Nicole Kidman Tribute: Bewitched (2005)

by Christopher James

Yes, I've come back here to defend another much-maligned Nicole Kidman comedy. I swear I love her dramatic roles too, but there's always something strange, special and unnerving about Kidman's comedy work, like seeing a dog walk on its hind legs and smile. 

Bewitched is Nora Ephron’s Ishtar - a big budget box office failure whose greatest crime is throwing too much against the wall. I’d always rather have a movie that tried to do too much outside of the norm, rather than something deeply middling. Bewitched is most interesting in the ways it swings and misses because Ephron and Kidman both give it their all, striking out gloriously. It’s as if the studio got one note (hire Will Ferrell) and decided to never check on the movie again. Their obviousness is our pleasure...

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Review: Come on, "Barbie," let's go party!

by Cláudio Alves

What does it mean to sell out? Some would decry Greta Gerwig's move from mid-budget indies to big studio fare as a modern example. This line of thought posits the director's fourth film, Barbie, as capitulation to the tyranny of big bucks, no more than a glorified toy commercial for "vacuous, hypersexualized dolls." But when you're actually watching Gerwig's movie, it's difficult to take the pink oddity as proof evident of any sacrifice of vision or integrity for the sake of profit. Barbie's too ambitious a creation - in terms of text, tone, performance, audiovisual stylings galore - to support such dismissive readings.

From beginning to end, the summer's biggest comedy bursts at the seams with ideas, saturated with the clear intent of a creative mind given free rein. It glows with the kind of resources seldomly bestowed upon women directors. That doesn't mean the picture's perfect, exempt from criticism, or its enthusiasm is without drawbacks. But, even if Gerwig can't quite have her cake and eat it too, she manages to share a personal, goofy, deeply idiosyncratic proto-existentialist dream with her audience. Better yet, she does it with the attitude of a kid, their favorite toy in hand, eyes widening at the playtime possibilities before them…

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TV Review: The Shrink Next Door (Apple TV+)

By: Christopher James

Paul Rudd gets inside Will Ferrell's head and life in Apple TV+'s "The Shrink Next Door."

It’s impossible to resist Paul Rudd, People’s 2021 Sexiest Man Alive. Rudd’s charm has aged as gracefully as his skin, which makes him great casting for the titular role in Apple TV+’s The Shrink Next Door. Co-starring comedy giant Will Ferrell, at first glance it would appear Apple has the makings of an enjoyable watercooler miniseries. Unfortunately, the strong relationship between the actors never pays off with a satisfying or cohesive final product. Don’t come in expecting an Anchorman reunion. This shrink has much more sinister tricks in store.

There have been many stories of therapists overstepping their boundaries with patients. Based on a true story (and the Wondery & Bloomberg podcast of the same name), The Shrink Next Door explores a particularly toxic doctor-patient relationship....

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FYC: " Húsavík" for Best Original Song

by Cláudio Alves

2020 was a horrible year in many regards. Too many to count if we're being honest. Still, I'd like to highlight that, as a Eurovision Song Contest fan, it was especially disheartening to see the show be canceled due to the COVID-19 crisis. It's obvious why it couldn't happen, but, if there ever was a year that needed the cheering effect of that joyful camp explosion, 2020 was that year. Thankfully, both for me and my Eurovision-loving family, Netflix had an Easter Egg-filled delight to assuage the pain…

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What did you see this week?

I miss going to the movie theater so much that I ache sometimes. This week inbetween work and stress and social-distanced social activities (sigh), I finished Normal People and Love Victor. Then I made time for Hannah Gadsby's Douglas which was brilliant. Somehow she nailed the very tough follow-up expectations set by Nanette -- I'm still giggling hours later about "Karen's handful" and women's hobbies during the Renaissance.

Finally we screened Eurovision Song Contest: The Story of Fire Saga. Regarding the latter, my best friend and I had heard great things but save Rachel McAdam's usual magnetism and Dan "I've got range!" Stevens' pompous hilarity as a seductive Russian pop star, it was dreadful. About 40 minutes too long (no really), predictable at every turn, with death rattle pacing, and Will Ferrell continuing to be the least funny of the successful comic film stars.

What did you see this week?