Weekend Awards Wrap-Up: New Year, New Winners

by Cláudio Alves

Marianne Jean-Baptiste and Michele Austin are keeping HARD TRUTHS in the awards conversation.

It's been a while since our last Weekend Awards Wrap-Up. So long that the year changed, as we all bid adieu to 2024 and welcome 2025 with open arms. Mayhap inspired by a sense of annual renewal, critics groups varied up their game a tad. Colman Domingo is now leading in the number of wins, trumping Adrien Brody in Best Actor, while Margaret Qualley is pulling ahead of her other co-leads masquerading as supporting actresses. Yet, the week's biggest story is Marianne Jean-Baptiste securing the critical trifecta of the NYFCC, LAFCA, and NSFC. This feat has never before been achieved by a woman of color and has only once been given to an actress who AMPAS didn't then herald with an Oscar nomination of their own…

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Team Experience Oscar Predictions: Pre-Globe Jitters

by Cláudio Alves

Wake up, Ani. The Team Experience sees lots of gold in your near future!Mere hours before the Golden Globes kickstart the televised part of the season and crown the first big precursor winners, let's unveil the Team Experience Oscar predictions. As in years past, various members of The Film Experience's writing team were asked to deliver their Academy Award predictions, contributing to some collective punditry. This season, you can count on my best guesses and those of Eric Blume, baby Clyde, Eurocheese, Abe Friedtanzer, Christopher James, Ben Miller, Nick Taylor, plus the one and only Nathaniel Rogers. For this first set of team predictions, we've focused on the so-called "above the line" categories, plus Animated and International Film for good measure. In other words, the races that tonight's ceremony might shake up…

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Oscar Volleys: Best Picture is all about Narratives

Here’s Cláudio Alves and Ben Miller on the Best Picture race...

THE BRUTALIST, Brady Corbet | © A24

CLÁUDIO: Hello Ben, it's time to discuss the biggest category of them all - Best Picture.

This year, I'm sad to say I'm not especially passionate about the top contenders. Indeed, taking a glance at my rankings, it's likely that not a single nominee even cracks my top 25. Then again, miracles do happen once in a while, even when all seems said and done. Even so, imagining an AMPAS lineup without Anora, The Brutalist, Conclave, Emilia Pérez, or Wicked seems increasingly difficult. In those times before the category's re-expansion to ten nominees, these would be the five I figure most folks would be predicting. Do you concur? 

BEN: I am really enjoying the variance in this year's race…

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Oscar Volleys: Best Adapted Screenplay is a confusing mess!

Lynn Lee and Christopher James discuss the race for the Adapted Screenplay Oscar...

EMILIA PÉREZ, Jacques Audiard | © Netflix

LYNN: Another year, another head-scratcher over what counts as “adapted” for Oscar purposes.  To be sure, this season there doesn’t seem to be any classification controversy on the level of last year’s Barbie kerfuffle. But, as ever, there’s some pretty transparent strategic positioning – such as the decision to campaign Emilia Pérez in adapted instead of original, which was likely driven by an assessment that adapted is the less competitive of the two this year.

Does that calculation seem right to you, and will it pay off? And does this mean we might have two musicals nominated for adapted screenplay this year, if Wicked also gets in (as I think it will)? Has that ever happened before?

CHRISTOPHER: I love the ever changing definition of “adapted,” which just seems to be “can you point to any written source that kinda relates to your film.” This year is such a strange year, as all of the frontrunners would be considered odd picks in past years...

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BAFTA Longlists: "Emilia Pérez" rises, Jolie falls

by Cláudio Alves

Jacques Audiard's EMILIA PÉREZ scored 15 mentions in the BAFTA longlists.

Just when you think you're starting to get a grip on the season, here come the BAFTAs to throw a wrench into the proceedings. Well, in some cases, they just confirm what most already suspected. Consider the way Emilia Pérez dominates their longlists - an expected outcome if I've ever seen one - as well as the love for Conclave, Anora, The Brutalist, and a few others. The snubs are more glaring, like Angelina Jolie missing in the Best Actress final ten, or the complete shut-out of September 5 which, until now, seemed like a solid contender for at least three Oscar nominations – Picture, Original Screenplay, Editing. Truth be told, it might still get them all, but this is a stumble in their race for gold, nevertheless.

More commentary and the complete BAFTA longlists after the jump…

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