Sundance: "The Inventor: Out for Blood in Silicon Valley"

The Film Experience has two contributors at Sundance this year, Murtada and Abe. So here's your first of several reports. -Editor

Alex Gibney discussing his new doc on opening night of Sundance 2019

by Abe Fried-Tanzer

One of the first films to premiere at the 2019 Sundance Film Festival comes from renowned documentarian Alex Gibney, who has previously taken on the Catholic Church, Scientology, Enron, and Lance Armstrong. He won an Oscar for his exposé on torture practices in the disturbing Taxi to the Dark Side (2007). It’s fair, at this point in his filmography, to assume that whatever Gibney wants to spotlight is going to be interesting.

The Inventor: Out for Blood in Silicon Valley tells the recent story of young entrepeneur Elizabeth Holmes and her company Theranos, which launched with the promise of performing over 200 medical tests using just a tiny drop of blood...

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Shorts Predictions -- All Oscar Categories Complete!

by Nathaniel R

some of the shorts contenders we're most curious about after investigating the titles

For better or worse all of the Oscar predictions are completed including the last three hold outs: Live Action Short, Animated Short, and Documentary Short. Though we have yet to see the shorts (that'll have to wait until nominations) predictions were made via an unholy combo of hunches, IMDb ratings, plot descriptions, tea leaves, blind faith, coin tossing, and a teensy bit but not much of seeing what other people around the web are saying but never following that exactly because nobody ever scores 5/5 in all shorts categories. Including me, of course, but there's always a first time. Maybe? 

 Final Predictions All Categories
INDEX | PICTURE   | DIRECTOR |
ACTRESS | ACTOR | SUPP ACTRESS |
SUPP ACTOR | SCREENPLAY  |
FOREIGN FILM | ANIMATION, DOCS, SHORTS |
VISUALS | SOUND

Doc Corner: Final Oscar Predictions – A Big Year For Box Office Hits?

Editor's Note: We're turning over the final nomination predictions in Documentary to our resident doc expert. Take it away, Glenn -- Nathaniel R

By Glenn Dunks

It’s always somewhat impossible to gauge just what direction the documentary branch will go in. In the past, they have often been criticized for ignoring big non-fiction hits while the next year they're equally criticized for just nominating the documentaries that people have heard of and ignoring the smaller titles that haven’t the benefit of famous subjects or popular themes (WWII, for instance).

2019 was an unusually spectacular year at the box office for documentaries with four titles all reaching seven figures at the cash registers of cinemas in the US. It has been great to see documentaries enter the zeitgeist in such a way. Unfortunately that has meant that most awards organizations have defaulted to a standard list of those top four box office champs: Won’t You Be My Neighbor, Free Solo, RBG and Three Identical Strangers. Maybe with Netflix’s Shirkers or Hulu’s Minding the Gap thrown in for good measure. Will Oscar follow suit?

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The Art of History and Peter Jackson

Please welcome guest contributor Kate Imy to talk about Peter Jackson's WW I documentary They Shall Not Grow Old which is currently screening in the UK, and has an encore Fathom Event scheduled for US cities on January 21st. 

by Kate Imy

When historians insert themselves into discussions of popular culture it is usually to spoil the fun. I once read a real, straight-faced takedown of Downton Abbey that objected to the horses as ahistorical. Of course, historians can and do bring much-needed context to many discussions of recent films. For example, some have furthered discussions of Dunkirk to bring attention to the presence and involvement of colonial troops throughout World War II. As a film-lover and a historian, I tend to prefer films that throw the pretense of historical accuracy out the window. I’ll take voguing in The Favourite and chanting “We will Rock You” in A Knight’s Tale over a reverential insistence on “accuracy.”

Films that maintain a veneer of historical fact, often distort the truth without admitting that they do so. These often hit the audience over the head with dubious history and overt political messaging (I am thinking of a few recent movies about Kings and Prime Ministers). Some of these will even claim to tell a story “Not in the History Books” (What this usually means is that they don’t bother to read history books). In reality, art and history—when done well—often perform similar goals on different stages. Good art and good history are about finding inspiration and truths about humanity from the past...

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Doc Corner: From the Short List - 'The Distant Barking of Dogs' and 'Communion'

By Glenn Dunks

The Academy’s documentary shortlist often throws up a few left of field choices – titles that really do earn their primary flutter of American attention simply by being chosen among the 15-wide selection. A 2018 rule change for the category no doubt helped two such films from Europe, austere portraits of youth that are among the shortlist’s most accomplished albeit small scale choices.

The Distant Barking of Dogs was the most unexpected addition this year and was for me the title that I was most happiest to see. It is, after all, the best work of contemporary non-fiction that I saw all year (give or take a Yours in Sisterhood, which will hopefully appear on next year’s eligibility). It is a film that took me completely by surprise when I used it to fill a vacant morning slot at the Sydney Film Festival in May of last year thinking if nothing else I could at least nap. Lo and behold, this remarkable film from the rural warzone of Ukraine has lingered with me longer than probably any other documentary of 2018...

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