Almost There: Reese Witherspoon in "Election"

by Cláudio Alves

A few weeks ago, we asked you to vote on what performances should be analyzed on the Almost There series. While Myrna Loy in Test Pilot won the poll of 1938 specific titles, John Cazale's supporting turn in Dog Day Afternoon was your pick from a selection of new to streaming titles. But your runner-up choices will also get their chance to shine. Cazale won, but Reese Witherspoon's iconic performance as Tracy Flick in Election was close behind…

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The biggest question marks before the Emmy nominations

By Abe Fried-Tanzer

We’re less than two weeks from the Emmy nominations announcement, and voting has officially closed. We have plenty of information now, including who’s on the ballot and how many nominees there will be in each category. Before we unveil our final predictions next week, let’s address some of the major unknowns and how they could play out across the board.

Just how well will frontrunners Succession and Schitt’s Creek do? Most prognosticators expect that these two shows could win the top prizes, with nominations at least  are guaranteed. But, looking to last year, neither actually performed all that well in other categories...

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Horror Actressing: The Women of "American Psycho"

by Jason Adams

I don't think there's any good faith argument to be made that Mary Harron's American Psycho, which turns 20 today, is not Christian Bale's movie. His serial killing investment banker Patrick Bateman, now an icon for the ages for better or for worse, is in very nearly every scene -- Harron cuts away from his perspective only twice (both pointed moments I'll dig into below). We are, terrifyingly, trapped inside this most beautiful madman for every dissection and Whitney Houston diatribe -- it's much like Bret Easton Ellis' book that way.

But Harron, bless her, found ways to make the experience survivable, hell even somehow giddy and a deranged sort of fun, whereas Ellis' book is an undertaking swathed in ugliness and despair I've had no desire to revisit since my one and only traumatic read-through a good 25 years back. Harron navigated a supernaturally exquisite balance between her satire and horror, a vital "looking in from the outside" set of eyes that escaped the burden of Ellis' prose. And I think the key to it, besides Bale's brilliantly sweaty bananas work of course, is the vibrant gallery of women that Harron surrounded Bateman with...

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Review: Little Fires Everywhere

by Murtada Elfadl

This review only covers the first three episodes of Little Fires Everywhere.

In the second episode of the new Hulu miniseries Little Fires Everywhere rich privileged white woman Elena Richardson (Reeese Witherspoon) asks the nomad artist Mia (Kerry Washington), who is her new tenant, to be her maid. You see she means well. She saw Mia and her teenage daughter asleep in their car and of course as any upstanding citizen would do, called the police on them for trespassing. Out of guilt she leased them her open apartment when by coincidence she recognized them later in the day. Now Mia has told her that she needs to juggle more than one job to make ends meet. The offer comes out naturally out of Elena's mouth. Only after she finishes saying the words does she realize what she has said and how it can be misconstrued. She back tracks by changing the job to “house manager.”

That scene is fraught with racial, class and socio-economic tension. It made me excited for the series and for watching Witherspoon and Washington tackle these issues...

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Review: The Morning Show

By Spencer Coile 

It feels as though we’ve been discussing The Morning Show for years already. And how could we not? It was a main event for the latest streaming service, Apple TV+. It was headlined by Jennifer Aniston, Reese Witherspoon, and Steve Carell - three television titans. Plus, its behind-the-camera team - including Aniston and Witherspoon with producing credit, not to mention Mimi Leder and David Frankel directing the first three episodes - was enough to have television and film fans salivating for more.

The only problem is, The Morning Show was talked to death before it even premiered... hence the past tense of this intro...

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