Oscar Volley: Picture - Does it really come down to just two spots?

TFE’s Oscar volleys wrap up with Lynn Lee, Eurocheese, and Christopher James making predictions for the Big One (Best Picture). Nathaniel’s final Oscar chart predictions will be up tonight to usher in the weekend.

Lynn Lee: Oscar nomination voting closed Tuesday night but before it did do we agree we were approaching a consensus core group? Taking the precursors into account (minus BAFTA which hasn't yet announced as I type this), eight of the ten spots are close to locked up (in alpha order): Belfast, CODA, Don't Look Up, Dune, King Richard, Licorice Pizza, The Power of the Dog and West Side Story. That leaves two nomination spots for maybe a half dozen viable contenders. PGA went with Being the Ricardos and tick, tick...BOOM!, but as Nathaniel’s noted, the Oscar list is rarely an exact copy of the PGA. Could it happen this year? Entirely possible but I suspect at least one of those two is going to drop out and if I had to take a bet, it’s sadly more likely to be BOOM!...

Click to read more ...

Oscar Volley: Adapted Screenplay - a wealth of good choices, but will the Academy make the right ones?

The Oscar volleys continue. Today Lynn Lee, Mark Brinkerhoff, and Eurocheese sound off on this year’s Adapted Screenplay race.

a wealth of options for Oscar voters

Lynn: Gentlemen, I don’t know about you, but from where I’m standing, Adapted Screenplay is an embarrassment of riches this year. There are at least three contenders that tackle the incredibly difficult task of illuminating their characters’ inner lives and psychology (The Power of the Dog, Passing, and The Lost Daughter) with minimal to no voice-over narration and they all do it brilliantly. Then there are the play adaptations – everything from Shakespeare via Coen (The Tragedy of Macbeth) to Shakespeare / Sondheim / Laurents via Kushner (West Side Story) to Jonathan Larson via Lin-Manuel Miranda (tick, tick …BOOM!) to Stephen Karam doing Stephen Karam (The Humans) – where each manages to pull off a bold departure from previous iterations while retaining basic fidelity to the source text. And then there’s my personal favorite, Drive My Car, which manages to be at once an ambitious expansion of a Murakami short story and a spectacularly moving adaptation of Chekhov’s Uncle Vanya at once.

That said, we can’t realistically expect most Oscar voters to be familiar with the underlying material for these screenplays. It’s a safer bet the nominations will align pretty closely with the Best Picture nominees or almost-nominees that don’t have original screenplays...

Click to read more ...

Interview: Lin-Manuel Miranda on "Encanto" and "tick, tick...BOOM!"

by Nathaniel R

at the world premiere of "tick, tick, BOOM!"

I had the pleasure of interviewing Lin-Manuel Miranda in November while he was doing press for Encanto, now streaming on Disney+ with its soundtrack doing great business, too. He was energetic and smiling and gave great quote. Just a few days later, in a significantly less arranged moment, we came face-to-face the night of tick, tick... BOOM!'s premiere in Los Angeles. The response to the movie that night couldn't have been dreamier. He looked elated if significantly more tired than he had over Zoom. He admitted at the party that the entire week was a total blur. Just the week? The entire past year has been one Lin-Manuel Miranda highlight after another. So much so that we named him one of our top three entertainers of the year. In addition to questions about Encanto, tick, tick...BOOM!, and Hamilton, I made sure to ask him how he finds time for sleep.

[This interview has been edited for clarity.]

Click to read more ...

The Case for Andrew Garfield Winning Best Actor

By Ben Miller

Garfield at The Hollywood Reporter actor's roundtableWill Smith has had his name chiseled into the Best Actor Oscar since we first laid eyes on the trailer for King Richard.  It's a foregone conclusion, no need to pay attention to anyone else.  As with Best Actor last season and Best Actress 2018, everyone knows who is going to win, so it doesn't matter who the Academy votes for! If your memory is fogging up, it's because those "foregone conclusion" frontrunners in 2018 and 2020 did not, in fact, take home the trophy.

2021 may well repeat history as Andrew Garfield campaigns, charms, and web-slings his way into the conversation to take home Best Actor on Oscar night.  Let's break down the reasons why Garfield could walk away with the trophy...

Click to read more ...

Year in Review: Best Onscreen Chemistry of 2021

by Team Experience

Screen chemistry is the great intangible of movies. It can happen behind the camera among teams on the same or complimentary wavelengths. Director/Muse relationships often become the stuff of legend. But the most commonly celebrated electricity is the spark between actors that you can see onscreen. Sensational chemistry between them can elevate any genre, even the ones that aren't intrinsically built on interpersonal dynamics. A thrilling duet, romantic or otherwise, can rescue a film from mediocrity and elevate a very good picture to a beloved one. Old Hollywood understood this, reteaming co-stars that clicked over and over again. Modern Hollywood has a much rougher go of this kind of repetition (given that everyone is a freelancer) so we treasure great chemistry whenever it crops up in its too fleeting way.

We polled the team on 2021's greatest examples of screen chemistry and here were their top 16 choices...

Click to read more ...