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Entries in The Gambler (4)

Thursday
Jul072022

James Caan (1940-2022)

by Nathaniel R

autographed photo -- for sale here

Oscar nominated screen legend James Caan died yesterday evening at the age of 82. The news came via his official twitter account. His uncommonly masculine star persona was often deployed for menace but his charisma read 'leading man' even though that mode happened less often. His career was marked by stratospheric highs, major lows, and some degree of ambivalence; He regularly turned down roles (including several that became iconic for his peers) in both movies and on television. He's best remembered today primarily for two pieces of art, the gangster epic The Godfather (1972) and the fan/artist thriller Misery (1990). They don't paint the whole picture of that expansive career though which began in the early the early Sixties and and will stretch into next year. He completed one picture, set for 2023, a darkly comic crime/action movie starring Pierce Brosnan (with Caan playing his mob boss) based on the novel Gun Monkeys. He also did some filming for a sheriff role in a crime drama called Redemption though we don't know if he had completed his work there. 

After the jump a selection of 10 key roles to understand his career if you'd like to program your own Jimmy Caan film festival at home...

Click to read more ...

Tuesday
Nov182014

Podcast: A Most Violent Citizen Four Theory in Selma, Alabama

Hooray!

It's a new festive and festivalish episode of the podcast. Since Oscar fever has begun to spread we refer to it even more than usual as we discuss the AFI premieres, Ava DuVernay's Selma with this podcast's boyfriend cinematographer Bradford Young, John Goodman's scene stealing in The Gambler, Jessica Chastain clawing her way into Supporting Actress, Citizen Four's competition for Documentary gold, and split reactions to The Theory of Everything

The podcast features Nick Davis, Joe Reid, Katey Rich, special guest Anne Marie Kelly, and your host Nathaniel R

38 minutes
00:01 Premieres: A Most Violent YearSelma, The Gambler
13:20 Jessica Chastain's fingernails
15:24 Sophia Loren's hips
18:10 Citizen Four 
28:17 The Theory of Everything


You can listen at the bottom of the post or download on iTunes. Continue the conversation in the comments! 

AFI Memories, Citizen Four, Theory of Everything

Sunday
Nov162014

AFI Fest's Gala Premieres: 'The Gambler' and 'The Homesman'

Margaret here, reporting from the LA festival beat with short takes on some would-be Oscar contenders.


The Gambler
Screenwriter William Monahan (The Departed), director Rupert Wyatt (Rise of the Planet of the Apes), and star Mark Wahlberg joined forces on this remake of the 1974 James Caan movie of the same name, and the result is certainly stylish. It's well-shot, coolly assured, and smartly paced. Wahlberg leads the movie capably as Jim Bennett, a man from a rich family with a solid career who has nonetheless dug himself to rock bottom with extravagant compulsive gambling. 

The film is at its best when it engages with the question of why someone whose life is granted so much privilege so systematically pisses it all away. John Goodman, typically scene-stealing as a dangerous loan shark, makes many salient points about Jim's decisions, which are either self-destructive or indefensibly stupid.  To its detriment, the film ultimately succumbs to the impulse to romanticize its protagonist, asking the audience to cheer and respect him when he  finally makes his first sound decision.

The supporting cast is largely excellent; it will surprise no one that Jessica Lange wrings every ounce of personality, pathos, and curdled maternal affection from her few minutes of screentime. Even so, she makes little impact on the movie because, like the protagonist, it brushes her away. The Gambler can claim the dubious achievement of completing the Stock Female Character hat trick: (1) a maternal figure who exists to thanklessly prop up the male lead, (2) a pretty young thing (Brie Larson) who we're told is a stone-cold genius, but is given no development arc and has inexplicable romantic interest in the lead, and (3) a passel of nameless and faceless strippers. Slow clap. 

These are not deal-breakers for every moviegoer, but they're emblematic of the film's general reliance on familiar beats instead of showing us something new.

 

The Homesman
BREAKING NEWS: Tommy Lee Jones smiled upwards of twice when introducing his newest film at AFI Fest. He had glowing things to say about the whole cast, particularly  "the miraculous Hilary Swank", who more than earned her praise. The Homesman is a stubbornly unromantic and prickly western, but Swank anchors it with a very fine, emotionally vivid performance.

The Homesman's portrait of life in the Nebraska Territory is bleak; life is hard, and heroism a luxury. When a town meeting is called to order the transport of three mentally ill women (Grace Gummer, Miranda Otto, and Sonja Richter) back to family in Iowa, their husbands shrink from the task. The staunchly moralistic Mary Bee Cuddy (Swank) takes on the assignment, knowing it will be a miserable and dangerous enterprise, because no one else will do it and she knows it must be done. Upon acquiring a traveling companion in a self-interested claim jumper who may be named George Briggs (Tommy Lee Jones), she sets off with her dead-eyed charges.

There are many well-conceived notes in the movie. A knife fight over a disinterested captive, Mary Bee silently playing an embroidered set of piano keys for lack of a real instrument, a flashback to a passenger's slow break from sanity-- each hints at a poignancy that never feels realized in the film as a whole. The tone occasionally veers into incongruous places-- Tommy Lee Jones' introduction is oddly slapstick, and there's a vengeful sequence in the third act that would have been more at home in Django Unchained-- and while the story doesn't conform to any expected trajectory, neither does it end as strongly as it began. 

The movie didn't leave me sure exactly what story its makers wanted to tell, or at least, it never convinced me of why they were telling it. Even so, it's at times both moving and starkly beautiful, and will not be easy to forget. 

Monday
Dec232013

The Wolf on Link Street

Parade 10 movie locations worth visiting from Walter Mitty to Sideways to Harry Potter and more...
Cinephilia and Beyond has links to all 2013 screenplays available for download legally direct from studios
New Yorker the best movies of the year
Slant best posters of the year
Variety The Santa Barbara Film Festival is celebrating the Before trilogy with screenings. I love that trilogy but what ISN'T Santa Barbara celebrating? I swear they have some tribute to every single contender... they're like the NBR, carefully giving out enough awards to get EVERY studio to their annual dinner

The Onion "9 Photos Of Jennifer Lawrence That Will Make You Reassess The Scope Of The 1986 Vienna Convention On The Law Of Treaties Between States And International Organizations"
Deadline Brie Larson and Jessica Lange are joining lead Mark Wahlberg in the James Caan lead role in a remake of The Gambler (1974)
Vulture John Ridley on the toughest scene to write in 12 Years a Slave, the one with Alfre Woodard 

Wolfy
Dealbook how do Jordan Belfort's victims feel about The Wolf of Wall Street?
In Contention counts down Leonardo DiCaprio's best performances. Wolf scores pretty high
The Wrap a Wolf of Wall Street Academy screening gone berserk. Scorsese gets a "shame on you" from a voter.
Awards Daily Sasha Stone also chimes in with a "this is why we can't have nice things" though I'm like "this is the last time anyone is going to call the movie 'nice'. 


It's been the talk of twitter today but I love David Poland's truth-serving response most...

 

 

 

An Oscar question
Here's a new spot for Dallas Buyers Club trumpeting its prize haul thus far. That awards loot is somehow more than what's sunk in if you know what I mean... but it's been a noisy season and Focus is relatively quiet. Is Dallas Buyers Club something we're underestimating outside the obvious places (Actor & Supporting Actor)