Cannes Diary #3: From Haynes to Trier, a binge-watch kind of day

TFE is thrilled to have a correspondent on the ground in Cannes this year. Thank you to Elisa Giudici.

The Velvet Underground

by Elisa Guidici

It was a really intense day. I was greedy, I could not say no to the majority of the movies screened today so I basically spent the third day inside Palais, running from one screening to another. Six in all (!) With some positive surprises.

The Velvet Underground  (Todd Haynes)
OUT OF COMPETITION

It is perhaps predictable that Todd Haynes would do a fine job in telling the story of Velvet Underground in his newest documentary. He is the man behind Velvet Goldmine and I'm Not There so he has already shown an understanding of the sensibility and the struggle of rock music genre and inner restlessness...

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Cannes at Home: Day 3

by Cláudio Alves

The third day of this year's Cannes Film Festival was a busy one. First, there were two premieres for films in the main competition, Joachim Trier's The Worst Person in the World and Mahamat-Saleh Haroun's Lingui. The response to the latter was so effusive, some are already calling it a contender for the Palme d'Or. Then, in the Un Certain Regard section, Kogonada's sophomore feature, After Yang, took its bow. Other premieres from prominent directors included Andrea Arnold's Cow and Tom McCarthy's Stillwater. Our Cannes at Home program is made up of past films from this illustrious quintet, encompassing a meditation on loss, an allegory of civil war, love songs for architecture, and more.

OSLO, AUGUST 31ST (2011)
From dawn to dawn, a young man ponders the end. Joachim Trier gives a premise fit for po-faced European miserabilism a fresh face in Oslo, August 31st. While not treading new ground, the tale of potential death is all about life, approaching the material with a form that rarely overstates the idea with either in-your-face vitality or florid nihilism...

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Other women who should have won Best Director

by Cláudio Alves

At this year's Oscar ceremony, Chloé Zhao became only the second woman in Academy history to conquer the Best Director prize. The second one in 93 years. She follows in the steps of Kathryn Bigelow, whose Hurt Locker, like Nomadland, also won the Best Picture trophy. As a longtime proponent of the importance of women directors in film history, I rejoice at this result. However, the victory is bittersweet, a reminder of the chronic lack of recognition for these filmmakers. Many other women have deserved to win the Best Director Oscar across the years…

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Big Little Lies MVPS: Episode 2.6 "The Bad Mother"

Previously: Episode 1 (Nathaniel) Episode 2 (Spencer) Episode 3 (Lynn) Episode 4 (Nathaniel) Episode 5 (Eric)

by Chris Feil

... So.

By now I’m sure you all have seen the reports about what has gone on behind the scenes of Big Little Lies: director Andrea Arnold was removed from the show in post-production, a planned usurping by original season one director Jean-Marc Vallée once he completed Sharp Objects. Despite the free reign she had been given, a major lack of communication resulted in the show being snatched from her creative hands.

What a fiasco that’s only resulted in a somewhat disjointed season - looks like the blame for what hasn’t been working goes to producers for putting the show through a meat grinder. But what has been working can be easily ascribed to Arnold’s approach: the attention to character detail, a complex thematic landscape marinating hard-to-reconcile truths, the weight of suppressed feelings brimming over. Aren’t those things Big Little Lie’s fans would use to define the show and their love for it, not just its structural or aesthetic attributes?

Despite the timing and our allegiance to Arnold, Big Little Lies turned in what had to be its most thrilling episode yet this season, one that builds a huge sense of momentum leading into next week’s finale. Let’s look at this episode...

Top Ten MVPs of Big Little Lies, Episode 2.6 "The Bad Mother"

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Retcon this, link

• Vulture are Spider-Man Far From Home and Call Me By Your Name the same film? (hilarious read)
• IndieWire upsetting account of turmoil behind the scenes of Big Little Lies season 2 as Andrea Arnold's vision was thrown aside during post-production. Well, we knew it didn't feel like an Arnold production so here's why
• Hard Drive "J.K. Rowling reveals that you, the reader, were gay all along" (this is a few months old but I LOL'ed so much I had to share icymi) 

more after the jump including Mindhunter, Disney's global dominance, Jack Reynor and Gus Kenworthy...

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