Showbiz History: New Streisand and Old Horror Classics

Boo! October is here. Are you excited for this month (it's myfavorite for a variety of reasons). Since it's the spooky month (among other things) I've personally started it off with a night of insomnia after a nightmare -- ON TREND! 

Here are 9 random things that happened on this day, October 1st, in showbiz history...

1962 Barbra Streisand signs her first recording contract with Columbia. Offers had started to come in after she brought down the house on Broadway in I Can Get It For You Wholesale that spring. It was a one year contract (with an option for five) giving her 5% of royalties on albums sold. Streisand has never left Columbia and her 37th studio album Walls drops a month from now. People are already meme-ing the album cover left and right since it's accidentally in keeping with the horror theme of October...  

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Funny Girl at 50

by Tim

This past week bore witness to one of the most very important anniversaries imaginable: Funny Girl turned fifty. And if you don't know what Funny Girl is and why it matters, I'm a little shocked you found this site, but I'm happy to explain that it's a Best Picture-nominated musical directed by Oscar favorite William Wyler, and the film debut of cabaret singer-turned-Broadway star-turned embodied deity Barbra Streisand. Who also got some Oscar love, winning Best Actress in a tie with Katharine Hepburn's turn in The Lion in Winter.

Not least among the achievements of Funny Girl is that, when thus compared head-to-head with one of the grandest dames of screen acting, Streisand looks like pretty worth recipient of that honor. Funny Girl, as scripted by Isobel Lennart (who also wrote the book for the 1963 stage version, also starring Streisand), is a gift to its lead, offering pretty much everything you could want to demand of a musical theater actor: broad comedy! tear-jerking heartbreak! steel-willed fortitude! songs where you have to be manic! songs where you have to be pensive!

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Netflix in September: Black Panther, Breakfast Club, Mr Sunshine

Time to play Streaming Roulette. Each month, to survey new streaming titles we freeze frame the films at random places with the scroll bar and whatever comes up first, that's what we share!

Ready? Let's get right to it...

-God I loved this house.
-Me too.

The Keeping Hours (2017)
Hmmm. Carrie Coon (♥︎) and Lee Pace (♥︎) in a supernatural haunted house movie -- how have we not heard of this one? *does quick google search* ah, no theatrical release, that's how. Should we watch?

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Tweetweek: Bowing Down to Extra Divas

Tweet of the week... no, year. 

Sadly Marvel didn’t take my suggestion of a 30 min sequence in #AntManAndWasp where everyone shrinks down slightly smaller than Michelle Pfeiffer and bows their heads, refusing to look her in the eye because they’re not worthy.

— mat whitehead (@matwhi) July 4, 2018

After the jump the poor man's Johnny Depp, Mamma Mia Fallen Kingdom, Disney Princesses, actress kerfuffles, and a bit of politics because who can avoid it now...File the next two tweets under 'You learn new things every day!'...

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OTD: Babs, Shirley, and "Cool" from West Side Story

On this very gay day (4/24) in history as it relates to showbiz...

1873 Silent film director Robert Wiene, best known for The Cabinet of Dr Caligari (1920) born in Breslau (Note: other online sources disagree with the IMDb on this birthdate but it's always fun to think about Caligari)

1927 Oscar winning cinematographer Pasqualino de Santis born in Italy. Classics include Romeo and Juliet, The Damned, Death in Venice, and L'Argent

1930 Richard Donner, superstar director/producer of the 1980s, behind films like The Goonies, Lethal Weapon, and the first two Supermans. Apparently retired after 16 Blocks (2006) with Bruce Willis

1931 The Public Enemy starring James Cagney and Jean Harlow was enjoying its opening weekend at movie theaters. It was a big hit, ending in the top ten of its year. Variety claimed it was "low brow material" attempting to be high brow by its craftsmanship. If only critics knew in the moment -- they almost never do even now -- that "low brow" genres regularly produce classics.

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