Given that rather specific sandbox, I'd argue that Davis does the most successful job of working against her film's limitations. As technically great as Meryl Streep's work is, it just can't vault the hurdle of "why was this film even made other than to win Best Actress awards?" None of the other films, not even My Week With Marilyn leave quite the same "why does this exist?" aftertaste. But then again, films made solely to win awards no matter how shamelessly obvious about that they are,  have never been exactly shunned by awards bodies so that might not matter at all. Plus after taste is hard to notice while you're still eating which is why some distributors wait till the last possible second for voters to see movies they want votes for.

Okay, okay: Streep.

Best Actor
Nominees: Bichir, Clooney, DiCaprio, Dujardin, Pitt 
Will Win: George Clooney for his movie star charisma. He seems to be just sailing through this awards season with ease as if his performance towers over the competition. Strange.
Should Win: Brad Pitt for his movie star charisma and how it completely suits his character and his film and for the simple matter that he gave two incredible performances in the same year, one of which is this one right here. It's always a pity when career peaks happen and awards bodies are only vaguely paying attention, temporarily blinded by other flashy objects in the same room. 

Best Supporting Actor
Nominees: Branagh, Hammer, Hill, Nolte, Plummer
Will / Should Win: Christopher Plummer. Like Clooney he has no competition for the win in his category. The main difference being that his performance easily reveals why that is.

Best Supporting Actress & Best Ensemble
Nominees: Bejo, Chastain, McCarthy, McTeer and Spencer 
Nominees: The Artist, Bridesmaids, The Descendants, The Help, Midnight in Paris 

Octavia Spencer and Melissa McCarthy are, like Brad & George, friends and competitors both. But more importantly they're also both in awesome female ensembles. Voters have shown in the past that they don't mind giving acting prizes AND the ensemble to the same film but won't they want to throw Bridesmaids something instead of possibly giving The Help three of their five prizes?

I'd love to predict a Bridesmaids win in ensemble and I don't think it's out of the realm of possibility especially if voters do the old "vote for the film you'd most like to have been in" (in which case this is Help vs. Bridesmaids vs. The Artist) but as SAG has settled into its [ahem] 'precursor duties' they've strayed further and further from thinking about ensemble and moved right into thinking about Oscar so a win for a movie that's not up for Best Picture might be beyond their imagination now (in which case this is The Help vs. Descendants vs. Midnight vs. The Artist)
Will Win: Melissa McCarthy (repeating the Emmy surprise?) and The Help... though maybe i have it in reverse and wouldn't that be fun.
Should Win: These categories are killers, so many good performances. But If I was voting I'd throw Ensemble to Bridesmaids and Supporting to... god, who knows. This is why I still haven't finalized my own awards.

ON TO THE SAG LIVE BLOGGING


Wednesday
Jan252012

Patton Oswalt To Host the Oscars In 2021*

*This is not strictly true.

Remember that moment at the BFCA "Critics Choice" Show when Patton Oswalt took the stage, owned it, said somewhat interesting things (I forget what but it's been a long month), got laughs. Everyone was all 'why isn't he hosting?' in the twitterverse. Apparently that moment was not lost on Hollywood.

ANIMATION NEWS
Oswalt has not one but two upcoming hosting gigs in February. First "Remy" himself (Ratatouille!) will host the animation industry's Annie Awards on February 4th, 2012 about which he says:

The Annies are where the real weirdos hang, and it’s a visual feast just to have a drink with them—I can’t wait”

VISUAL FX NEWS
...and just three days later he'll host the Visual Effects Society Awards. Those people did a good job on his damaged legs in Young Adult, you must admit.

Neither of these awards shows are televised but baby steps. One day he'll be hosting the Oscars! I can see it now. But he has to get more famous first. Oscar is picky about the Q quotient.

P.S. One thing I'd totally forgotten about the VES Awards is that their trophy and logo are totally "Papa Georges" lovin'

Advantage: HUGO after the jump!

Click to read more ...

Friday
Jan202012

Link Crumbs Trail

Mike Myers Oscar BuzzLinks. I Know These People Edition
<-- This Had Oscar buzz is a new tumblr from Joe Reid. I was totally giggling gawking at it earlier. It's all true! It's all true!
Pajiba Joanna on Michael Fassbender Penis Expert
Do Dump or Marry is but one of me pal JA's great features on My New Plaid Pants but I particularly enjoyed the latest all ladies 9 to 5 edition. 
Critical Condition looks at five stars who squandered their goodwill.
Nicks Flick Picks have you been following Nick's Best Actress Birthday party? It's amazing. Next up Patricia Neal and Geena Davis 
In Contention Kris Tapley is a Sundance Virgin. Virgin!
Slant Kurt interviews Steven Soderbergh 

Awards, Special Interest Edition 
The NAACP has released their Image Award nominees and Awards Daily is pleased to see the Cicely Tyson mention in supporting actress. That's all well and good as she was quite touching in the movie but it seems utterly bizarre to have FIVE actresses nominated from The Help for acting prizes and no sign of Jessica Chastain. It's Viola, Octavia, Cicely, Emma... and Bryce!?! Pariah, which is finally in theaters, also did very well in their nominations. Congratulations to the nominees especially Regina King who was nominated for Southland... so underrated. 

Team "Help" when the Oscar buzz was but a whisper at their world premiere.

And though I forgot to mention it a few days back, the Gay and Lesbian Entertainment Critics Association (aka GALECA) gave both of their best film prizes --the standard best film plus the best gay film prize -- to Andrew Haigh's Weekend. Michael Fassbender won the "We're Wilde About You Rising Star Award". We Were Here, a documentary about the early years of the AIDS crisis in San Francisco, took their Best Documentary honors. It's also an Oscar finalist this year.

Overseas the London Film Critics Circle took their cue from Nathaniel (kidding) splitting their prizes between his two favorite films of the year The Artist (Picture, Director) and A Separation (Screenplay, Foreign Film, Supporting Actress). And back here in the States the Iowa Film Critics yearned for Hawaiian vacations with The Descendantszzzs

Thursday
Jan192012

Great Costuming... According to Costume Designers

The Costume Design Guild has spoken! As with all guild awards... it's a combination of "Really?" and interesting "Oh, yeah!" choices.

Clothes Horse Royals in "W.E." via Arianne Phillips

PERIOD FILMS
Mark Bridges for The Artist
Michael O'Connor for Jane Eyre
Sharen Davis for The Help
Sandy Powell for Hugo
Arianne Phillips for W.E.

Good news: I have an interview coming up with Arianne Phillips, who is one of my heroes. And not just because she's worked with Madonna for 15 years or so.  
Notable Omissions: AnonymousCaptain America (unless they considered it a fantasy), My Week With Marilyn, A Dangerous Method, and Tinker Tailor Soldier Spy.
Oscar transferrence? The costume designers within the Academy, a much smaller number than votes on the guild awards, tend to prefer period work to other types of work so you could theoretically see all of these nominees repeat at Oscar, though Phillips is certainly most vulnerable as her movie is probably the least seen of these. Still royalty porn goes a long way with Oscar voters and Andrea Riseborough looks like she's wearing the entire budget of the film.

FANTASY FILMS
Jany Temime for Harry Potter and the Deathly Hallows: Part 2
Penny Rose for Pirates of the Caribbean: On Stranger Tides
Cindy Evans for Red Riding Hood
Alexandra Byrne for Thor
Sammy Sheldon for X-Men: First Class

Oscar transferrence? I'm guessing the best bet here is Alexandra Byrne for Thor.
Superheroes!: Interesting to see the fantasy category overtaken by superheroes (and yes I include Harry Potter there). I wonder if they categorized Captain America here or in "period"? Either way it didn't manage a nomination.
Strangest nods: Hasn't the Harry Potter cast been wearing essentially the sameish robes for the entire franchise? I have not seen Red Riding Hood so my apologies to Cindy Evans but I found that pink dress with red coat so painful to look at in tandem (even in the space of a 2 minute trailer!)  that my face lost a little of its color reading this nomination. Maybe every other costume in the movie is enticing?

CONTEMPORARY FILMS 
Leesa Evans and Christine Wada for Bridesmaids
Wendy Chuck for The Descendants 
Erin Benach for Drive
Trish Summerville for The Girl With The Dragon Tattoo
Manon Rasmussen for Melancholia


Yay! We figured the scorpion jacket would get its due here but it's fun to see my double feature of bridal depression nominated. 
Oscar transferrence? Unfortunately that only happens for contemporary films when the entire movie is about the clothes (see The Devil Wears Prada).
Sigh. REALLY?: The contemporary category is where you often see guilds failing to live up to their duties as awards organization and just grab at whichever FYC screeners they're loving. No offense to Wendy Chuck who has done fun work on several contemporary pictures, not just Payne's movies, but apart from Clooney's hilarious run in inappropriate shoes the costumes aren't contributing a fifth as much to the success of The Descendants (consider it this year's Slumdog Millionaire with bizarre guild triumphs) as say the costumes of Young Adult, Beginners, Shame, Crazy Stupid Love, The Iron Lady (unless they considered that "period"), Martha Marcy May Marlene or The Skin I Live In are to their movies. The contemporary categories are almost always where you see the limits of guild imagination when it comes to defining "awards worthy". It's a fancy way of saying "WE LIKE THIS MOVIE A WHOLE LOT!"

How do you like these nominations and where would your votes go?

Tuesday
Jan172012

BAFTA Nominations: Driver, Marilyn, Soldier, Spy

The BAFTA nominations are out and though we've begun to lose interest in precursors -- 7 days until Oscar nominations are announced -- we should list them anyway! Precursors has two meanings for me. There's the calendar meaning which merely includes all awards that precede the Oscars. But there's a second meaning which is the awards that primarily exist to do just that, precede and thus predict the Oscar. We tend to never lose interest in the precursors that have their own personalities and quickly move on from the others.

BAFTA'S BEST PICTURE. Can you imagine how exciting this year would be if there were only five Oscar nominees again. What the hell would be nominated?

BAFTA's final shortlist is different enough than what we expect Oscar's to look like (Drive and Tinker Tailor Soldier Spy both have devout fans but haven't captured that much awards heat in Hollywood) that we are forced into being slightly more interested than usual!

BEST FILM
THE ARTIST - Thomas Langmann
THE DESCENDANTS - Jim Burke, Alexander Payne, Jim Taylor
DRIVE - Marc Platt, Adam Siegel
THE HELP - Brunson Green, Chris Columbus, Michael Barnathan
TINKER TAILOR SOLDIER SPY - Tim Bevan, Eric Fellner, Robyn Slovo

Is Tinker Tailor Soldier Spy, which has won some notice from the guilds and a fair amount of interest at the box office gaining ground towards major Oscar nominations next Tuesday or not? It's one of the big question marks right there along with is the abundant Dragon Tattoo guild love a case of perfect timing or 'crossover appeal and you'll see it at Oscar, too!'


OUTSTANDING BRITISH FILM
MY WEEK WITH MARILYN - Simon Curtis, David Parfitt, Harvey Weinstein, Adrian Hodges
SENNA - Asif Kapadia, James Gay-Rees, Tim Bevan, Eric Fellner, Manish Pandey
SHAME - Steve McQueen, Iain Canning, Emile Sherman, Abi Morgan
TINKER TAILOR SOLDIER SPY - Tomas Alfredson, Tim Bevan, Eric Fellner, Robyn Slovo, Bridget O'Connor, Peter Straughan
WE NEED TO TALK ABOUT KEVIN - Lynne Ramsay, Luc Roeg, Jennifer Fox, Robert Salerno, Rory Stewart Kinnear

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
ATTACK THE BLOCK - Joe Cornish (Director/Writer)
BLACK POND - Will Sharpe (Director/Writer), Tom Kingsley (Director), Sarah Brocklehurst (Producer)
CORIOLANUS - Ralph Fiennes (Director)
SUBMARINE - Richard Ayoade (Director/Writer)
TYRANNOSAUR - Paddy Considine (Director), Diarmid Scrimshaw (Producer)

Given that there is no Oscar equivalent of this category and few clues in their nominations as to which of these they loved, we're interested to see who wins this one. I suspect it will be Tyrannosaur but I'll admit I'm personally rooting for Attack the Block. I'm not as crazy for it as Michael is but I do appreciate its energy and no budget invention.

Directors, Actors and everything else after the jump...

Click to read more ...