The Link Jar

NewsTalk How Cartoon Saloon became a major draw and how those Oscar nominations helped
Playbill Stephen Schwartz says Wicked (the movie) will have several new songs. Geez, it already has a ton of songs. I guess he wants that Oscar.
MTV Frankie & Johnny is Garry Marshall's best film

Variety Idris Elba responds to those endless Next James Bond rumors
Coming Soon Star Wars: Episode VIII (as yet untitled) wraps production. It's due in theaters in December 2017 as these things take time in Post-Production
The Playlist the teasers for all the new Marvel/Netflix TV series: Iron Fist, Defenders, Luke Cage
Towleroad an interview with the stars of Looking 
Comics Alliance Wonder Woman gets her own US postage stamps for her 75th anniversary this year 
AV Club Brie Larson spoils Room for dumb people on Twitter 
The Retro Set looks back at Judy Garland in her final film I Could Go On Singing (1963)
The Guardian celebrates the five great screen moments for Penelope Wilton (of BFG & Downton Abbey fame)
EW Justin Timberlake talks about his theme song to the upcoming Trolls movie 

Finally....
I was going to write a piece about Kirsten Dunst choosing to direct the feature film adaptation fo Sylvia Path's famous novel "The Bell Jar" with Dakota Fanning in the starring role. But Indie Wire's Kate Erbland beat me to it and said basically everything I wanted to say. I love this part.

Dunst’s ability to dive deeply into depression was not just confined to her work in “The Virgin Suicides,” she also captured rich, worldly ennui in Coppola’s “Marie Antoinette” and terrifying, world-ending fear in Lars von Trier’s “Melancholia,” for which she won Cannes’ Best Actress award... Even in her younger years, Dunst was uncannily able to translate bone-deep sadness to the big screen in fascinating ways, like she did as a child in “Interview With the Vampire.” And while most fans of Michel Gondry’s “Eternal Sunshine of the Spotless Mind” remain hung up on Jim Carrey and Kate Winslet’s work in the film (and rightly so), Dunst’s own subplot about lost love (and lost memories) is one of the film’s most heartbreaking elements.

My only fear here with this project is that it's too on the nose for Dunst. Like Terry Gilliam's desire to make a Don Quixote Picture; haven't they already been making these pictures, figuratively speaking, for their whole careers?

Tweetweek: Garry Marshall, Political Chaos, and Lots of Ghostbusters

Randomness. Sensory overload. Once I started I couldn't stop. Much amusement, a little fright, and beauty after the jump from the world of showbiz and its onlookers...

"Am I the ONLY ONE who doesn't care about __?" Yes. It is you alone in the great stark wilderness, you brave, rugged Jack London protagonist

— Jane Showalter (@heymermaid) July 18, 2016

20 years ago nobody knew what gluten was, now there are only 3 people left in the world that can still eat a bagel.

— Bill Murray (@BiIIMurray) July 19, 2016

MUCH MORE AFTER THE JUMP...

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1977: The Best Animated Short nominees

Tim here. To celebrate the upcoming Supporting Actress Smackdown, 1977 is the year of the month here at the Film Experience. I'd like to take you back to a different Oscar competition from that year, the four-way race for Best Animated Short Film. It was one of the more interesting slates that category has ever seen, which I hasten to clarify isn't the same as calling it one of the best. But it makes for a pretty unique cross-section of the kind of animation being made in North America, with two nominees from the United States and two from Canada, ranging from a purely abstract experiment with the medium to a literal TV show.

We'll start off with the shortest of the nominees, an offbeat little gag called Jimmy the C (on YouTube – that unpleasant little watermark in the center goes away after a minute). In it, recently-inaugurated President Jimmy Carter waxes rhapsodic over his beloved home state by lip-singing to Ray Charles's "Georgia on My Mind", all through the magic of clay animation. I confess myself stumped: what the hell?...

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TV MVP: Riz Ahmed in "The Night Of"

Chris Feil on HBO's latest buzzy drama...

HBO has gotten back into the crime genre with the launch of new limited series The Night Of. Adapted from the BBC's Criminal Justice, the series has more than a few shades of Serial thrown in as it examines the gruesome murder at its center. While the new series has already established a patient fascination with glacial detail, what has kept it from becoming a flat procedural is the fascinating performance by Riz Ahmed as murder suspect Naz.

Just as he served up a humane human foil to Jake Gyllenhaal's psychopath in Nightcrawler, Ahmed brings a necessary soulfulness to this otherwise cold world in The Night Of. In the lead up to and fallout from the crime, Naz makes an endless string of bad decisions that the actor effortlessly makes believable. He is a wounded deer in the headlights, alternating masked sexual nerves, outsiderness, and blind panic. If the script makes Naz out to be a naive dope, then it's to Ahmed's credit that he finds the honesty about why he would willfully put himself in an obviously toxic situation.

With an insurmountable amount of evidence against him and a convenient blackout during the murder, it's the raw believability of the actor that drives our doubt about Naz's guilt...

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Teensy Reviews: 6 Films We Didn't Review Properly

These reviews could fit in a tweet. Presented to assuage Nathaniel's guilt from not having properly reviewed them when they arrived, though he sometimes dropped hints of his feelings in other contexts.

IN THEATERS

Swiss Army Man (Daniels)
Story: A suicidal man (Paul Dano) finds companionship and a new zest for life when he meets a corpse (Daniel Radcliffe)
Review: Wobbly start, Self sabotaging end. But, Oh!, those imaginative mental heights in the middle. 
Grade: Middle Hour: A- / The Rest: C+

Genius (Michael Grandage)
Story: An account of the long working relationship between famed editor Max Perkins (Colin Firth) and one of his literary finds Thomas Wolfe (Jude Law). Let us not mention the women (Nicole Kidman, The Lovely Laura Linney) lest we rage again at the terrible gender politics
Review: The work of an editor is shape & rhythm, so why is a film about a great one lumpy and lead-footed? Over and under-acted at once. 
Grade: D- 
Extra: Amir's festival review

The Shallows (Jaume Collet-Serra)
Story: A grieving med school dropout is attacked by a shark and stranded in the ocean alone. Can she survive? Review: Mechanical, but that's meant as a compliment. It plays. Slight with just enough bite (sorry). Bonus points for Steven Seagull.
Grade: B 

ON DVD & BLURAY

The Bronze (Bryan Buckley)
Story: Two former Olympic champions (Melissa Rauch & Sebastian Stan) fight over a promising new female gymnast
Review: Rude and daring. But its suffocatingly narrow comic tone mars the promising conceit, good jokes, and a lunatic sex scene. 
Grade: C+ 

How to Be Single (Christian Ditter)
Story: Four single girls (Dakota Johnson, Leslie Mann, Rebel Wilson, Alison Brie) try to find themselves... and maybe a boyfriend... in Manhattan.
Review: Unexpectedly involving performances. Fun. And yet, as uneven and generic as first dates. One entire storyline needs to go.
Grade: B- 

10 Cloverfield Lane (Dan Trachtenberg)
Story: A woman (Mary Elizabeth Winstead) wakes up chained up by a man (John Goodman) in an underground shelter. Should she fear the man or the apocalypse he swears is raging outside the bunker? 
Review: Discomforting. What it lacks in scope, it makes up for in propulsive plotting: from frying pan to fire to inferno.
Grade: B