BAFTA Longlists: "Emilia Pérez" rises, Jolie falls

by Cláudio Alves

Jacques Audiard's EMILIA PÉREZ scored 15 mentions in the BAFTA longlists.

Just when you think you're starting to get a grip on the season, here come the BAFTAs to throw a wrench into the proceedings. Well, in some cases, they just confirm what most already suspected. Consider the way Emilia Pérez dominates their longlists - an expected outcome if I've ever seen one - as well as the love for Conclave, Anora, The Brutalist, and a few others. The snubs are more glaring, like Angelina Jolie missing in the Best Actress final ten, or the complete shut-out of September 5 which, until now, seemed like a solid contender for at least three Oscar nominations – Picture, Original Screenplay, Editing. Truth be told, it might still get them all, but this is a stumble in their race for gold, nevertheless.

More commentary and the complete BAFTA longlists after the jump…

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Happy New Year from the Team Experience!

by Cláudio Alves

As the year draws to a close, here’s a final thank you for reading The Film Experience and engaging in this cinema-loving community. Have a wonderful time tonight and let’s all hope for a good 2025, even if the odds may feel against us.

Also, remember, you are one. Don’t make the same mistake as Miss Sparkle in The Substance. Then again, we should all enter the New Year with a Monstro Elisasue type of smile – broad, bloody, mad and maddening, bursting in ecstasy beyond reason and full of star power. Cheers!

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Weekend Awards Wrap-Up: Opening Pandora's Box

by Cláudio Alves

The FFI's treatment of ALL WE IMAGINE AS LIGHT will go down as THE awards season fumble.

The awards season continues to heat up, though we're about to hit a bit of a pause or a slump as the holidays tend to mark a decrease in such activity. As if to make up for that incoming quieting, the outpour of film honors only grew stronger the past week. This included the Pandora International Film Critics, an unofficial initiative spearheaded by the Filmotomy site – they also organize the Femme Filmmakers Festival every year – that gathers writers and film buffs from all over the world. This year, they invited me to be part of the voting body, and I am delighted to share the results, even if I don't necessarily agree with all of them…

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Oscar Volley: Best Original Screenplay is the Battle of the Auteurs

In this Oscar Volley, Eric Blume and Cláudio Alves discuss the Best Original Screenplay race…

HARD TRUTHS, Mike Leigh

ERIC BLUME: Hi Cláudio, I put us together on this one because I love arguing with you.  Hope that's okay.  Plus, I am curious to get your takes on some of these films and scripts.

Best Original Screenplay has a lot of strong contenders this year.  What I find particularly interesting is that eight of these feature scripts written by their directors - Seed of the Sacred Fig, A Real Pain, The Substance, September 5, Anora, The Brutalist, All We Imagine as Light, and Hard Truths.  That has to be some kind of record? 

CLÁUDIO ALVES: With the growing connection between the big European film festivals and the awards season, auteur cinema is on the rise as an Oscar gold magnet. And many of those selections favor director-forward productions, often where the folks in the director's chair also penned the script. Indeed, from the octet you mention, only A Real Pain and Hard Truths premiered outside Cannes or Venice. And with Mike Leigh's latest, it wasn't for a lack of trying on his part…

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"Conclave" and "Wicked" Lead with Critics Choice Nods

by Nathaniel R

The Critics Choice, hot on the tail of the Golden Globe nominations, have weighed in on the cinematic year choosing the Pope-selection thriller Conclave and the first half of Wicked based on both the Broadway phenomenon and the lengthier best seller that inspired it as the "most" awards worthy title. They each amassed 11 nominations. [Full disclosure: I remain a member but trust that my ballots are not generally reflected in the consensus which always feel -- at least to me -- closer to Oscar predictions than passion ballots.]

BEST PICTURE... 

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