Yes No Maybe So: "Phantom Thread"

by Ben Miller

Paul Thomas Anderson's latest joint, Phantom Thread, has him collaborating for a second time Daniel Day-Lewis (who is reportedly retiring following this film). The Christmas release follows the true story of 1950s London fashion designer Reynolds Woodcock.  Tagging along are his muse Alma (Vicky Krieps) and his sister (Lesley Manville).

After a long long wait, the first poster and the trailer have arrived. See them after the jump as we nail down the Yes, No, and Maybe So of it all…

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Interview: Grace & Frankie's Emmy-nominated costume designers

by Nathaniel R

One of the most satisfying moments of Emmy nomination morning was the contemporary costume nomination for Grace & Frankie. The Netflix sitcom starring Jane Fonda and Lily Tomlin is hot off its third and best season. The writers and creative team seem to know the characters and their interpersonal dynamics, in and out at this point. That intimacy is abundanctly evidence in the terrific costuming. Until the television Academy split off their costume design category into period and contemporary, their was little opportunity for designers who specialize in contemporary clothing to be honored no matter how strong their work - exceptions like Sex and the City were all too rare.

I had the opportunity to discuss Grace & Frankie's worthy and vibrant work with its three nominees Allyson B Fanger the costume designer, Heather Pain, her assistant costume designer, and Lori DeLapp the costume supervisor. Their overlapping answers, despite their separate duties, and light ribbing over the abundance of statement piece jewelry worn by Frankie were ample evidence that they're totally in synch.

That's true whether or not their subjects Grace (Jane Fonda) and Frankie (Lily Tomlin) are seeing eye to eye in any given episode...

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Emmy Review: Outstanding Period/Fantasy Costumes

by Nathaniel R

The television Academy split up the costume categories at the Emmys just a few years ago. Given that all awards bodies default to period work over contemporary work if they have a choice between the two (sigh) it's good that they did this. Now contemporary costumes will be able to actually win prizes! This period category, then, feels more like a continuation of the original Emmy category "Outstanding Costumes for a Series"

The nominees are...

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Oscar Chart Updates - Everything!

The Oscar Charts are all freshly updated (but for the second two pages of foreign film submissions which will go up very soon). It's an exciting time because before the fall festivals hit and while we're still contemplating the highlights of the year's first seven months, it seems like anything's possible. That feeling will soon dissipate of course but for now, (almost) anything goes. Biggest gains this update go to The Papers, mother!, The Big Sick, and Wonder Wheel. Meanwhile Wonder Woman enters several charts, though not with much in the way of current predictions as it gears up for a campaign. Dunkirk solidifies pre-release Oscar faith now that people have layed eyes on it en masse. Taking the biggest hit this time is Detroit tas it gears up for wide release but is proving divisive and controversial. Our initial hunch/faith in The Snowman (due primarily to the director) dissipates with its somewhat generic thriller trailer.

And here's the wonderfully opaque teaser for mother! which might be exactly the kind of thing that works in acting categories (where psychological horror is sometimes popular if the film is a hit) so I've had to boost Jennifer Lawrence up in the Best Actress chart... not sure what I was thinking to so undervalue her previously...

Check out the charts and report back, won'cha?

• INDEX • PICTURE • DIRECTOR • ACTRESS • ACTOR • SUPPORTING ACTRESS • SUPPORTING ACTOR • VISUAL CATEGORIES • SOUND CATEGORIES • SCREENPLAYS • ANIMATED FEATURES • FOREIGN SUBMISSIONS PT 1

Wakanda Forever!

Chris here. Everything for Ryan Coogler's Black Panther just continues to look better and better. We got a pretty rousing trailer a while back, and now EW has a whole slew of photos to tease next year's first Marvel extravaganza.

The photo set gives us a closer look at this star-packed ensemble and promises unique character design. Coogler is apparently drawing on both The Godfather and the James Bond series for his narrative inspiration, but these aesthetics take my mind closer to 80s and early 90s fantasy epics for their gorgeous genre craftsmanship. The go-for-broke oppulence of Ruth E. Carter's costume design looks to be a hybrid of sci-fi tropes and African influences, certainly the most eye-popping Marvel has delivered. If you've been begging Marvel to break its mold, it looks like Black Panther could be a superhero oasis of originality.

Some favorites after the jump...

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