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Entries in Stage Door (73)

Monday
Aug262013

Stage Door: Asher Lev, The Jungle Book, Love's Labour's Lost

How has "My Name is Asher Lev" never been made into a movie? The novel by Chaim Potok, about a young Hassidic Jew who becomes a controversial and successful fine artist (painting crucifixations of all things) is one of those mainstays of primary education so you'd think that there would be a movie. Most of those get-em-while-they're-young classic novels can claim multiple film versions. But there's only been runs at the stage. I recently saw a new adaptation by Aaron Posner at the Westside Theater. 

The production was minimally staged but the set was a moody beauty. The night I attended the understudy for the female roles (there are only three actors in the production) went on. Turns out she was Chaim Potok's actual daughter! Imagine that.

Ari BrandAri Brand was constantly on the stage in the title role but adeptly swung around between various ages from little boy to grown man to track Asher Lev's artistic awakening and simultaneous emancipation from and acceptance of his faith. But the chameleon in the cast was Mark Nelson who plays quite a few characters including Asher's father and is particularly memorable as his jovial uncle and Asher's mentor artists who speaks largely in manifestos about what art is and how artists should live. Asher's struggle couldn't be more specific (a Jew painting Christian iconography) but the themes are wildly flexible to any coming of age or coming into one's own spiritual or ideological journey which is surely why people love it when they're young. 

It's Your Last Chance: My Name is Asher Lev plays through September 1st at the West Side Theater. 

Movies and TV Moving to the Musical Stage
Playbill warns that there's a GLEE stage musical in the works? God Antoinette Perry help us all. We've really gone over the top and back down again with the cross pollination of mediums. In September HONEYMOON IN VEGAS hits Paper Mill in Jersey and over in Boston at the Huntington Theater Company they're launching Disney's THE JUNGLE BOOK which is aiming for Broadway (eventually) and one supposes they're dreaming of another Julie-Taymor-does-Lion-King size hit. Here's a Making Of with director Mary Zimmerman, whose biggest hit Metamorphosis was so good. Let's hope she doesn't fall into the Julie Taymor trap of not being able to edit herself. Bostonian readers who've seen the show do tell us what you thought! 

The great Norbert Leo Butz in BIG FISH

The migration continues directly on Broadway with Big Fish (Sept 2013), The Bridges of Madison County (Jan 2014) and Rocky (Feb 2014) among others. Which are you most interested in hearing about?

Exit Music
And did any of you get a chance to see the final Shakespeare in the Park for the season: Love's Labour's Lost? I'm still humming this particular show stopper. 

Heavy rotation on my playlists.

 

Monday
Jul292013

Stage Door: "The Pride" and "The Explorers Club"

In 'Stage Door' we share our live theater adventures... 

Hugh Dancy & Ben Whishaw in "The Pride" back in 2011

If you noticed the blog was far from fruitful this past week in the posting it's because I was in Chicago visiting Nick and Tim. Nick and I took in the play "The Pride" on its closing weekend in the Windy City. His partner had worked on it as dramaturg and Nick thought I'd like it. He was right...

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Monday
Jul082013

Stage Door: Snow White's Final Humiliation in "WS"

I'm not sure that "stage door", our live theater series, is the right place for a video installation but since it's only "live" in NYC, here goes... 

If Snow White were a real Princess rather than a fictional one, you'd have to consider her corpse thoroughly exhumed by now. From the 75th anniversary of Walt Disney's Snow White and the Seven Dwarfs (1937) which we celebrated right here through the release of three new filmed incarnations of the princess (Snow White and the Huntsman, Mirror Mirror and, the best of them, Spain's silent feature Blancanieves) and even a Broadway show Vanya and Sonia and Sasha and Spike which uses her costume (on Sigourney Weaver) as plot device and laugh generator, Snow White just isn't getting any sleep these days. She must be exhausted. But sleep deprivation might just be preferrable to the nightmare she's experiencing on Park Avenue right about now...

Elyse Poppers as "White, Snow" and Paul McCarthy as "Walt Paul" in WS

Read on if you can handle NSFW riffs on fairy tales...

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Tuesday
May282013

Stage Door: Showgirls with Kinky Boots

I'll be out of the country for the Tony Awards this year on a much needed vacation but before they arrive I thought I'd share with you my final theatrical experiences of the season, the first of which is way Off Broadway (though close to Broadway geographically)  and the second is one of your major Tony contenders.

Both of them adapted from movies because that is what gets financed these days!

Elizabeth Berkeley (Nomi Malone) and Rena Riffel (Penny/Hope) in Showgirls (1995)

Showgirls: The Musical is playing Wednesdays and Saturday nights at XL Nightclub. I raced to see it with friends since I love the movie so much. Plus I was fascinated that "Penny" herself, excuse me, "Hope" ("no one wants to fuck a Penny!"), the actress Rena Riffel, is reprising her role for the stage. She's self-aware enough to embrace Showgirls infamy as a career (she's also the star of the straight to DVD Showgirls 2: Penny's Revenge) the way C list stars of certain sci-fi programs end up as geek convention regulars hawking their wares. It's a honest living! I totally wanted to hug her or at least let her sign my ass or something. What a good sport! [more on Showgirls and "Kinky Boots" after the jump]

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Monday
May202013

Stage Door: Far From Heaven...THE MUSICAL!!!

Since we're in the heat of Tony season, you get TWO screen-to-stage posts this week. Here's the first one (though perversely both shows are not on Broadway and are thus ineligible for those awards)

abstew here. Although often cited as one of the reasons for the death of originality in American Theatre, the musicalization of popular films to stage is hardly new. After all, two Best Picture Oscar winners (All About Eve and The Apartment) were turned into musicals (1970's Applause and 1968's Promises, Promises, respectively) long before Bring It On was cheering it's way to a Best "New" Musical Tony Nomination. (I, myself, am still waiting for the musical version of Death Becomes Her. It already has a musical number! Someone, please, make this happen!) The latest film getting the song & dance treatment (well... song & walking around) is one that I'm sure TFE readers are familiar with, Todd Haynes' glorious Far From Heaven (2002). more...

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