Venice Diary: Ghosts in Mostra

This year, Elisa is once again covering the Venice Film Festival for The Film Experience, writing a daily diary of her cinematic experiences from the Lido. The two opening films that inaugurated the 81st edition—one from the main competition and the other from the Orizzonti section—create a surprising and unexpected dialogue.

BEETLEJUICE BEETLEJUICE (2024). Credit: Warner Bros Entertainment Inc)

by Elisa Giudici

BEETLEJUICE BEETLEJUICE by Tim Burton
Gossip has revealed that much has changed recently in Tim Burton's personal life. He has a new woman by his side, both personally and professionally and a young muse who perfectly embodies his signature gothic aesthetic. Surprisingly, this shift has had a positive impact on Beetlejuice Beetlejuice, the sequel that, 36 years after the original, finds a legitimate reason to exist. It’s moderately entertaining, offers some successful sequences, and proves itself more than worthy of opening the 81st Venice Film Festival...

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First & Last 041 - Seeing double

Can you guess the movie from its first and last shot? The answer is after the jump...

Yes, yes, dear reader, but... which one?

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First & Last 033

Can you guess the movie from its first and last shot?

This one recently got a sequel and the answer is after the jump once you scroll down...

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First & Last 018

Can you guess the movie from its first and last image? We had to use a gif for this one since the final image is so blurry.

The answer is after the jump...

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Did you see 'The Dial of Destiny' or pass?

By Nathaniel R

The box office prelude to a mid-week Fourth of July (today) rested on Indiana Jones's 5th outing but he didn't truly deliver in The Dial of Destiny, a sequel that few people outside of Hollywood's money-obsessed board rooms  were asking for. Hollywood is discovering that it can't live on franchises alone. Problem is that's become Hollywood's ONLY strategy and all they've been investing in for some time now. Unfortunately for those of us who love the cinematic experience audience  increasingly lukewarm or chilly response to the big franchises isn't really morphinng into interest pointed at other moviegoing options. Hollywood has been training people to only care about franchises for years and now that they've "won", we're all losing!

Weekend Box Office (estimates? actuals? it's always a little fuzzy around holidays) June 30th - July 2nd  🔺 = new or expanding /  ★ = Recommended
WIDE (Over 800 Screens)	LIMITED / PLATFORM
INDIANA JONES AND THE DIAL OF DESTINY	EVERY BODY
1 🔺 INDIANA JONES AND THE DIAL OF DESTINY $60.3 *NEW* 4600 screens	1 🔺 EVERY BODY [doc] $150k *NEW* 255 screens

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