Nathaniel's Final Oscar Nomination Predictions

by Nathaniel R

It's that time to finally stop over-analyzing and just share it! Long time readers might say "what over-analyzing? you've barely spoken!" but please know that I've still been over-analyzing in my head if not out loud. But let's do this quickly and move on that strange long deadspace between nominations and Hollywood's High Holy Night, the time period in which we hope to be more active and really dive into the Oscar contenders and our own personal awards. But before we get there: FINAL OSCAR NOMINATION PREDICTIONS...

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Oscar Volley: Best Supporting Actor

It's the final pre-nomination Oscar volley. Here's Eric and Chris to discuss Best Supporting Actor

A win for Ryan Gosling in "Barbie" would age so well. But Oscar rarely goes comedic.

CHRIS:  Hey Eric! It's Barbenheimer 2.0 in the Best Supporting Actor race. In my mind, the two most secured nominees in the bunch are from the pair of box office summer behemoths - Robert Downey Jr. in Oppenheimer and Ryan Gosling in Barbie. It'll be interesting race to see if Gosling can overtake Downey Jr. to win for a comedic performance, but that's a post-nomination conversation. It's not just that both of these men starred in the hottest movies of the year, they gave indelible performances that are cemented in the conversation this year (well, I would say Gosling did, but I'll hold space for the Downey lovers). 

May December was gaining momentum and critical acclaim at just the right time to be a major awards player (at least around the time the Globe nods were announced), which made me ecstatic...

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Oscar Volley: Best Director could be 2012 all over again

Team Experience is discussing each Oscar category before the nominations come out. Here's Eric Blume and Glenn Dunks to talk Best Director...

ERIC:  Hi Glenn, excited to dive into this year's crop of Best Directors with you.  To me, the big question is whether all three of the "big gun pictures" will carry their directors to nominations.  That's Martin Scorsese for Killers of the Flower Moon; Christopher Nolan for Oppenheimer; and Greta Gerwig for Barbie.  I personally can't get too excited about Nolan or Scorsese, even though they both do expert work but nothing that rattled my cage.  I think one of Gerwig's biggest achievements directing that film...and this is no easy feat...was dealing with what must have been BINDERS of notes from Mattell and Warner Bros and still delivering the film she set out to make...

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BAFTA makes a split-decision on "Barbenheimer"

by Nathaniel R

Sandra Hüller scored double nominations with BAFTA. Can she repeat that trick at the Oscars?

While "Barbenheimer" has largely led the American precursor system's many many many many many awards bodies / nomination tallies, the British felt differently. They'll take only the latter half of that summertime phenom; Oppenheimer nabbed 13 nods but Barbie only received 5. The runner up to Oppenheimer's British dominance was Poor Things with 11 citations (though none of those went to either of its two supporting actors who've had a curious precursor season despite being in such a popular film.) Killers of the Flower Moon and Anatomy of a Fall and Germany's Sandra Hüller (double-nominated) were also very popular with BAFTA voters. 

All the nominations and commentary are after the jump...

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Oscar Volley: Will there be any surprises in Best Cinematography?

Team Experience is discussing each Oscar category before the nominations are announced. Here's Eric Blume and Lynn Lee to talk Best Cinematography...

ERIC:  We have the pleasure of discussing the insanely talented cinematography candidates this year.  It seems like this year's two big awards players, Oppenheimer and Killers of the Flower Moon, will certainly make the slate here...so, can I say, why I am not particularly excited about the work of either Hoyte van Hoytema and Rodrigo Prieto for these two films?  Don't get me wrong, both are beautifully lensed films and these men are brilliantly talented, but their work seemed more standard than inspired. 

Neither world, neither Oppenheimer's labs and offices nor Moon's flat plains, are the most visually exciting terrains, and while both men work with their respective directors to build a few lovely frames, I was definitely more knocked out by the imagery in some other films this year...

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