Beauty vs Beast: Live Without Masters

Jason from MNPP here with this week's "Beauty vs Beast" for you people to vote yourselves silly with -- did you know that today would have been the 51st birthday of the great Philip Seymour Hoffman? He's been gone over four years now and I ache to think of all the performances we've missed out on. No I wouldn't have given him that Oscar over Heath Ledger either, but he wasn't even nominated for the greatest film of the past two decades (that would be Synecdoche New York) so the injustices, they pile up.

But we're here to talk about another film, one I have come hard around on since its release - I was cool to Paul Thomas Anderson's The Master in 2012 but my affection for it has grown with time; I'm pretty keen on it now, with its medicinal greens and hard elbows. It's only right, it taking some time - it's not the sort of film that hugs you, at least not without wanting something back, making it much like its leading men...

surveys

PREVIOUSLY Naturally the actress prevailed and then some with last week's Double Indemnity poll - crossing Barabra Stanwyck was never a good idea, not when she's got that silver pistol in her pocketbook. Said cal roth:

"That was so easy... I love Stanwyck and MacMurray reunion in There's Always Tomorrow. I love Stanwyck, the most versatile movie goddess of all time. She could go from a Hawks screwball to two masterful perfomances in Sirk melodramas to westerns by Samuel Fuller and Anthony Mann (the director who got her best best performance ever, in The Furies)."

Brand new Picture / Director / Screenplay charts!

by Nathaniel R

If you smooshed all the Best Picture nominees together this year you'd get an interspecies queer romance set during World War II with a provocative sense of humor and some very uncomfortable racial politics. Somehow there would also be a subplot about a mother and a daughter who are constantly bickering over maybe how to handle their newspaper or fashion empire. The movie is 115 minutes long and is rated R for graphic violence, constant profanity, masturbation scenes, and implicit interspecies sexuality. 

We have never seen a movie like this but what a movie it would be!

Over at the Oscar charts you can now read trivia on Best Picture and Best Director and Best Screenplay and see serious and silly rankings of the whole set like "ranked by horniness" and "ranked by running time" and more. We also theorize on how the directors in particular secured their coveted nominations. Plus you can now vote (DAILY!) on who should win each of these four prizes. So have a look, share with your friends, return often, and comment to make this season more communal and festive!

Beauty vs Beast: All Sewn Up

Jason from MNPP here for our weekly "Beauty vs Beast" party - I'd been holding off on fêteing Paul Thomas Anderson's latest and most recently greatest Phantom Thread until it got its proper wide release, and now that it has, hitting over 800 theaters across the US this weekend, let us intrude ourselves upon the very strange (and strangely satisfying) union of Reynolds Woodcock (Daniel Day-Lewis), master designer, and his flung-from-space muse Alma (Vicky Krieps). Anderson muddies the waters great deal on what we think we know about this kind of power dynamic going in - Alma's nobody's pawn or pushover. And in Reynolds' sparkle-eyed acquiescence we see what she sees as worth all the fuss, too...

polls

PREVIOUSLY I kept hearing how last week's Hitchcock contest was tough for everybody and the numbers bear it out because this might've been the closest race we've yet had - Cary Grant topped Jimmy Stewart by just 3 votes out of over 300 cast! I'd say we're fairly torn on which man got the most from the Hitch treatment. Commenter Claran was decisively Team Cary though:

"Take that, Jimmy! Lest we forgot who stole the Oscar that should've gone to Grant, who wasn't even nom for The Philadelphia Story!! Tsk tsk....Shame on you, Oscars!!"

44 days til Oscar nominations. Screenplay stats!

by Nathaniel R

With only 44 days until Oscar nominations and lots of confusion as to what might be nominated for screenplay (there are seemingly 7 locks for Original and only 1 contender for Adapted -- the math doesn't work. Haha!) let's use today's numerical trivia prompt for writing awards. Fact: Oscar's 4 favorite screenwriters have 44 nominations between them for writing. That's a lot of hogging of writing honors. They are...

OSCAR'S 20 FAVORITE SCREENWRITERS
(Numbers below are for screenwriting categories only)
01 Woody Allen (16 nominations and 3 wins)
He's also been in the Acting and Directing races. Classics include Annie Hall, Hannah and Her Sisters, Manhattan and more...
02 Billy Wilder (12 nominations and 3 wins)
He's also been in the Directing and Producing races. Classics include Sunset Blvd, The Apartment, Some Like it Hot, and more...
03 John Huston (8 nominations and 1 win)
He's also been in the Acting, Directing, and Producing races. Classics include The African Queen, The Asphalt Jungle, Prizzi's Honor and more...
04 Federico Fellini (8 nominations but he never won for writing)
He's also been in the Directing, and Producing races and of course his films have taken multiple Foreign Language Film Oscars. He's the Academy's favorite Italian... yes, even more than Sophia Loren. Classics include La Dolce Vita, I Vitelloni, 8½ and more...

It's perhaps no surprise that all of these writers are also directors and thus were in charge of bringing their own words to visual life. With greater control comes greater consistency in results. Without checking before you hit the jump can you guess which working writers are next in line to join this group?

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Tweetstruck

We have to start with this exchange since Chris' love of mother! is well known. 

Where the hell am I going to fit 100 sinks, Matt?

— Chris Feil (@chrisvfeil) December 5, 2017

After the jump our tweet roundup of amusements, provocations, and random movie-loving featuring Moonstruck, I Tonya, P.T. Anderson, Big Little Lies, Meryl Streep's forehead, and more...

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