Tony Afterglow Notes + What's Opening on Broadway in 2022

A few tidbits in the afterglow of the 75th Annual Tony Awards. Plus which shows might factor into next year's Tony race.

Max Clayton labelled this photo "chlll date night" haha. Photo by Emilio MK

• Hugh Jackman tested positive for COVID after his Tony night performance. What timing. So his standby Max Clayton will be playing Harold Hill for the next week of Music Man shows. You saw Max Clayton a couple of times on Tony night since he got a big smooch and shout-out from his boyfriend Matt Doyle who who Best Featured Actor in a Musical for Company. Incidentally the role of "Jamie" in Company, which Doyle won for, is the same role that won Bridgerton star Jonathan Bailey an Olivier in London so this gender-bent version of Sondheim's classic has been a huge boost for super-handsome out gay theater actors!

• Ratings are in and the Tony Awards were up 40% from last year's strange nearly awards free edition of the show. The Tonys went back to basics...

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75th Annual Tony Awards in Review

by Nathaniel R

© Theo Wargo/Getty for Tony Awards Production

Ariana DeBose, fresh off her Oscar win, hosted the Tony Awards with enough theater kid energy to make Anne Hathaway blush. No reviews  will be able to claim (in good faith) that she didn't work her ass off to entertain the audience. She was "on" in every moment, pulling faces, doing little dance moves, singing, and engaging with the celebrity audience. She mentioned the 75th Anniversary several times but in truth the show's Diamond anniversary wasn't any different than any other Tony show; they've always mixed a couple "special" reunion-style performances with showcases for the current musicals (the ones that are still open that is). Even the Sondheim tribute -- which we expected to be epic -- was just one number long: Bernadette Peters singing "Children Will Listen" from Into the Woods. 

Best Speech, Ticket-Boosters, A New "EGOT" winner, and more after the jump...

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Showbiz History: Gattaca, Trog, and the King and Queen of Pop

Five random things that happened on this day, October 24th, in showbiz history

50th anniversary today for TROG

1941 Spooks Run Wild, starring Bela Lugosi and part of the film franchise "East Side Kids" opens in theaters.

1970 50TH ANNIVERSARY. Trog, infamous Joan Crawford's last film, hits theaters...

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Curio: The Art of Kadir Nelson

Curated by Nathaniel R

Since we rebooted Alexa's old series Curio we've been focusing on specific movies or themes but this week we want to spotlight a famous artist who is getting another well-earned round of attention at the moment, with big magazine covers celebrating the Black Lives Matter movement for both The New Yorker and Rolling Stone. His name is Kadir Nelson. The 46 year old painter, who's won numerous awards in his career has done album covers, stamps, book covers, magazine illustration, and children's books. He sells limited edition lithographs, prints, and autographed books at his shop but you can also purchase his books at Amazon and other retailers at regular prices if you don't have a big budget for art.

His art focuses on African-American history but he doesn't do much movie-related art. That said he did work on two movies, Steven Spielberg's Amistad (1997) and the animated feature Spirit: Stallion of the Cimarron (2002) early in his career. We scoured his Instagram for a few movie/tv related pieces after the jump...

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Doc Corner: 'Studio 54'

By Glenn Dunks

The most famous nightclub of the 20th century ran for only 33 months, but has gifted us with decades worth of memories. Studio 54, inarguably the pinnacle of 1970s disco decadence was a home for reckless hedonistic abandon and affected sexual liberation all under the appropriately throbbing beat of Donna Summer, Sylvester and Thelma Houston. A celebrity haunt and a genuine phenomenon with girls in fur coats and boys in short shorts and Cadillacs circling the block, it was the place to be even if you couldn't get in.

Studio 54 has played a good sized role in movies, too, so it’s surprising that it’s taken this long to get a comprehensive documentary about it. There have been movies like 54 (recommended in Director’s Cut format and nothing else) and others like Summer of Sam set against Studio’s influential disco beat. And, of course, any documentary about the 1970s, especially as it relates to celebrity or queer life, will inevitably take a limousine detour down W 54th Street in Manhattan. Is Matt Tyrnauer’s film worth the 40-year wait? For the most part, yes; although it can’t but feel like there is still much more that was left on the dancefloor...

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