Sundance: Oscar Hopeful "Brooklyn" is Beautifully Old-Fashioned

Nathaniel's final review from Sundance

Late last year while interviewing Yves Belanger on his lensing of Wild (2014) and his ongoing working relationship with Jean Marc Vallee I noticed he had a non-Vallee project on his forthcoming filmography called Brooklyn. He spoke highly of the experience, an about face from Wild's all natural light mandate. He said it was much more stylized lighting, an 'old fashioned romantic drama'. He hoped people still wanted to see that sort of thing.

If the reaction at Sundance is any indication (and a word of caution: Sundance fever is 50/50 for the real world at best) the people will welcome it with open arms... and tear ducts.

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Sundance Award Winners: Slow West and Earl and That Diary Girl

Michael and Nathaniel are both safely back in New York but a few more Sundance reviews are forthcoming as well as an Oscar discussion about the first possibilities for the new film year. The festival closes up tonight for another year and last night, they announced the winners. As with last year when Whiplash one both the Jury and the Audience award, one film took both again this year: Me and Earl and the Dying Girl, based on the best seller by Jesse Andrews. Can we expect a similarly Oscar friendly trajectory? 

THE WINNERS

U.S. DRAMATIC

Grand Jury Prize & Audience Award  Me and Earl and the Dying Girl, Alfonso Gomez-Rejon
Michael's review coming later today. It's said to be a bit Fault in the Stars-ish young people and terminal illness only better. 

Directing Award The Witch, Robert Eggers 
Michael's rave review. A 1630s set horror film about a religious family in Salem. 

Waldo Salt Screenwriting Award The Stanford Prison Experiment, Tim Talbott
Nathaniel's Review. This one is based on the infamous 1971 college psychology experiment that's inspired other movies before it.

Special Jury Award – Excellence in Cinematography Diary of a Teenage Girl, Brandon Trost
Michael's review & Nathaniel's quick take. Michael liked it a bit more but expect a lot of talk about it when it's released. With Bel Powley, Alexander Skarsgard, and Kristen Wiig

Special Jury Award – Excellence in Editing Dope, Lee Haugen
Nathaniel's review. The editing has crackerjack timing and is deeply commendable for the first half but why is the second hour so much less taut?  

More after the jump...

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Sundance: Lily Tomlin's "Grandma" is a Sharp-Tongued Joy

Nathaniel reporting from Sundance. Or, rather, from Manhattan, while still thinking of Sundance and possibly my favorite film from that trip...

The first chapter of Grandma, an ornery new female-driven comedy, is called “Endings” a counterintuitive opening title, perhaps, but appropriate. Elle Reid (Lily Tomlin) doesn’t have much taste for beginnings. A year and half before our story begins, this "writer-in-residence," who had a brief period of reknown as a feminist poet,  lost her life partner of nearly 40 years to cancer. She’s still bitter about it. We know that her new girlfriend of four months Olivia will soon be shown the door because she's played by Judy Greer who is contractually obliged to never have more than 3 scenes in a movie. [More...]

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Sundance: "The Witch" is a Riveting One-Of-A-Kind Horror Experience

Michael C. here with one of the big discoveries of Sundance 2015.

There is something happening in the horror genre right now.  Maybe its a response to the dreadful depths to which mainstream horror titles sank in the past decade but like antibodies fighting off an infection the indie scene has churned out one great movie after another in recent years: The Babadook, The Guest, A Girl Walks Home Alone At Night, Under the Skin (which is totally horror, if not only horror). Like an unstoppable slasher the genre will just not stay down. Already at this Sundance we have had the astonishing It Follows and now comes Robert Eggers' The Witch another peak for the horror genre. 

The Witch is a true blast of originality that immerses the viewer in 1630's New England as a family of puritans banished to live isolated on the edge of wilderness is beset by the occult terrors residing in the nearby woods. The result is more than simply jump-outta-your-seat scary (though it is often that) it is genuinely unnerving in a way few films can manage. The effect is like a cold hand slowly closing over your heart.

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Thoughts I Had...From Leo On the Set of "The Revenant"

abstew here. We might be in the midst of the current Oscar season, but it's never too early to start thinking about...next year already. Now, I can hear you all saying, "Good god, man! The ceremony is still a month away! Can't we at least hand out the statues for 2014 before thinking of 2015?!" Blame these just released pictures from Entertainment Weekly from the set of current Best Director nominee Alejandro González Iñárritu's next film set to come out on Christmas, The Revenant, because they are already screaming, Oscar! The film is based on the novel by Michael Punke and is a grizzly story of revenge! Leonardo DiCaprio stars as Hugh Glass, a fur trapper in the 1820s Wild West that is left for dead after a bear attack. He miraculously survives but seeks out vengeance on the men that left him for dead. The film is being shot by Oscar-winning Cinematographer (and current nominee for his work in Birdman) Emmanuel Lubezki, who is trying to shoot it all in natural light. How could we not share our thoughts from these first pics?

• Bearded Mountain Man Leo! With Tom Hardy and Domhnall Gleeson co-starring as well, I expect a lot more burly, manly beards in the film. It may have to be retitled Beards: The Movie! And people keep saying the beard trend has reached its peak...
• I hate myself for asking, but is this the film that wins Leo an Oscar? We all know Oscar likes to make men wait, but he turned 40 this past year (that's right, Jack Dawson, is all growed up now) and he's already been nominated 4 times previously in the acting categories. How long will they make him wait? And working with Iñárritu, hot off of Birdman seems promising.
• That coat and hair look pretty gnarly. I guess he doesn't have time for hot shower in his quest. Maybe he wouldn't be so angry if he had time for a nice relaxing bubble bath?
• I'm kinda loving the fact that both Leo and Kate have revenge themed films coming out at Oscar time. Kate has the Australian-set, 1950s fashion revenge The Dressmaker coming out in the Fall. I would love to see the two of them reunited at awards shows again. Never let go!
• So his name is Hugh Glass? Doesn't sound very menacing. I wonder if he's related to George...
• Are we certain this isn't just a still from Cold Mountain?

• After Birdman showed that not all his films have to be so heavy, I'm guessing from the film's plot and those ominous grey clouds that Iñárritu is back to bleak.
• As an actressexual, I have to ask - are there are any women in this at all? Iñárritu has previously directed 4 women to Oscar nominations, hopefully there's a nice female role as well. Like a kindly widow played by Natalie Portman that takes him in and...wait, that's Cold Mountain again.
• It's nice to see that Leo is allowed to work with directors other than Martin Scorsese occasionally.
• Who is that mystery man that Leo and Alejandro are looking at? They both look leery of him. Perhaps there's a bear in the distance and they are not in the mood to deal with their own potential revenge-type, bear related escapade. [Exit, pursued by a bear]
• If anything, those trees are giving me a good feeling that Lubezki is gonna have some gorgeous nature shots in this. He's worked with Terrence Malick many times before, so the man definitely knows his way around a dreamy landscape.

Your turn: what do you think of Leo's rugged new look? Is this a 2015 Oscar contender or do you want to seek revenge against me for even asking?