Streaming Roulette, Early March 2019

by Nathaniel R

As is our practice we've selected a couple handful of titles and frozen the films at utterly random moments without cheating (whatever comes up comes up) for this quick preview.  Do any of these screencaps make you wanna watch the movie? At the bottom of the page, check out full listings for Netflix, Hulu, Prime, and HBO for the first half of March. Okay, let's go...

Ohmygosh, he is dreaaammmmy.

The Notebook (2004) on Netflix
Wait James Marsden is the other man in this movie? (You may recall I told you I hadn't seen it when Kim was writing up its famous kiss last month. Somehow I didn't know that Rachel McAdams had to choose between Marsden and Gosling? Tough life, that girl leads.) Oh and did you hear that weird story about how Netflix changed the ending to The Notebook in the UK? I wouldn't have known the difference but bizarre. How is that even legal?

[eery music]

What Lies Beneath (2000) on Hulu
You guys... never look at a pristine empty bathtub while holding a ouija board...

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Months of Meryl: The Devil Wears Prada (2006)

John and Matthew are watching every single live-action film starring Meryl Streep. 

Meryl talking to director David Frankel during shooting

#34 —Miranda Priestly, ferocious editor-in-chief of Runway magazine.

JOHN: How do you solve a problem like Miranda Priestly? Or, more specifically, The Devil in Prada? How do you make walking into a room a distinct and indelible character trait? How do you continue assembling a mannequin’s outfit while simultaneously delivering a brutal lecture about the color cerulean? How do you not only resist but upend the misogyny inherent in your role? How do you grip the audience by their necks while still having them root for your victory? When your name is Meryl Streep, such issues are not problems or challenges, but more like Smith & Wollensky porterhouses, plump, juicy, bloody gifts, presented to you on a plate...

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Gird Your Loins for a "Devil Wears Prada" Musical

Chris here, with exciting Broadway adaptation news. Yes, we've maybe begun to move past eyerolling whenever our favorite movies are cashgrabbed into a stage musical and are occassionally excited about some prospects. The Devil Wears Prada seems like a more natural fit for Broadway (and long rumored). It also just landed some quite credible talent: composer Elton John and scribe Paul Rudnick.

If you're worried about an instant classic like Prada being bastardized, look no further than how Elton John turned Billy Elliot into both a financial and creative success on the stage. Paul Rudnick has given us such gay classics as Jeffrey, Addams Family Values, and In & Out, so don't expect the hilarity to be diminished either. While there is not an arrival date yet, the announcement of their involvement is all we need to confirm that this adaptation is really happening and will be a gay old time.

Get ready for lots of speculation on who will step into Meryl Streep's Priestley shoes, though we imagine it is too early to speculate on casting (or how Tony-ready Emily Blunt and Stanley Tucci's former roles will be). It is however fun to fantasize about how Elton will musicalize the pages of Runway magazine. I personally can't wait for numbers like "That's All", "The Cube of Cheese Diet", and "(My Esteemed Colleague) Jacqueline Follet".

What Prada moment are you most excited to see musicalized?

Posterized: Emily Blunt

Is Emily Blunt an A List Movie Star or still perpetually "on the verge"? The box office returns for her current thriller Girl on the Train, promoted largely on her name and face alone, suggest the former but bestsellers do come with their own pull.

This perpetual question is aggravating to anyone who has fallen in love with Blunt over the years in any number of movies. Those who have appear to be legion because what's not to love? She can nail drama and she's funny in comedies. She's totally convincing as an action heroine and she's also adept at the movie musical. We've yet to see a genre she can't do.

Let's take a look at Blunt's movies thus far in this week's Posterized. How many have you seen and which are your favorites?

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He Loves Link

Reminder: You can watch the live stream of Broadway's She Loves Me tonight (one of the major Tony nominees this year) on "Broadway HD" for only $9.99 this evening at 8:00 PM EST (though I'd get there before 7:50 PM). The show stars Laura Benanti and Jane Krakowski, two national musical comedy treasures, and some talented men, too. It's the first time in history that a Broadway show has been livestreamed and since Broadway shows aint cheap $10 is practically free. If you check it out, let us know what you thought. Our review icymi.

Links
Variety looks back at the waves made by The Devil Wears Prada 10 years back
Vox has a very sound theory as to why the blockbusters suck this year - the disappearance of second acts in the three act structure
Shout Factory Carrie (1976) is getting a spiffy new Blu-Ray for her 40th anniversary
Birth.Movies.Death on the making of Clash of the Titans. Harry Hamlin was a handful! 
IndieWire how YA stars have emerged as the saviors of American indie films 
THR A24, perhaps emboldened by their first Oscar wins last year (Room + Ex Machina) is really hitting it hard for 2016. They've already released a few notable titles this year with more to come. Now they just picked up Mike Mills 20th Century Women. Can they win Best Actress two years in a row? 
Gold Derby Alison Janney and Julia Louis-Dreyfus will both make history on Emmy night if they win
Birth.Movies.Death on the recent Cap is Hydra comic storyline and how serial storytelling works (it's only the response to serial storytelling that's really changed.) 
Pride Source a fun LGBT themed interview with our new Tarzan Alexander Skarsgård
Boy Culture today is the 30th anniversary of Madonna's "True Blue" album
MNPP Miles Teller in leopard print thong for Bleed For This 

Daniel Craig and Jason Isaacs in the London 1993 production of ANGELS IN AMERICAThis Week's Must Read
"Angels in America: The Complete Oral History" Let us all thank Slate profusely for this retrospective of Tony Kushner's two-part masterwork. Some of my favorite quotes from it.

George C. Wolfe [Director]: I think so much of what I did on Part 1 was keeping the hype out of the room and letting everybody play and discover. Because the hype was monumental, the hype was ridiculous, but you can’t work from hype, and you can’t create from hype. God knows you can’t discover anything new.

Joe Mantello: For a lot of us, that production was like going from zero to 100 in our careers, going from being unknown to the play everyone was coming to see.

Marcia Gay Harden: I’d walk through the West Village, and people would come up to me and say, “I took my parents to see the play, and then I told them I was gay.” Or: “I took my parents to see it, and then I told them I was dying.” And we would cry on the street. That happened once every couple of weeks.

Rocco Landesman: Personally, I think the show is a bit long, particularly in Perestroika. I was lobbying for cuts and got none of them. Tony was very gracious. He would hear me out politely and do what he wanted to do, which was not cut. It was like a conversation with August Wilson but worse.

And on Harper Pitt's very last transcendent bit in the play, her flight to San Francisco...

Marcia Gay Harden: I’m tingling right now thinking about it. The synchronicity of the immune system of the Earth, and that can be healed by the people who are suffering with the holes in their own immune system, the tragedy of the souls of those who have been hurt forming a web of protection around the Earth. It’s one of the most beautiful things I’ve ever said—or read—in my life.

Mary-Louise Parker: We shot it in an airplane hangar, and I was really trying to rein in my emotion. I just didn’t feel I quite reached it. I went to lunch, and I was so distraught, and I went to Mike [Nichols, who directed the miniseries] and said, “Can I do it again?” They were literally taking down the wall, and he said, “Oh, my child,” and turned to the crew and yelled, “OK, put the wall back up!”

Tony Kushner: It’s the best paragraph I’ve ever written.