Oscar Volleys: Best Director Looks Like Baker v Corbet

The Oscar Volleys are back for some post-nomination talks. Today, Eric Blume and Nick Taylor discuss the Best Actor race...

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The Oscar Volleys are back for some post-nomination talks. Today, Eric Blume and Nick Taylor discuss the Best Actor race...
The Oscar Volleys are back for some post-nomination talks. Today, Eric Blume and Eurocheese discuss the Best Actor race...
SING SING | © A24
ERIC: Hi Euro, I'm thrilled for this one-on-one with you to discuss our five Best Actor candidates. While I'm eager to discuss the actual race, because I think we have a real race here with several possible outcomes...what are your thoughts on the nominees themselves? How do you feel about the five? I think one is a little weaker than the rest (and that's Colman Domingo, more to come), but all in all a wonderful quintet full of talented actors doing very fine work. What is your take?
EUROCHEESE: That's funny - of the five here, Colman Domingo would actually have my vote…
The Oscar Volleys are back for some post-nomination talks. Today, Abe Friedtanzer and Eurocheese discuss Best Original Screenplay...
ANORA | © NEON Rated
ABE: Eurocheese, always a pleasure to get to talk to you about movies! I think we got a great category this time - Best Original Screenplay - which is actually quite a competitive race! The WGA rules meant that only two of the Oscar nominees are recognized by that guild too, which did make room for one of my favorite movies of the year, My Old Ass. But at the Oscars we have a race that's legitimately a three-way competition. I think we can safely rule out September 5, a film which I think is excellent but which didn't get any other nominations, including Best Film Editing, so I can't see a scenario where it has a path to victory here.
Similarly, A Real Pain, initially conceived as a potential frontrunner, missed the Best Picture list and only scored one additional nomination (which it can probably win) for Kieran Culkin. It's hard to see it having enough support here. That brings us to the other three nominees. I would have said Anora was the clear number one pick here, but precursors aren't looking that way.
Where do you think the race stands?...
THE BRUTALIST | © A24
The Brutalist leads the nominations for the 13th annual Team Experience Awards. Brady Corbet's Oscar player scored in seven categories, including Best Picture, Director, and Actor. The film premiered on digital today, so if you missed it in theaters, it's time to give this epic a look. Many other Oscar frontrunners appeared on our ballots, with every one of AMPAS' Best Picture nominees featured in one category or another. As always, it's a fascinating mix of prestige fare and outré offerings, awards magnets, and obscure titles that got here on the basis of a few writers' burning passion. These awards are a testament to the variety of opinions featured on The Film Experience, having been voted by several members of its team. With the notable exception of Nathaniel, whose Film Bitch Awards are another matter altogether.
Discover the full list of nominees in 20 categories after the jump…
In the Split Decision series, two of our writers face off on an Oscar-nominated movie one loves and the other doesn't. Today, Nick Taylor and Abe Friedtanzer discuss The Brutalist...
NICK TAYLOR: Hi Abe! I hope the cinematic year of 2024 and the numerical year of 2025 have been treating you well! Today we’re here to talk about The Brutalist, which is one of my favorite films from 2024 and one of the most nominated films at this year’s Oscars. Because this is the Split Decision series, I’m gonna guess you are not a fan of this film, or you’re at least more ambivalent about it than I am. But an object this self-consciously huge deserves to be argued about, and I would love for you to start us off by sharing what you think of The Brutalist.
ABE FRIEDTANZER: Hey Nick! I will say that I didn’t hate this film, and even found much to admire about it. I saw it at a morning press screening at the Toronto International Film Festival back in September, so early enough to not have heard much about it and to be able to fully appreciate it. I knew very little of the story, and so naturally my interest was piqued. As soon as the film ended, I wanted to research the true story, only to find out that its events were invented. I had seen Brady Corbet’s previous film Vox Lux (which I hated with a passion) as well as The Sleepwalker (directed by Mona Fastvold with a screenplay by her and Corbet, a role reversal of their duties on this film), which I liked much more. From what I could find, and have been able to since, it doesn’t seem like either of them are Jewish or have any Jewish heritage. Those two factors have irreversibly impacted my perception of the film and made it hard to truly process it in a positive way...