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Entries in Screenplays (277)

Thursday
Feb112021

Let's talk about Oscar's screenplay races

by Nathaniel R

"Mank" is about the writing of a legendary screenplay. That should do the trick.

Are there locks in the Screenplay categories? At the moment both races feel almost settled (aside from hugely competitive fifth slots) though the WGA nominations arrive on February 16th which could theoretically disrupt the consensus punditry.

ORIGINAL
In the original race Mank, Minari, Promising Young Woman, and Trial of the Chicago 7 all feel like certainties but are they? That's too many locks prior to the WGA nominations and leaves only one spot open. That hypothetical fifth spot battle has a lot of strong fighters...

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Wednesday
Jan202021

Where are we at in the Oscar race? Screenplays, Directors, Pictures

by Nathaniel R

Looking at the calendar this morning on this blessed Inauguration Day, we realized with great alarm that the SAG, Globe, and Critics Choice nominations are just two weeks away so it's time to update all the Oscar charts again...

BEST PICTURE
What if we only get 7 nominees this year?

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Tuesday
Jan122021

Streaming 20:20 (Finale) - Soul, Let Them All Talk, and more...

ICYMI Part One | Part Two | Part Three | Part Four

Since it's crunch time to complete viewing before all the awards shows hit we've been surveying the films of 2020 that are already streaming for free (provided you have the services of courses), whether they're great, terrible or anywhere inbetween. Maybe you're looking to get caught up? We've been freezing films at the 20th minute and 20th second just for gimmicky time-stamped streaming roulette kicks. How many of these twenty 2020 pictures have you seen? 

Next up one of my favourites, soul number 102,2010,121,415

SOUL (Pete Docter & Kemp Powers, US)
Disney/Pixar. Original release date: December 25th. Streaming on Disney+

Didn't you love the design of the "Jerries" in Pixar's latest? It's so distinct visually. If only they had taken the genderlessness further and applied it to not just the names but the linework.

There's an implant. They put it in your shit. It's like... okay, It'll come back. It's fine, Lou. It's like 40 grand... 80 grand, whatever.

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Wednesday
Dec232020

Oscar Chart Updates: The Screenplays

by Nathaniel R

After Visual Effects and Makeup and Animated and Documentary Features let's turn out attention to the written word seeking Oscar approval. The critics awards for Best Screenplays are never very telling because many film critic organizations lump Adapted and Originals together. The only films in the Oscar race that have already won Best Screenplay prizes this year (at this writing) are the originals Promising Young Woman (LAFCA) and Never Rarely Sometimes Always (NYFCC and CFCA) and the adaptation that feels like an original i'm thinking of ending things (BSFC, FFCC, and IFJA). (The various screenplay winners from Cannes, Venice, Sundance and Berlinale are not eligible at the Oscars this year.) That's a long way of saying that we have very little to go on in the Oscar race...

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Wednesday
Nov182020

One Score and Five Years Ago: Revisiting "The American President" at 25

by Josh Bierman

As we are only 62 days away from a new, brighter era in the White House, now is the perfect time to revisit the Rob Reiner/Aaron Sorkin classic, The American President which is celebrating its 25th birthday this week. Back when it was released, Joe Biden was still a senator from Delaware and Tronald Dump had declared a loss of $915.7 million on his tax returns. I don’t want to make this piece a reflection on the Dump years through the lens of The American President, but as we’ve found in the years since Dump took that fateful ride down a golden escalator, it’s hard to avoid him when watching something overtly political. Or is that just me?

Let’s take it back a little bit. If you haven’t seen The American President since Hillary was just a First Lady, allow me to give a refresher. President Andrew Shepherd (Michael Douglas) is in his first term with high approval ratings, poised to cruise to a reelection victory. Enter Sydney Ellen Wade (Annette Bening), an environmental lobbyist, who catches the widowed president’s eye. But the president’s popularity and reelection chances begin to wane due to their courtship...

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